Birds of Prey The Complete Series Review

  • Series Title: Birds of Prey
  • Season: 1
  • Episodes: 13
  • Discs: 4
  • Network:  WB (Warner Brothers)
  • Cast: Ashley Scott, Dina Meyer, Rachel Skarsten, Shemar Moore, Ian Abercrombie, Mia Sara
  • DVD: R1, NTSC DVD

The WB’s Birds of Prey is loosely based on DC Comics various Birds of Prey comic book series. The series features three female superheroes: Oracle, Huntress, and Dinah, the teenaged daughter of Black Canary. Oracle is Barbara Gordon who was once Batgirl until she’s shot by the Joker and paralyzed (an event that is shown in the title sequence of every episode of this series). Barbara is a school teacher in this version of Birds of Prey, not a librarian and information specialist. Although she is an expert in computers, technology and information gathering (or as Alfred puts it in the introduction, “Master of the Cyberrealms”). She’s also dating Wade, another teacher from her high school. Huntress, Helena Kyle, is the daughter of Batman and Selina Kyle (Catwoman). In this version of the story, Selina gave up her life as a cat burglar when her daughter was born, but also raised her alone. Helena doesn’t even find out Batman is her father until after her mother is killed. Helena was young at the time of her mother’s murder, probably around eight to eleven (her exact age isn’t stated). Helena is also a metahuman. The intro on each episode describes her as “half-metahuman”, which doesn’t make sense – she has metahuman abilities so she is a metahuman, but I think they are using that term so the audience knows only one of her parents was a metahuman. Dinah runs away from her abusive foster family and finds the Birds of Prey. She has psychic powers including prophetic dreams and telekinesis, etc. As she’s young, she’s still learning her powers and Barbara and Helena take her in to train her. Alfred Pennyworth watches over the heroes, especially Barbara. Helena also meets the “one good cop” in the city, Reese, and they become uneasy partners, then friends, and finally somewhat romantically involved. The story takes place in New Gotham after Gotham City’s been destroyed in a disaster and Batman has disappeared.

All three women in Birds of Prey are awesome heroes and great fighters, yes, even Barbara. Helena’s fight scenes are always well-choreographed. Dinah is learning about her powers and how to be a hero and her abilities and confidence grow during the short series. Oracle is usually the voice in Helena’s ear, but she has the ability to take care of herself as needed. She’s given an arc with the development of her relationship with her boyfriend, Wade. Dinah’s mother, Black Canary comes back for one episode but is then killed. Mia Sara is Dr. Harleen Quinzel, who happens to be Helena’s court-ordered therapist, and a criminal psychopath trying to take over New Gotham – something of which the Birds of Prey are completely unaware.

The pilot introduces the characters, New Gotham, and the set-up for the series like any pilot. Individual episodes usually have a crime committed in Gotham that Reese is assigned to investigate. Helena works with Reese. The criminal usually turns out to be a Meta, so Dinah and Oracle help. The Birds and Reese eventually capture or stop the Meta. Often “stop” means the meta is killed, often by their own actions. There’s also a hidden Meta Bar at a place called No Man’s Land Collectables, with a bartender named Gibson who has the meta ability to remember every single thing he’s ever done, experienced, tasted, or seen, which is more of a curse than an ability. The “Meta crime happens, Reese and the Birds investigate, the Meta is stopped” formula is livened up by the continuing storylines for each of the Birds: Barbara’s relationship with Wade, Helena’s relationship with Reese, and Dinah’s coming to terms with her powers and later, losing her mother. There’s also some great fight scenes and the Metas that the Birds and Reese take on are interesting. There’s also the storyline of Helena opening up to her therapist, who happens to be Harley Quinn – opps.

In the final two-parter, first, the Birds go up against Clayface and a meta who turns out to be his son. Helena finds out it was Clayface who murdered her mother. Since Clayface is already in solitary confinement at Arkham, there isn’t anything more she can do. But she opens up to Dr. Quinzel, and this both sets up the final episode and causes lots of problems. In the final episode, Dr. Quinzel gets a scientist to develop a machine that transfers metahuman powers. Harley steals the power to deeply hypnotize people. She hypnotizes the scientist to jump out the window and the meta whose powers she took doesn’t survive the process. She’s learned from Helena about Barbara and Wade then hypnotizes Helena to do her bidding. She also kidnaps Gibson. Reese is called the investigate the double death of the scientist and the meta. There’s a disturbance at the metahuman bar, which the Birds investigate. Helena, under Harley’s influence, gives her information on the clock tower base and even Alfred ends up hypnotized. Harley kills Wade and brags about it to Oracle. She uses the tech in the clock tower to send a hypnotic signal to all the televisions in New Gotham and the city breaks out in rioting and craziness. However, Barbara comes up with a cure to the hypnotism and gets Helena back, and then develops polarized contacts to block Harley’s powers. Oracle, Huntress, Dinah, and Reese, with some help from a cured Alfred, are able to stop Harley and reverse her takeover of New Gotham’s televisions (and thus the city’s people). Harley is sent to Arkham. Alfred makes a phone call at the very end of the episode that’s really cool, which I won’t spoil, but if the show had a second season it could have led to something very interesting.

I enjoyed this show, though as this was my second watch through I noticed some of the show’s faults. Other than the pilot and the final episode, the general formula is there’s a crime, it’s a meta, the Birds have to figure it out, the Birds have to convince Reese it’s a Meta, and then they come up with a plan to catch the Meta. The continuing story and character development for two of the three main characters have them in a romance. But I actually enjoyed the story between Reese and Helena. And the story between Barbara and Wade didn’t shy away from her disability – especially in showing how against their relationship Wade’s parents were. It was a shame to see Wade fridged though. Overall, I like Birds of Prey and I can recommend it. This series dates from 2002 and aired on the WB Network which no longer exists. The DVDs also include Gotham Girls, a series of short animated adventures of Harley Quinn, Catwoman, Poison Ivy, and Batgirl.

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Book Review – Doctor Who: The Lost Dimension Book Two

  • Title: Doctor Who The Lost Dimension Book Two
  • Authors: Gordon Rennie, Emma Beeby, George Mann, Cavan Scott
  • Artists: Ivan Rodriguez, Wellington Diaz, Rachael Stott, Mariano LaClaustra, Anderson Cabral, Marcelo Salaza, Fer Centurion, Thiago Ribeiro, Mauricio Wallace, Carlos Cabrera, Rod Fernandes, Mony Castillo, Richard Starkings, Jimmy Betancourt
  • Line:  All-Doctors Crossover Special
  • Characters: Fourth Doctor, Eighth Doctor, Ninth Doctor, Tenth Doctor, Eleventh Doctor, Twelfth Doctor, Romana II, Rose, Gabby, Cindy, Alice, Nardol, Bill, Cameos by other Doctors and Companions
  • Collection Date: 2018
  • Publisher: Titan Comics
  • Date Reviewed on GoodReads: 03/27/2019

Titan Comics’ The Lost Dimension Book Two is the second volume in this series, which concludes the story. This volume opens with the Fourth Doctor as played on the BBC series Doctor Who by Tom Baker and Romana II in the TARDIS, but instead of materializing the TARDIS is caught between two transmat beams. When the Doctor and Romana exit the TARDIS they are confronted with Krotons, from the Second Doctor story, “The Krotons”, but these Krotons are considerably more dangerous. The other ship is crewed by Quarks from the Second Doctor story, “The Dominators”. Soon a spaceship appears from the Ogron Confederation of Planets and tries to take over. The Doctor soon realises that all of these new invaders are from other universes, universes without the Daleks. He and Romana manage to escape in the TARDIS after convincing the new invaders to leave the universe with the Daleks in it.

Meanwhile, Dr. River Song and her graduate student discover a lost colony of Silurians who are about to be destroyed by an asteroid crashing into their planetoid. Things do not go well.

The Ninth, Tenth, and Twelfth Doctors meet up in Australia while investigating the infection that turns humans into automatons saying, “peace”. They realize the Doctors TARDISes are all linked and that several versions of the Doctor have already been lost in the white void universe. The Eighth Doctor also arrives. The Ninth, Tenth and Twelfth Doctor use Jenny’s Bowship to investigate the White Void that is taking over everything. The Eighth Doctor stays behind to try to protect the humans on Earth from the infection of the Void. The three Doctors in the bow ship find at the center of the Void, an ancient TT capsule, and the Eleventh Doctor. The time capsule is eating everything in sight, consuming whole galaxies. The three Doctors are able to talk to the Eleventh Doctor, who needs help. Together the Doctors manage to fix things for the Time Capsule (ancient TARDIS) and reverse the damage. Everyone is then safe and able to go home.

The Lost Dimension Book Two is a good conclusion to the story. Book One had introduced the Eleventh Doctor’s journey to Gallifrey, and Book Two focuses on solving that mystery and concluding the story. Book Two also has more Doctors working together, with a minimum of the various aspects of the Doctors sniping at each other. Other than the Fourth Doctor and the Eighth Doctor, though, the Classic Doctors are still only seen in cameos, although having all the Doctors working together to rescue the Eleventh Doctor and reverse the damage caused by the TT Capsule works and makes this seem like a true multi-Doctor story. I enjoyed this graphic novel, though I did find it extremely confusing at times and I had to read it multiple times to really figure out what was going on. Still, recommended.

Read my Review of Doctor Who – The Lost Dimension Book One.

Book Review – Doctor Who: The Lost Dimension Book One

  • Title: Doctor Who The Lost Dimension Book One
  • Authors: George Mann, Cavan Scott, Nick Abadzis
  • Artists: Rachael Stott, Adriana Melo, Cris Bolson, Mariano LaClaustra, Carlos Cabrera, Leandro Casco, INJ Culbard, Rod Fernandes, Marco Lesko, Dijjo Lima, Hernan Cabrera, IHQ Studios, Richard Starkings and Jimmy Betancourt
  • Line:  All-Doctors Crossover Special
  • Characters: Ninth Doctor, Tenth Doctor, Eleventh Doctor, Twelfth Doctor, Rose, Gabby, Cindy, Alice, Nardol, Bill, Cameos by other Doctors and Companions
  • Collection Date: 2018
  • Publisher: Titan Comics
  • Date Reviewed on GoodReads: 03/24/2019

The Lost Dimension is Titan Comics attempt to do a crossover story with all the Doctors both from the Classic Series and New Who. However, even at two volumes (second volume to be reviewed separately), it doesn’t work as well as it should. The stories end up being more vignettes than a single, coherent story, and at times stories aren’t even told in order, which is confusing – even after multiple reads. Jenny’s story is particularly told backward: first, we see her trying to save Captain Jack and Tara who have arrived on a planet that is full of volcanic activity and very dangerous. But Jenny is unable to rescue them and is sucked into a white void. She’s pushed out of the void by the Fifth Doctor’s TARDIS which is sucked into the void in her place. Jenny’s ship is damaged. But the next thing we see in the book is Jenny crashing into the Terrance Dicks library on Earth – in a different ship. Later, we learn what happened to Jenny after she was freed from the Void and how she got her Time Lord Bow Ship, which subsequently crashed into the library. The story would have been stronger if it had been told in order.

There are other vignettes – the Twelfth Doctor is there with Bill when Jenny crashes her ship into the library. Kate Stewart arrives with Osgood to slap a D-notice on the incident. But some sort of radiation affects Osgood and everyone else, so they are all saying, “Peace”.

The Ninth Doctor and Rose arrive on a pirate ship, captained by Vastra and Jenny. The ship crashes into an island hidden by a perception filter. It’s home to a colony of Silurians, but unfortunately for Vastra, these Silurians have a plague that can kill her. Still, the Doctor and Rose pick-up a psychic message from Captain Jack – which the Doctor ignores.

The Tenth Doctor, Cindy, and Gabby arrive on a space station, where they are welcomed with open arms. The Doctor fixes the station’s power overload, but he can’t do a lot about an invasion of Cybermen. That the Cybermen have been affected by the White Void and are acting weird just makes the situation that much more strange.

The Eleventh Doctor and Alice end-up on ancient Gallifrey, just as the Time Lords are beginning to experiment with time and space travel. Even though the Doctor warns Alice they must be extra careful and not interfere, the Doctor, well, does. He walks in on a TARDIS training session and uses calming persuasion instead of “breaking” to get the new time-space capsule to accept an interior dimension bubble. His success convinces Rassilon that the Doctor will be perfect for his test pilot program. Alice gets a warning about this from the Second Doctor, but when she gets to the training and testing center – it’s too late, the Doctor’s time/space capsule has exploded with him inside it.

We also see brief cameos of the Third Doctor in this volume as he briefly appears in one of his successors TARDISes. The story will be continued in the next volume.

Most of the stories in this volume felt somewhat disjointed and out of sync. Just as one was getting involved in the individual story of an individual Doctor and companions, that story would end on a cliffhanger. The cliffhangers usually weren’t resolved, so it left the reader hanging. Also, The Lost Dimension promises to feature all Twelve Doctors – but the Classic Doctors only appear in cameos, and the New Who Doctors get longer stories within the main storyline. Not that the New Who stories are bad – I enjoyed them. Titan Comics has excellent writers for their various New Who series. I was frustrated by the unresolved cliffhangers though. The general storyline involves this White Void that’s taking over space. Still, recommended.

Book Review – Gentleman Jole and the Red Queen

  • Title: Gentleman Jole and the Red Queen
  • Author: Lois McMaster Bujold
  • Date Reviewed on GoodReads: 03/17/2019

Lois McMaster Bujold’s Miles VorKosigan series has always been one of my favorites. The books are funny, poignant, and quick reads. This story takes place three years after the death of Aral VorKosigan, Cordelia’s husband and Miles’ father. Miles is now Count VorKosigan and living on Barrayar with his wife and five children. Widowed Cordelia is the Vicereine of Sergyar – the planet where she and Aral met so many years ago. Admiral Oliver Jole is a close friend of the family. It turns out that Aral was bisexual and Oliver was his lover for over 20 years, with Cordelia’s permission. The trio had even experimented with being a threesome, but only somewhat successfully.

Oliver and Cordelia cross paths on Sergyar and quickly renew their friendship and then become “friends with benefits”. Cordelia also takes frozen gametes to the Reproduction Center on Sergyar and gets herself six new daughters-to-be. She has one placed in a Uterine Replicator and the rest frozen for later use. She also has some leftover “eggshells” from the process – which she donates to Jole. Jole will initially freeze these genetic specimens but eventually decide to have three boys of his own using the Rep Center’s advanced technology.

Cordelia and Oliver date, sleep together, and try to figure out what they will do with their lives. Cordelia decides she will retire as Vicereine to raise her new daughters. Admiral Jole is offered a plum promotion to Chief of Operations for the Barrayarian Military, a post he eventually turns down so he can retire with Cordelia and raise his own new family.

Miles arrives with his wife and children to find out what is going on with his mother. It takes a little while but eventually Cordelia explains she’s sleeping with Jole, she is going to use tech to have six daughters with Aral and eventually Oliver tells Miles’ about his own family plans. It takes Miles a little while to absorb all this but he eventually adapts and he’s happy about his mother’s happiness.

I enjoyed this book – it starts a little slow, but speeds up once Miles finally arrives (with wife, five children, and nannies in tow). The scenes at Jole’s birthday picnic are marvelous. There’s also a more technical plot with moving Sergyar’s capital city away from a Volcanic Zone to someplace more temperate and suitable to living. This almost functions as a McGuffin as it functions as an excuse for furthering the plot. The book is really about the people: Cordelia, Jole, Miles, and the people around them. This book also really feels like it’s a conclusion to the entire Miles VorKosigan series, letting the reader know all the characters are OK and will be happy, even after Aral’s death. Still, it’s an enjoyable read and highly recommended. This volume isn’t really stand-alone as it refers back to various events throughout the entire Miles VorKosigan series of books. Recommended.

Star Trek: The Next Generation Season 6 Review

  • Series Title: Star Trek: The Next Generation
  • Season: 6
  • Episodes: 26
  • Discs: 7
  • Network:  First-Run Syndication (produced by Paramount)
  • Cast: Patrick Stewart, Jonathan Frakes, Gates McFadden, Brent Spiner, LeVar Burton, Marina Sirtis, Michael Dorn
  • DVD: R1, NTSC DVD

As with all of my ST: TNG reviews I skipped the first episode of Season 6, which was reviewed with Season 5 and I also will include the first episode of Season 7 with this review. This is due to the season-ending two-parters. Much of Season 6 of Next Gen I found to be very flat, and at times even boring. The stories weren’t bad, but they weren’t good either. I’m not sure if this is due to the unhappy coincidence of having just watched series 11 of Doctor Who and season 2 of The Handmaid’s Tale both of which are extremely good, or if, objectively Season 6 of ST: TNG just isn’t that good. I just felt that even in comparison to Season 5 of ST: TNG, Season 6 just doesn’t hold up. Season 5 gave us episodes with ideas to think about, even disagree with (“The Perfect Mate”) but many of the episodes of Season 6 are just there.

This season includes the two-part “Chain of Command” aka “Picard is tortured and develops Stockholm Syndrome”. In Season 5, rogue Star Fleet officers tried to use a Bajoran freedom fighter to involve the Federation in a war against the Cardassians. This time around, a Star Fleet Admiral relieves Picard of his command of the Enterprise and appoints the war-mongering Captain Jellico in charge of the Enterprise, and sends him on a “diplomatic mission” to meet some Cardassians. That’s right, this Admiral replaces Star Fleet’s best diplomat with a guy determined to start a war for fun. But that’s not all – Picard, Dr. Beverly Crusher, and Lt. Worf are sent “behind enemy lines” to a Cardassian outpost to search for WMDs, specifically a biogenic plague. Of course, when they get there, there is no plague and no weapons of any kind. Crusher and Worf escape but Picard is captured. A Cardassian (played with relish by David Warner) tortures Picard for information on the defenses of a Star Fleet Outpost – which Picard has no information about. Even after it’s obvious that Picard doesn’t know anything about the Outpost, the Cardassian continues his torture and mind games. Meanwhile, the Star Fleet Admiral and Captain Jellico seem determined to turn the diplomatic talks into a war. Eventually, events force the Cardassian to release Picard. And because there is no follow-up between episodes of ST: TNG, Picard’s severe physical and psychological torture is never mentioned again.

“Face of the Enemy” has Counselor Troi turned in to a Romulan. The episode involves helping some of Spock’s Romulan Resistance members escaping and seeking asylum in the Federation. It’s actually a good episode, and one I enjoyed.

“Birthright” is another two-part episode, focusing on Lt. Worf, who is having a Klingon crisis of faith. He receives some information from an information broker that his father is alive and living in a Romulan prison camp. Worf’s father isn’t one of the survivors of Khitomer but several Klingons and their children, including children of Romulan/Klingon matings are living in a community on a hidden Romulan colony. At first, Worf is appalled – Klingons and Romulans have been mortal enemies for centuries. He begins to teach the children about their Klingon heritage and beliefs, something their parents and the Romulans in the colony haven’t done. Things come to a head as several of the children desire to leave the colony and see the Klingon homeworld. Eventually, Worf decides on a compromise – he will take the children and anyone who wishes to leave with him, but he will not tell anyone they are survivors of Khitomer, rather he will say he found survivors of a colony ship crash. Worf also will not tell anyone about the colony where Klingons and Romulans live together in peace.

“The Chase” involves an old archaeology professor of Picard’s showing up and offering him a new job on a fantastic project. Picard, of course, declines, because he doesn’t want to give up command of the Enterprise. Who could blame him? The professor is killed, but the Enterprise gets some of his research. Before long, the Federation, some Klingons, some Cardassians, and eventually some Romulans are all trying to crack the code of the professor’s research, which includes DNA fragments that are shared by all intelligent space-going races in the Federation. Dr. Crusher and Picard even convince some of the players to combine their resources and information to crack the code. They finally wind-up on a long-dead planet, where they find a tiny bit of DNA and play a message. the message is from a humanoid being who explains they left this message and coded it in the Primordial Soup of many planets because they were lonely in the galaxy, and wanted to help new life to develop in their image. The Klingons who wanted a weapon, the Cardassians who wanted a power source and the Romulans are disappointed, to say the least. And even the Federation who wanted information about the galaxy seemed to think this message wasn’t worth the hassle to get it. Essentially, the entire story seemed to be inspired by the folk song, “One Tin Soldier”. Also, it explains why “aliens” in Star Trek look so human.

“Descent Part 1” finishes the season with part 2 on Season 7. This episode brings back the Borg, Lore, Data’s “brother”, and the Admiral who was out to start a war with the Cardassians. A Federation Outpost is attacked and the Enterprise discovers it was a Borg attack – but these Borg seem different. The Admiral shows up, orders thirty starships into the area to defend the border, and reads Picard the riot act for releasing Hugh-the-Borg last season. Data starts to act weird. The Enterprise crew figures out that the ship that attacked the Outpost uses a “transwarp conduit” to get away. It’s basically an artificially generated wormhole. They follow. Data leaves the Enterprise. The Enterprise searches for him and discovers a planet of Borg with individuality. They are being led by Lore, who is using a carrier wave to control Data by feeding him addictive emotions. Although Data a first tortures Geordi at Lore’s command, in the end, with some help with Geordi and Picard rebooting his ethical program, Data kills Lore (who is later disassembled) and the Enterprise crew are rescued. Hugh is left in charge of the new Borg.

Overall, I just wasn’t that impressed with Season 6 of Star Trek: The Next Generation. I missed Guinan, who only seems to show up once. I even missed Spot, Data’s cat, who is mentioned but never seen. Although we do see Spot in part 2 of “Descent”. Still, it’s worth having the season set.

Read my Review of Star Trek: The Next Generation Season 3.
Read my Review of Star Trek: The Next Generation Season 4.
Read my Review of Star Trek: The Next Generation Season 5.

Stargate: Atlantis – Sunday Review

  • Series Title: Stargate: Atlantis
  • Episode Title: Sunday
  • Story #: Season 3 Episode # 17
  • Discs: 1 (Part of “The Complete Third Season” – 5 discs total)
  • Network: Sci-Fi (MGM Productions)
  • Original Air Dates: 6/01/2007
  • Cast: Joe Flanigan, David Hewlett, Jason Momoa, David Nykl, Paul McGillion, Torri Higginson, Rachel Luttrell
  • Format: Widescreen, Color, DVD, NTSC
  • Originally Published on my Live Journal 6/07/2007 (both entries), now hosted on Dreamwidth

This post is a combination of two posts from Live Journal reacting to the Stargate: Atlantis episode “Sunday” which was quite a surprise, to say the least. I’m leaving the content of these entries intact and only correcting spelling mistakes, typos, and the occasional wrong word.

Part 1

Ok, so what the …?

I watched “Sunday” last night, and was it just me or was the episode VERY very weird?

And, I not just talking about the fact the story wasn’t told in order – I’ve seen that before, I get it, heck -the idea of telling a story back-to-front actually goes back to a lot of classic film noirs like Sunset Boulevard and Double Indemnity.

But the non-linear storytelling aside, uh, huh? The entire episode had an almost dream-like quality to it. I actually almost expected someone to wake up at the end and say, “it’s all just a dream”? Ya’ know what I mean? Especially in the last scene. But I’m getting ahead of myself.

OK – first, who was the guy that was hitting on Dr. Weir? I don’t think I’ve ever seen him before, and yet Weir (despite trying to brush him off in one scene) seemed, when talking to Teyla later, to be interested in him. Then she drops him like a rock? What? I mean, really – Weir is not that capricious! And she’s been married before – why the heck was she acting like a teenager on her first date about the entire thing?

Second – MANDATORY REST DAY??? And this is the first we’ve heard about it in three years? I’ve WORKED in 24/7 industries, and it simply doesn’t work that way. You get days off, but everyone does NOT take the SAME day off. Believe me. And that’s in retail/grocery – hospitals, emergency services, etc, heck, even restaurants, all work like that. You are more likely to work Thursday through Sunday and have Monday off. Obviously, on Atlantis – the gate room needs to be manned 24/7, as does the infirmary, and somebody better be watching the long-range scanners (in case the Wraith show up, tho’ we haven’t actually seen the Wraith in a while). So, what’s with the sudden mandatory rest day?

I mean, don’t get me wrong – I actually liked the idea of seeing what everyone does on their day off (who figured John for a golfer or Lorne for an amateur artist?), but in terms of everyone having the same day off, it’s like, huh?

And if it was for dramatic effect – to see a quiet day suddenly going haywire – then they totally lost the dramatic effect by jumping back and forth in time.

OK, about the jumping back and forth in time, to me it almost looked like they were trying to save the episode in the editing – that it had gone waaaaaay too long, or they’d forgotten to film the exposition, or something else disastrous happened (a roll of film went missing?) but it looked like they were trying to salvage something, rather than doing something cool. That’s just my opinion. (For the record, I thought “The Ark” would have worked better dramatically without the time-jump. I mean, you knew John and Rodney would both make it!)

Right, now… CARSON – they killed CARSON???????? What he’d ever do to anybody? Dr. Carson Beckett was always sweet and kind and cute as heck (those eyes!). He, Rodney, Zelenka, were always favorites of mine (as are Weir & Sheppard). But all the way through the episode, it was like everyone was ignoring Carson, paying him no mind. I mean, really, all he wanted was for someone to go fishing with him. (And I had the sneaking suspicion that Rodney, despite what he said to Katie, would have actually enjoyed fishing with Carson).

The scene with Rodney, in a suit & tie in Carson’s rooms, packing the photographs and such was heartbreaking though. And I couldn’t help but notice the number of people in suits (not uniforms) at the funeral. Waaaahhhh! (Update: Those in suits would be Atlantis’ civilians, as opposed to the military officers in uniform.)

Oh – and the bagpipes, um, nice try guys, but – that was some of the worst bagpipe music I’ve ever heard (my local police pipe & drum band sounds better). Also, for a funeral they should have been playing “Amazing Grace”, it’s traditional, especially for someone who’s died in the line of duty. And, if not that, they should have played “Scotland the Brave” which would have worked fine.

Still – no body, so HE’S NOT DEAD!!!! Ever notice on detective stories, especially on TV, if there’s no body, if you didn’t actually see it – the character comes back? And I’ve heard rumors, just like I heard rumors about “Sunday” (ah, the net, couldn’t keep a secret…). And they brought Daniel back on SG1 after a whole season, so there’s hope. (Update: Nope, five seasons of Atlantis and no Carson. Sigh.)

Finally, that last scene between Carson and Rodney? Huh? That was strange! Very strange! I need to watch the episode again, but it almost felt like Rodney was also dead – or dreaming. And that can’t kill off my Rodney!!!

And that brings me back to my original point – the entire episode, and I mean the entire episode felt incredibly strange. It was like, there was something else going on, especially with the weird time-jumps. OK, putting aside extra-“filmic” excuses (the film went missing, the episode ran long, etc.), I almost thought that, in the end, they’d pull back and show the entire episode was from Carson’s point-of-view, that is, his dead pov. How poor Carson never felt appreciated? How he felt everyone was always brushing him off? That would have made sense. As would have the funeral then, with Weir’s speech. Even the bad bagpipe music would fit as Carson’s pov (he’d naturally be in a position to criticize the bagpipe music – he is Scottish!)

Part 2

Well, I re-watched “Sunday” again. I still think the ep. is weird — very weird. It had a whole sense of unreality to it (like the Blake’s 7 episode “Orbit”, strangely enough).

The bagpipe music didn’t seem quite so bad, but it definitely could have been better. Trust me.
And louder. NOTHING is louder than bagpipes in an enclosed space! (I’ll never forget hearing the Muskegon Police Pipes & Drum band playing at the Scottish Festival/Ceille in a very tiny hall. It was loud! Very loud! You might think your average freight train is a bit noisy but that’s peanuts compared to a Bagpipe and Drum marching band in an enclosed space!) “Amazing Grace” or “Scotland the Brave” would have worked better in the Stargate: Atlantis episode than whatever it was the poor fellow in a kilt was trying to play. Unsuccessfully.

OK, the episode, “Sunday”, couldn’t have been from Beckett’s pov, there was just too much going on that he wasn’t privy too. Which makes the last scene even more confusing! In a sense, it was like Rodney was also dead (please no!) and it made me re-watch “Tao of Rodney” again (which must now be one of my all-time favorite eps. of Stargate: Atlantis). I just didn’t get it. Once of the post-Sunday fics I read said that Carson had Ascended, but some reading on the Save Carson website (www.savecarson.com) nixed that idea.

Anyway, I stand by what I said, “no body, he’s NOT dead”! And it seemed weird, just strange, the skip from the explosion to Carson’s funeral.

I WANT MY SCOTTISH DOCTOR BACK!

Oh, and if they get rid of a certain Canadian physicist. I just won’t be able to watch the show anymore. And probably ditto for a certain cute-as-a-button Czech physicist/engineer!

Update

These two entries originally published to my Live Journal blog and now hosted on Dreamwidth are my original reactions to a very emotional episode of Stargate: Atlantis. I enjoyed that series very much, though I was not a fan of season four and ended up not getting it on DVD. I do have season 5 though. Rodney remains my favorite character, and I had seen David Hewlett on other series. I also liked Zelenka, and David Nykl ended-up on Arrow. I’ve seen Paul McGillion a few times since Stargate: Atlantis ended. As I noted above in my “update” comments – Dr. Beckett wasn’t brought back, but they did introduce Jewel Staite (Firefly) as the new medical doctor. And yes, that is Jason Momoa of Game of Thrones and Aquaman fame. I saw him first on this show! I miss this show, it had a different vibe than most American SF.

Doctor Who Turn Left Review

  • Series Title: Doctor Who
  • Story Title: Turn Left
  • Story #: Season 4 Story # 11
  • Discs: 1 (Part of “The Complete Series 4” – 5 discs total)
  • Network: BBC
  • Original Air Dates: 6/21/2008
  • Cast: David Tennant (The Doctor), Catherine Tate (Donna Noble), Billie Piper (Rose Tyler)
  • Format: Widescreen, Color, DVD, NTSC
  • Originally Published on my Live Journal 1/26/2009, now hosted on Dreamwidth

In a word, “Turn Left” was awesome! I loved what I saw of it last summer, and now that I’ve seen the entire episode, I love it even more. It might be one of the best Doctor Who episodes ever made, and not just because of Doctor Who but because of what the episode says about philosophy / life outlook.

The episode begins with Donna being pulled into a fortune teller’s tent – said fortune teller then forces her to go back in time, changing a decision, turning right instead of left (incidentally listening to her overbearing and critical mother). This one decision snowballs, resulting in Donna never meeting the Doctor, and thus the Doctor dying when he meets the Spider Queen in what would have been “The Runaway Bride”. However, without the Doctor, the next year (or so) is a disaster for the UK and the world: London city hospital is taken to the moon – but everyone is killed including Martha, Sarah Jane, and Sarah’s two young wards; the “Christmas Star” – destroys part of London; the spaceship Titanic crashes into Buckingham Palace – vaporising London; the Atmos devices are set-off choking the world and Torchwood agents Owen and Gwen Cooper give their lives fighting the Sontarans; Adipose kills millions in the US. In other words – without the Doctor, the world is in sorry shape. And without Donna – there is no Doctor. Rose, however, returns – coming back from another universe, finds Donna and uses the dying TARDIS to send her back, to get her to change that decision, even though Rose also knows it will cost Donna her life. When Donna sacrifices herself – Other Donna turns left, resulting in her meeting the Doctor, the Doctor not dying, and Doctor Who history continuing on as we know it.

This episode is the best illustration of Chaos Theory I’ve seen since “The Butterfly Effect” and frankly much better done and less violent/spooky/freaky than that movie (I couldn’t handle the animal and child abuse shown in “The Butterfly Effect” – it was SO excessive). However, Doctor Who “Turn Left” illustrates Chaos Theory beautifully. But what I really liked was watching Donna – listening to her saying, “I’m just a temp!” and Rose telling her “You’re the most important person in the universe,” not to mention, when time snaps back, the Doctor telling her “You’re brilliant!”. This was the second incredible philosophical statement in the episode – it shows how interconnected everything is. How one person can actually make a difference and change things. It also shows just how linked or connected everyone is. Donna sees herself as a normal person, and not a very important person at all – “Just a temp” – about the lowly-est job you could have in a technological society. Yet, it’s Donna who saves the Doctor’s life – and by doing that she literally saves millions of people. It’s one of those “you never know how you affect others” moments.

Kudos to Russell T Davies and the Doctor Who team – because “Turn Left” was totally awesome! Donna rules and the Doctor rocks!