Hot Fuzz

  • Title: Hot Fuzz
  • Director: Edgar Wright
  • Date: 2007
  • Studio: Rogue Pictures, Working Title, Universal Pictures
  • Genre: Comedy, Action
  • Cast:  Simon Pegg, Nick Frost, Jim Broadbent, Timothy Dalton, Bill Nighty, Edward Woodward, Ron Cook, Martin Freeman, David Bradley
  • Format: Color, Widescreen
  • Video Format:  Blu-Ray

But the fact is, you’ve been making us all look bad.” – Met Chief Inspector
“I’m sorry, sir?” – Nicholas
” ‘Course we all appreciate your efforts but you’ve been rather letting the side down.” – Met Chief Inspector
“It’s all about being a team player, Nicholas.” – Inspector
“If we continue to let you run around town you’ll continue to be exceptional and we can’t have that. You’ll out us all out of a job.” Met Chief Inspector

“You can’t switch off, Nicholas.” – Janice

“I just feel like I’m missing out sometimes. I wanna do what you do.” – Danny
“You do do what I do. Why on Earth do you think you’re missing out?” – Nicholas
“Gun fights, car chases. Proper action and shit.” – Danny
“Police work is not about proper action! Or shit! It you’ve paid attention to me in school you’d understand. It’s not all about gun fights and car chases.” – Nicholas

Nicholas Angel is an excellent police officer – excelling in training, as well as academically, and has an arrest record 400 percent better than his fellow officers in the London Met. He is completely dedicated to his job and extremely good at what he does. But that becomes his problem as well. His girlfriend tells him he “can’t switch off”, and his fellow officers find his talent for policing annoying because he “makes them look bad”. So the Met comes to a decision – Nicholas is promoted to sergeant and transferred to the quaint English village of Sandford. Nicholas protests – but to no avail. So he and his Japanese Peace Lily plant head for Sandford.

In Sandford, Nicholas has trouble fitting in, though he gradually becomes friends with his new partner, Danny. But Nicholas also begins to suspect something strange is going on, as a series of fatal accidents occurs in the quiet village. Nicholas suspects these accidents are murders – but everyone from the villagers to the other police officers insist they are accidents. It’s obvious the murders are murders, and Nicholas can’t understand the reluctance the police have to investigate them as such. Slowly Nicholas even suspects the random acts of violence are linked.

Nicholas investigates, and also becomes acclimatized to the village and it’s rather odd inhabitants. But soon his investigations turn up a vast conspiracy – of actions and silence, that even reaches into the police itself. Nicholas is forced to leave.

However, he soon returns, and with the help of his partner Danny, he cleans-up the town in a symphony of violence and action.

Trust me – it’s funnier than it sounds. Hot Fuzz combines a satire of American action thriller films (such as Lethal Weapon, Point Break, and Die Hard), an English Village horror story (The Wicker Man, which starred a very young Edward Woodward, who also appears in this film), and a surprisingly sensitive story of a man’s coming into his own. Simon Pegg is the main character, Nicholas Angel, but he plays the role as the Straight Man. It isn’t Angel who’s the comedian – what makes the film funny is how Angel reacts to the outrageousness around him. And Nicholas also grows, not simply learning “to switch off” but to embrace his inner nature, but to take the time to form friendships as well. The arc of the relationship between Nicholas and Danny is well told, and parallels many classic American buddy cop films.

Yet it isn’t simply Nicholas’ story that Hot Fuzz tells and tells extremely well. Danny’s favorite passtime outside of work is watching the American action films that Hot Fuzz will ultimately parody, especially in the action-packed final sequences. A central scene in the film has Danny talking Nicholas into a real night out at the pub, with the two both drinking lagar, rather than Nicholas having his one cranberry juice then leaving. After several beers, the two head to Danny’s for an action movie binge night. Danny however grows as well, learning self-confidence and ultimately stepping out of his police inspector father’s shadow.

Yet this film, for all that it borrows and parodies from American action thrillers, is also quintessentially British, in that the actual plot that Nicholas discovers is that of the “perfect English village that gets it’s perfection from weird cults and strange sacrifices or conspiracies”. It’s a story that’s been around for awhile (the film The Wicker Man is a prime example, but I’ve seen versions of the story on Randall and Hopkirk (Deceased) (2000), Torchwood, and even the Neil Gaiman novel American Gods, and I’m sure there are more examples.) But Hot Fuzz combines an insane amount of violence, lots of action, including a bit pulled from Lethal Weapon with Pegg and Frost firing two hand guns each while moving diagonally through the frame, car chases, confrontations, explosions, and just lots and lots of gunfire and sight gags. It’s hard to describe how such over-the-top action scenes can be funny – but because they are so over-done they are. Yet the film never loses sight of it’s characters or the characters unique points of view (even the villagers’ conspiracy, as misguided as it is – makes sense to them). Throughout the story the characterization rings true – even when the action and violence hits the ludicrous level (which makes the film funny). Nicholas Angel isn’t someone the audience will laugh at in this film. He’s someone the audience will sympathize with, especially as some of the other police officers, especially at the beginning, bully him,  and ignore his knowledge.

In the end, Nicholas gets to the bottom of things, and not only is all well – but the trio of inspectors from the beginning of the film arrive in the village to ask Nicholas back to the Met. Nicholas declines, deciding he likes his little village.

Hot Fuzz is a great movie, full of wonderful bits, great acting, and a top-notch cast. The films blends genres effortlessly and showcases the talents of Nicholas Pegg, who really is the central character of the film.  I highly recommend it.

Recommendation: A must see!
Rating: 5 Stars

The Hobbit: The Desolation of Smaug

  • Title:  The Hobbit:  The Desolation of Smaug
  • Director:  Peter Jackson
  • Date:  2013
  • Studio:  New Line, MGM
  • Genre:  Action, Fantasy
  • Cast:  Martin Freeman, Ian McKellen, Richard Armitage, James Nesbitt, Dean O’Gorman, Ken Stott, Aidan Turner, Orlando Bloom, Evangeline Lilly, Benedict Cumberbatch, Sylvester McCoy, Luke Evans and Stephen Fry.
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

“You’ve changed, Bilbo Baggins, you’re not the same Hobbit that left the Shire.” – Gandalf

“I started this!  I cannot forsake them.  They are in grave danger.”  — Gandalf
“If what you say is true, the World is in grave danger.” – Radagast

“What have we done?” – Bilbo

There is an innate problem with any trilogy, especially a trilogy of films – and that is, the film often has no beginning and no ending.  The beginning, background, and set-up is all in the first film.  The resolution will be in the final film.  And sometimes, the middle film is very hard to judge without seeing the final film.  This seems to be especially true with Peter Jackson’s trilogies based on JRR Tolkien’s works, because Jackson takes the approach they are three long chapters of a single work.  An approach that, in the end, especially when the extended editions are included, worked for Lord of the Rings.

However, for The Desolation of Smaug, I find it very difficult to review the film on it’s own.  I suspect that the extended edition (to be released on Blu-ray next Tuesday 11/4/2014), may affect how I view the film, and the third film, The Hobbit:  The Battle of Five Armies, which is due in theaters in December 2014, will change my opinion further.  But I will say this – I didn’t hate it.  Overall, I felt the theater-version of The Hobbit:  The Desolation of Smaug was “ok” to “good”, but not terrible.

Whereas, The Hobbit:  An Unexpected Journey emphasized that the Dwarves Quest was to return to their home, which made the film more universal and made it easier to emphasize with the characters and the whole point of the exercise; The Desolation of Smaug, rather like the book, emphasizes both adventure and a Quest for gold.  Often, the Tolkien’s works, Dwarves are seen as overly concerned with money:  gold, jewels, and treasures of the Earth.  This is certainly the case in The Desolation of Smaug, where Thorin seems to be not only motivated by returning to his ancestoral kingdom but by claiming the dragon’s horde of treasure to be found there.

The Desolation of Smaug is very episodic as a film; and each section often involves a lot of action, fighting, and special effects.  However, there seems to be little characterization amonst all the action, which is a pity.  In terms of characters, new ones are introduced:  Tauriel, a female Elf, who is a good fighter and who has a passion for hunting down Orcs (and possibly a crush on Legolas); Bard, a bargeman who’s raising three children on his own, and lives in Laketown (Esgaroth); The Master (played with relish by Stephen Fry) – the tyrannical dictator of Laketown.

The character of Tauriel, though completely non-canonical, I actually liked, especially the second time I watched the film, and on DVD.  She brings a freshness to the film, and I hope we see more of her in the third film.

Bard seems much more distrustful of the Dwarves and even seems to dislike them, once he figures out who they are.  However, he’s also interested in genuinely helping the people of Laketown, and seems to be the one in charge of attempting to rid the town of their rich and tyrannical Master.

Additions of new characters such as Tauriel, and the expansion of short sequences in the book into full-blown action scenes in the film, almost, at times, makes Peter Jackson’s The Hobbit seem like Fan Fiction.  I don’t mean that in a negative way.  But Tolkien created a very rich, and detailed world, and even, it’s said, felt it was OK for others to “play in his sandbox” as it were.  But regardless as to whether or not the author would have approved of the films – they really do feel like an expansion of Tolkien’s story and world.  This is especially true in the introduction of completely original characters, such as Tauriel, or the expansion of the roles of other characters, such as Legolas (who, as the son of King Thranduil might have been mentioned in The Hobbit novel, but he doesn’t have a major role.)  I love Tolkien’s books, especially The Lord of the Rings, so I don’t really have a problem with Peter Jackson’s additions.  I sometimes wonder what would have happened if Jackson had made The Hobbit first, and as a single film, prior to making Lord of the Rings, and how that might have gone, but we will never know.

The other aspect of The Hobbit:  The Desolation of Smaug, that I found especially interesting – and I picked up on this more watching the DVD, than I had seeing the film in the theater a year ago, was the amount of foreshadowing of events in Lord of the Rings. Gandalf’s mission with Radagast to discover what is going on, and who the Necromancer is, leads directly into The Lord of the Rings, as does the marching of the Orcs.  When Bilbo briefly drops The Ring in Mirkwood and fights off a spider to get it back, then says “Mine,” as he grabs it – it is frightening because we know where that leads.  And even Bilbo, as he realizes what he’s does, seems startled by his own actions.  The spiders, also reference the confrontation between Sam and Frodo and Shelob (which is in The Two Towers novel, but in the film of The Return of the King).

Overall, the film was good – I did buy the DVD, after all – and I intend on buying the Extended Edition Blu-Ray (or possibly DVD if there is one).  And I certainly want to see the final film.  But I felt the first film of Jackson’s The Hobbit  trilogy was better.

Recommendation:  See It (for the spectacle at least).
Rating: 4 out of 5 Stars
Next Film: The Prestige

Art – Sherlock – The Maltese Sherlock

bakerstreetbabes:

mific:

Okay, so, I’m  going to see if I can post some of my new art and actually use this tumblr thing. Ha. Here’s some Sherlock, hot off the press. Noir, but I’m a sap for colour so there’s a coloured version as well.

woah there

Film noir Sherlock. Love it.

Martin Freeman, Laurence Olivier Awards Photos

cumberbatchweb:

deareje:

Mark Gatiss, James McAvoy and Martin Freeman attend the Laurence Olivier Awards at The Royal Opera House on April 13, 2014 in London, England.

new tab for high res.

They all look very dapper but this has bought the devastating realisation that McAvoy is really quite short. I don’t remember him being that short when I met him…

Sherlock Holmes – Photosets – Characters in Various Versions

bakerstreetbabes:

freshlense:

Granada ♦ Warner Bros ♦ BBC

This is great!

PERFECT!!!  Absoultely PERFECT!  Whoever made this deserves an award.  I seriously love seeing all the different versions of the characters, and the clips are great.

Sherlock – Photosets – Martin Freeman (b/w)

bakerstreetbabes:

This is some serious acting, kids.