- Series Title: Supergirl
- Season: Season 2
- Episodes: 22
- Discs: 5
- Network: CW
- Cast: Melissa Benoist, Mehcad Brooks, Chyler Leigh, Jeremy Jordan, Floriana Lima, Chris Wood, David Harewood
- Format: Color, Widescreen, NTSC, R1
This review contains spoilers for the second season of Supergirl.
With it’s second season, Supergirl switches over to the CW, which frankly, is where the show belongs instead of on CBS. Also, Supergirl is now officially part of the CW DC-verse (aka the “Arrowverse”) and this season of the show includes two crossovers. Click here to read my Season 1 review of Supergirl.
There are some character changes for Season 2, Cat Grant is in the first two episodes, but then she leaves to find herself, putting new reporter, Kara Danvers, in the care of Snapper Carr. The opening episodes with Cat show her both as her acerbic self and as a mentor to Kara, and when Kara announces she wants to be a reporter, Cat hands her a sealed envelope – inside is Kara’s resume, with the word, “reporter”, written across it. But rather than shepherding Kara through her new role, Cat leaves. Snapper, Kara’s new boss, is rude, entitled, and a bit racist and sexist. As annoying as that is, by the end of the season – Kara’s experiences with Snapper do show a different type of mentorship – and for a show with a younger audience, an audience that it probably dealing with “old guard’ bosses at work that behave like Snapper or worse, and it shows how to deal with it and with people like Snapper. Kara even follows her heart and publishes a story on her own, a story that Snapper refused to publish due to his own prejudices. Breaking her contract with Catco gets Kara fired. To get her job back, not only does Kara need to find another exclusive story, and bring that story to Snapper with it’s resources and documentation done precisely as Snapper wants, but she has to share the byline with Snapper who did nothing on the story. Then Kara has to apologize to him and declare he “was right” and that she’s learned a lot from Snapper. Watching that scene is hard and it made me bristle – clearly it was Snapper who’s anti-alien prejudice prevented him from wanting to publish either story in the first place. In both cases, Kara was right in her stories – and she wasn’t writing mere opinion, but facts.
Snapper also co-opted Kara’s work and took credit for it. But, as unfair as that seems – it’s also the way of the world. That type of stuff happens all the time in the real world, and in all sorts of industries. Supergirl shows, especially to it’s young audience of teens and twenty-somethings, how to deal with those situations in the real world. Essentially by swallowing her own pride and sucking up – Kara gets her job back, and is given more freedom to do want she needs to do – be a reporter. Would Snapper have treated a male reporter the way he treats Kara? Probably not. If Kara’s stories had been full of anti-alien trash and prejudice with no research and just prejudicial language and hate speech – what would Snapper have done? Probably publish them without a single red-pen edit. In a sense, his Archie Bunker attitude is the one being criticized, while at the same time showing just how to circumvent such people. Snapper also attacks James, whom Cat has named as her successor during her sabbatical. But within an episode or two, James tells Snapper off – pulling the “I’m the boss whether you like it or not” card.
Season Two also introduces Maggie Sawyer, a National City cop, and a lesbian. Alex meets her, they become friends, Maggie gets Alex to realize she is also a lesbian, then Maggie rejects Alex. They do get back together, and Maggie is present in some form or another for the rest of the season. The Maggie/Alex relationship is brilliantly played, with ups and downs, rather than as a fairy tale. It becomes clear that both Maggie and Alex have some self-esteem issues. Both have had trouble in the past being true to themselves and opening up to others. These flaws make the characters more interesting, and give the audience different types of characters to identify with.
Winn also meets a girl (are we sensing a pattern?) an alien named Lyra. Their relationship seems fine, and very hot, until she sets him up to make it look like he broke into a museum and stole Starry Night by Van Gogh. Winn, though, doesn’t buy the police line that he was simply used. Even when Lyra tells him the same, he pushes, until he finds out that Lyra was blackmailed into the theft and a series of others to pay off her brother’s gambling debts and free him from the alien mobsters who are holding him. Even though Supergirl, Winn, Alex, and the DEO are able to free Lyra’s brother and arrest the mobsters, after the incident we seldom see Lyra.
The season introduces Megan McGann, (aka M’Gann, Miss Martian) whom at first seems to be a Green Martian refugee like J’onn J’onezz. She turns out to be a White Martian instead, one whom became disgusted at the genocide of the Green Martians on Mars – and whom helped some escape. The relationship between the two also has its ups and downs and ends with M’Gann deciding to return to Mars to find similar thinking White Martians.
Finally, Kara, herself finds love – but it’s a bumpy, season-long process. At the very beginning of the season, a Kryptonian pod crashes on Earth. It’s occupant is Mon-El of Daxam. Since Daxam, sister planet to Krypton, has also been the enemy of Krypton for centuries, we get the rare experience of seeing Kara’s prejudice against someone – namely Mon-El. She even jumps to conclusions and blames him for a crime that he is innocent of and has no knowledge of. When it quickly becomes apparent that she was wrong, Kara, to her credit, admits her mistake. She then starts to work with Mon-El, trying to basically make him exactly like herself – from wardrobe, to internship at Catco, to becoming a superhero, to wearing silly glasses to hide his identity. It doesn’t work. However, over time, the real Mon-El emerges, and as Mon-El becomes his own person – it is that person that Kara falls in love with. And Mon-El also improves himself because of knowing Kara. Once he gives up on being an intern at Catco, Mon-El gets a job as a “mixologist” at the alien bar that’s a reoccurring location for the season. But he gradually becomes more involved in helping the DEO and Kara.
This season also introduces Lynda Carter as President of the US, who passes the Alien Amnesty Act, allowing alien refugees to become US citizens. In contrast to her compassion and understanding, Cadmus – run by Lillian Luthor (Lex’s mother) is an anti-alien organization that wants the destruction of all aliens – especially Supergirl and Superman. Like most people who act out on unreasonable prejudices – Lillian sees all aliens as the same – something evil, to be hated, to be feared, and Lillian also uses her resources to stir-up hatred in the general population. Lillian is unable and unwilling to see people as individuals but sees all others as evil ones to be hated and feared. Cadmus makes threats over the airwaves, taking over the media in National City. They use alien weapons to commit crimes and attack people then blame aliens for the crimes. Cadmus even co-opts Jeremiah Danvers, Alex’s father and Kara’s adoptive father, convincing him that deporting all aliens is the Final Solution to the Alien Problem. Yeah. For the most part, however, even with the destruction, death, and set-backs (at one point the alien bar is attacked and every alien is killed), the DEO, Alex, Maggie, and Supergirl are able to stop Cadmus and Lillian.
In contrast to Lillian, Lina Luthor is actually a good person. She becomes a fast friend of Kara (who, again, was willing to hate her for being a Luthor, but saw Lina as a person and became her friend instead), and goes up against her own mother to protect the people of National City, including aliens. Lina is fascinating, she’s also a businesswoman, re-branding “LuthorCorp” as “L Corp” to distance the corporation from her notorious brother and evil mother. She develops an alien detector, which becomes a plot point, though not an over-used one.
The beginning of the season tends to have a lot of stand-alone episodes, though threads are being laid for season-long plots, especially in terms of the characters and their relationships. One problem with the stand-alone episodes is it generally goes like this: alien menace arrives, alien menace (or cyborg or constructed alien like Metallo, etc.) defeats Supergirl in a fist fight or by using special powers (Kryptonite, absorbing her powers, etc.) Kara goes to the DEO and John, Alex, Winn, and maybe James or Maggie come up with a way for Supergirl to defeat said alien menace. Supergirl challenges the menace and wins. This is a boring and repetitive plot. Fortunately, it’s only a few isolated episodes in the first half of the season, and all of those, as I’ve said, have other character stuff going on, but it’s something future seasons really need to avoid. Besides, seeing Supergirl get defeated over and over again weakens the character, and makes her subsequent wins unbelievable.
There are two crossover events for this season of Supergirl: Invasion and the Musical. Invasion is the 4-part crossover that features the entire CW DC universe (aka the Arrowverse). Invasion is actually a pretty much stand alone episode. For the Supergirl episode that introduces it – it’s pretty much just the last five minutes of the episode, when The Flash and Cisco arrive via a universe-hopping portal and ask Kara for help. She then leaves with them and spends three episodes as a lead character in Invasion. Unfortunately, those other episodes are not included on the DVD set. Because the DVD releases of all four shows were spread out over a month, it’s also not possible to stop watching Supergirl and skip over to Invasion (until after The Flash and Arrow were finally released that is). I highly recommend that, since I do enjoy the crossovers, the crossover story be released as a separate special DVD with all four episodes in order. Which isn’t to say those episodes shouldn’t be included on the season sets of their respective shows. But like the Doctor Who Christmas specials – Why not release the Crossover Event as a DVD a few weeks after it airs? I’d buy it – and I’d still buy the season sets at the end of the season. From watching Invasion during the highly-rated Crossover Week – it’s pretty stand alone anyway, and it’s a good introduce to the Arrowverse for new fans. An inexpensive DVD/Blu-Ray release would be an awesome idea.
The Musical is a story that is integrated well in the season arcs of both Supergirl and The Flash. In Supergirl, Kara has just found out that far from being the “palace guard” that she thought Mon-El was – he’s the prince. Although every one tells her to work through her anger at being lied to, in the end, Kara breaks up with Mon-El. Meanwhile, on The Flash, Barry and Iris are in a similar situation – Barry had proposed marriage to Iris, she accepted, then for plot purposes they broke it off (there will be more when I watch and review The Flash). Again, at the end of a Supergirl episode, suddenly an “alien” is being led into the operations center of the DEO, he breaks free of his bonds, and whammys Kara, who collapses. Now by this time, my copy of The Flash had arrived from Amazon, so I was able to go straight to “Duet” and watch it. In “Duet”, we find that the “alien” is the Music Meister, an imp with Mxyzptlk-like powers and an interest in “true love”. He traps Barry and Kara in a musical, which features some actors from Legends of Tomorrow and Arrow as well as The Flash – though everyone is playing different characters. They sing. I was disappointed with “Duet” though. The music was, overall, only so-so both the old songs (“Moon River”) and the originals (“Superfriends”). The storyline in the musical is OK, but pokes fun at musicals (“It really is easy to convince people in a musical!”) The story does end with a beautiful scene of Barry proposing again to Iris (for real) and in song. Kara also sees the error of her ways and declares her feelings for Mon-El.
The final arc of Supergirl is brilliant – well acted, relevant, smart, and a better season finale than even Myriad. Cat Grant returns and we realize just how much we’ve missed her. The President (Lynda Carter) becomes a important part of the story. We meet Mon-El’s parents, played by Kevin Sorbo and Teri Hatcher – and discover that Queen Rhea is the most controlling parent in the the universe (not to mention a little nuts). Rhea returns and tries to get Mon-El to return to lead the survivors of Daxam as prince and future king. But Rhea hates Kara because she’s from Krypton, and after all when Krypton was destroyed it bombarded Daxam and made the planet a wasteland. Mon-El eventually is forced to sacrifice himself and his love for Kara, but she rescues him. This puts Rhea on the warpath. She passes herself off as human, approaches Lina, and gets Lina to work with her on a portal to move goods and people from point A to point B instantaneously. There are two issues with this: one – major side effect, the radiation from the generator that runs the portal turns telepathic aliens into dynamos that attack with the uncontrolled power of a tornado, and two – Rhea has no intention of the portal being used for the humanitarian uses Lina envisions, instead she brings in a fleet of Daxamite ships, which attack National City and hold it hostage.
In the end, even though Supergirl challenges Rhea to single combat for the planet, Rhea cheats – not only by using Kryptonite, but by calling in her guards and airstrikes despite Supergirl winning. This causes Supergirl to release a weapon of mass destruction developed by Lillian and Lina Luthor – they seed the entire planet with lead, which is toxic to Daxamites. This kills Rhea outright, and means Mon-El has to leave the planet. He escapes in the Kryptonian Pod, only to be swallowed up by a wormhole.
I had to wonder about the whole “lead” thing. First, lead is highly poisonous to humans, birds, and animals – it causes brain damage to children and babies; yet Lillian, Lina, and Kara don’t seem to even notice this fact or care. Second, it’s stated several times that Supergirl and Superman (who makes several guest appearances this season) cannot see through lead. If microscopic pieces of lead are in the very atmosphere, it would rend both characters blind until the lead settled out of the air, at the very least. It would be like walking outside on a day with heavy mist – you get wet. Not as wet as in a downpour, but your face and hair is going to be covered in a fine spray of water. So the “fix” to get rid of the Daxamites doesn’t make a lot of logical sense.
Still, Season 2 of Supergirl is an enjoyable series. The characters are likable – and it’s nice to see the interpersonal struggles without either falling into the extremes of soap opera plots or perfect characters who never have problems. I liked the relevance of the series, from Superman’s “I’m with her” statement while standing next to Supergirl, to the female president who has compassion and sense, yet is still strong and capable, to the last episodes being entitled, “Resist” and “Nevertheless She Persisted” – this is a show with something to say, and that is good. Also, looking at the credits in the episode guide flyer included with the set – nearly every episode is written, co-written, and/or directed by women. And that is awesome! This season also has less of a “aimed at teenaged girls” feel and more of a “general audiences” feel which is good, many of the people who “need” the messages of this show won’t watch a program they think is for teen girls. Kudos on that.