Superman Doomsday

  • Title:  Superman – Doomsday
  • Director:  Bruce Timm, Lauren Montgomery, Brandon Vietti
  • Voice Director:  Andrea Romano
  • Date:  2007
  • Studio:  Warner Brothers Animation
  • Genre: Action, Animation, Drama, Fantasy
  • Cast:  Adam Baldwin, Anne Heche, James Marsters, John Dimaggio, Tom Kenny, Swoosie Kurtz, Cree Summer
  • Format: Widescreen, color animation
  • DVD Format:  Blu-Ray 

“Just look at him, so sleek, so powerful, so beautiful, like some great golden god made flesh. Of course, any sensible god would demand absolute obidence in return for his favor. But no, our Man of Steel protects us and keeps us with no strings attached. And the people, hum, they practically worship him anyway. Enjoy your reign while you may, Superman, for as surely as night follows day, there comes a time when even gods must die.” – Lex Luthor, prologue

“The subject in question was biologically engineered to be the ultimate soldier: precise, clinical, unstoppable. But its creators came to realize it could not distinguish between friend and foe, thus this Doomsday machine lives to extinguish any and all life forms. Because it must.” Superman’s robot in the Fortress of Solitude

Luthor has a group of scientists and miners digging to the Earth’s core in search of a new energy source that Lexcorp can sell. However, they get more than they bargain for by freeing Doomsday, a biological killing machine. Luthor will later have his assistant Mercy eliminate all trace of Lexcorp’s involvement in freeing Doomsday, and to cover his tracks further, Lex cold-heartedly murders Mercy.

Doomsday escapes and wrecks havoc. Lois and Superman had been having a romantic get away to Superman’s Fortress of Solitude, when Superman’s robot informs him of Doomsday’s attacks on Metropolis. They return. Superman fights Doomsday, and they both cause havoc. Lois and Jimmy Olsen cover the story. The fight between Superman and Doomsday wrecks buildings, causes havoc, and ranges all over Metropolis – city streets, subway tunnels, city streets again. But in the end, Superman does the only thing he can – he grabs Doomsday from the back, flies straight up to the stratosphere, then crashes to Earth. He and Doomsday land in a huge impact crater. Doomsday is stopped, but Superman is also killed. Superman crawls out from beneath Doomsday’s body, and dies in Lois’s arms. Jimmy Olsen takes a picture of the dead Superman, and of Lois with tears streaming down her face.

Martha Kent, who had been watching the fight between Superman and Doomsday on TV, collapses off her chair, tears streaming down her cheeks. In the wake of Superman’s death, Clark Kent is missing, though Perry White is convinced he’s “fine” just incommunicato in Afghanistan (where Kent had gone as a war correspondent). Lois decides she has to talk to Clark’s mother, and drives to Smallville to see her. At first, Martha is suspicious, but when Lois talks about being “in love with him” and “being loved by him” the two go inside to talk.

Lois returns to Metropolis and covers a story of Toyman threatening a schoolbus full of kids. She sneaks inside to rescue the kids, and all of them get out but one little girl. Lois and the girl are also threatened by a “Chuckie”-type living doll/toy with a big knife. Lois defeats the toy/doll, but Toyman pushes the bus off the building. Lois and the little girl are rescued by “Superman”. At first, Lois is overjoyed to have Superman back – but then she notices things – like he doesn’t know where her apartment is, and his attitude towards her is cold and clinical not romantic. Lois tries to figure out if it’s a result of Superman’s trauma, or if this Superman is perhaps not really Superman.

Lois becomes even more suspicious when Clark Kent still doesn’t return or make contact, and Martha calls her and says that even though “Superman” has returned – Clark hasn’t contacted her, he hasn’t even called.

The new Superman goes to confront Luthor, but he’s trapped in a room filled with red sunlight, and Luthor beats him up with Kryptonite brass knuckles. We then learn two things – this new Superman isn’t Superman, he’s a clone made by Luthor and under his control. And Luthor actually missed his enemy Superman so much after his death, he made the clone but a clone who would work for him. Luthor also has Superman’s dead body in status.

Lois tries to get Jimmy to help her investigate, but Jimmy, feeling his mortality after the huge Superman – Doomsday fight in Metropolis, has quit the Daily Planet, and taken a well-paid job as a Paparazzi photographer for a tabloid. Jimmy refuses to help the first time Lois asks.

Meanwhile, Superman’s robot steals Superman’s real body from Lex Luthor. The robot takes the body to the Fortress of Solitude where it turns out Superman isn’t dead – his pulse had slowed down to a rate of once every 17 days to allow him to heal. It had taken the robot 17 days to detect it, and another 17 days to pin-point the location. The robot tells the still injured Superman he retrieved him from LexCorp.

“Superman” takes on Toyman, and, after learning the villain had killed a young child at a day care center, takes him from police custody, flies up high with Toyman, then drops Toyman to his death on top of a police car. Jimmy takes a picture of the bloody and very dead Toyman. It becomes very apparent this this is not the Superman we know – he’s cold, threatening, and scary. Plus he’s still very, very powerful. When the police commissioner asks Superman to come in for questioning – Superman simply refuses because he has “better things to do”, and there’s nothing anyone can do to stop him.

At the Fortress of Solitude, the robot continues to treat Kal-El, the real Superman.

Back in Metropolis, “Superman” goes into a beauty shop and looks into a mirror. With his X-ray vision he finds a lead ball in his head containing Kryptonite. He uses his laser heat vision to remove it.

Lex Luthor hits on Lois when she confronts him. Lois lets Lex kiss her – and knocks him out with a hypo. She, and Jimmy search Lex’s office.  Lois and Jimmy use Lex’s unconscious body on a retinal scanner. They find Lex’s bank of cloned Supermen.  Lex arrives to kill Lois and Jimmy, then Superman arrives. Superman destroys the clone bank. Superman locks Lex in the red room and takes the entire thing into the stratosphere then throws it to the ground.

Meanwhile at the Fortress of Solitude, Superman weight-lifts and exercises to tone his body. He hears the news reports of Lex Luthor’s death. The army is mobilized in Metropolis to take out “Superman” for “killing” Lex Luthor.

The real Superman, in a solar suit, armed with a Kryptonite gun, flies to Metropolis to confront the clone “Rogue Superman”. Superman tries to use the Kryptonite gun, but it goes flying. Superman and Rogue Superman fight. There is a lot of destruction during the fight. Lois grabs the Kryptonite gun, but when she fires at Rogue Superman – she misses. Rogue Superman beats up Superman. However, Superman is able to get the Kryptonite into Rogue Superman’s chest and it explodes – destroying him. Superman is also weakened by the blast but survives. He kisses Lois Lane as proof that he’s the “real” Superman. At the end he reveals himself to Lois as Clark Kent.

Luthor also is reveal to be not as dead as he appears.

This animated film adapts the Death of Superman storyline from the regular weekly Superman comic books. The blu-ray is accompanied by three excellent documentaries – especially the one on the public and press reaction to the Death of Superman (Superman # 75), as well as trailers and sneak peeks for other films in the DC Animated Universe series of films. However, this film also has some changes and unique features that differ from the original printed story. First, Bruce Timm, who co-wrote, produced, and co-directed the film with others introduced Luthor both as a narrator for the story and as the cause of Doomsday’s escape. I thought that made the film stronger – if someone’s going to kill Superman – it should be his well-known enemy. Second, though, simply for time limitations, many of the vignettes of the one to two-year long story arc of the death of Superman and his return weren’t used.

Also, this story, like many Superman stories, is a slug fest. Yes, it’s a slug fest where Superman loses, and he has to sacrifice himself to stop the threat, but it’s still a slug fest. The second half of the film -the world without a Superman, and Lois, Perry, Jimmy, and Martha all coping with there grief in their own ways, was better than the opening and closing fight scenes. However, I wanted to see more of that human story – especially Lois and Martha. Specifically, when Lois goes to see Martha at the Kent family farm, and Martha invites her in – I really wanted to see what happened next.

The animation in Superman- Doomsday was incredible. It was gorgeous and at times I forgot I was watching an animated film. It was that good. I haven’t seen a DC Comics / Warner Brothers Animation film that looked this good since Batman: Under the Red Hood (which, yes, I realize chronologically came after this – but I saw it first.) The realistic animation style and the seriousness of the subject matter also reminded me strongly of Batman: Under the Red Hood.

I will say though that this animated film from several years ago handled Doomsday and the Death of Superman better in many ways that a certain live-action film that is probably still in theaters.

Recommendation:  See It – especially  if your a fan of Superman or good animation
Rating: 4 Stars
Next film: I have several new films to choose from, but probably Spy

Serenity

  • Title:  Serenity
  • Director:  Joss Whedon
  • Date:  2005
  • Studio:  Universal
  • Genre:  SF, Action
  • Cast:  Nathan Fillion, Gina Torres, Alan Tudyk, Morena Baccarin, Adam Baldwin, Jewel Straite, Sean Maher, Summer Glau, Ron Glass
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

“This is the captain, we have a little problem with our entry sequence, so we may experience some slight turbulence and then explode.”  — Capt. Mal Reynolds

“I aim to misbehave.”  — Capt. Mal Reynolds

Another film I received as a gift, though I had seen Serenity in the theater, and liked it.  Mind you, I liked it, not loved it.  Serenity is the film sequel to the short-lived television series, Firefly.  What is it about Firefly that its fans are about as rabid as Fundamentalists – and about as hard to convince you’re really not interested?  I’ve seen the TV show, and it just didn’t catch my interest, for many reasons, only one of which is it’s a Western (and a thinly disguised one at that) — the heroes are also soldiers of the South who lost a Galactic Civil War.  Think about that.

The film starts, without credits, with a prologue or teaser, showing Simon Tan breaking his sister, River, out of a government “research” facility.  Yes, this is another “science is bad; government is bad” science fiction movie.  I miss when SF meant adventure, wonder, and fun, instead of the now popular anti-science and anti-government parables.  Anyway, Simon succeeds in getting River out, as we know, since the two were passengers on Capt. Mal Reynolds ship, Serenity.  However, the film does, to it’s credit, have a much more linear sense than the television series ever did, which helps considerably.

Mal and his crew are on a job, but River accidentally sees a subliminal message in a very weird commercial – and goes bonkers, then knocks out or kills everyone in a frontier bar.  Mal and company return to Haven, Shepherd Book’s community for shelter.  They leave to pick-up the Companion, who had left to conduct her own business, and return to find everyone in Haven dead.  But through River’s actions, they now have a problem to solve:  What is Miranda?  Why does the Alliance (a system-wide government of several planets) want River dead?  Just what is going on?

Eventually they discover Miranda is a planet — a planet no one knows and no know talks about.  They discover it’s located beyond the Reaver band.  Reavers are vicious killers – cannibals, and violent criminals.  We see a Reaver attack early in the film, to explain to the audience how awful they are.  Mal disguises his ship as a Reaver ship, to get through the band, un-harassed.  This works.  They find planet Miranda, but everyone there is dead.  At first, it seems there’s no obvious reason that everyone’s dead — no signs of environmental disaster, no signs of violence.  But they discover a recording.  The Alliance put Pax, a drug in the air system — the drug had such a calming effect people stopped doing anything.  But for about ten percent of the population, it had the opposite effect — people went wild, and became monsterous, violent, killers.  It other words, a bad drug reaction created the Reavers.  The ultimate “bad trip”.  Not to mention that Pax, the drug that calms people to death, sounds an awful lot like “Bliss” – the drug that did the same thing in the Doctor Who episode “Gridlock”.  But ideas do run around.

Mal and company then have to get the recorded message to Mr. Universe, the ultimate TV/Media fan so he can broadcast it on all screens.  The government agent who’s been chasing them throughout the film gets there first, and kills Mr. Universe.  But, Mal receives a message about a secondary transmitter (unfortunately, Mal does not erase or destroy the message — so the agent also hears it).  The conclusion of the film has what’s left of Mal’s band fighting a historic last stand, and getting injured one at a time, while Mal goes one on one against the agent before he can send out the message.  Course, Mal wins, and he also doesn’t kill the agent, just ties him up.  River defeats the Reavers who had been after the remainder of Mal’s shipmates.  Book was killed in Haven and Wash is killed when Serenity makes a less than perfect landing.

Overall, though not a bad film by any means (the acting is very good, and the film has some very strong, and very different female characters), it also doesn’t stand up that well.  Some of  the “shocks” of the film I remembered from having seen it six years ago, weren’t shocking now because you expected them (the biggest of these is Wash’s death, which really seems like a waste, and pointless).  It’s not a bad film, not by any means, but it’s not a exceptional film either.

Recommendation:  Do see it.
Rating:  3 out of 5 Stars
Next Film:  Shall We Dance (1937)