Iron Man 3

  • Title:  Iron Man 3
  • Director:  Shane Black
  • Date:  2013
  • Studio:  Paramount, Marvel
  • Genre:  Action, Fantasy
  • Cast:  Robert Downey Jr., Gwyneth Paltrow, Guy Pearce, Don Cheadle, Jon Favreau, Rebecca Hall, Ben Kingsley, Paul Bettany
  • Format:  Color, Widescreen
  • DVD Format:  NTSC, R1

When I saw Iron Man 3 in the theater last summer I was somewhat disappointed.  I bought the DVD anyway, and having watched it a couple of times, I still think it wasn’t as good as it could have been.  But I bought the film because I like Robert Downey Jr. and he does seem to be born to play the part of Tony Stark aka Iron Man.

The interesting part of the story is that Tony, after the events in New York, in The Avengers, is suffering from PTSD and panic attacks – not that he seems willing to deal with his trauma.  He and Pepper are living together, but arguing as ever.

The film uses a voice-over by Tony to try to connect and explain events.  In a tag during the credits, we’ll learn he’s talking to Dr. Bruce Banner.  However, even with the voice-over, this film is confusing and hard to follow.  And even after multiple viewings – that doesn’t improve matters, at all.  And that remains one of the prime problems with the film – without a good story, a story that grabs you with it’s characters – or an unique and meaningful plot, the best action sequences in the world can still seem boring.  So, the film doesn’t really work because it’s confusing, and the action sequences don’t really work because they have little meaning.

The plot involves a series of “terrorist” bombings – bombings which eventually turn out not to be the result of terrorist bombs at all, but a new, experimental military technology called Extremis.  Extremis was invented by Aldrich Killian (Guy Pearce) a man Tony had met at a party before he became Iron Man.  Tony blew the guy off, causing him to obtain military contracts to develop Extremis – rather than using it as a genetic treatment for physical disabilities and medical illnesses.  Though, given the little we see of Killian’s character, it’s doubtful he would have used Extremis for purely “peaceful” means even if Stark Industries had backed his research.

The terrorist bombings, by a man called, The Mandarin, turn out to be a charade – The Mandarin is Trevor Slattery, a British actor, hired by Killian to put a false face on the bombings – which are actually a side effect of Extremis going wrong.  S.H.I.E.L.D., meanwhile, had tried to get Tony to work with them to stop The Mandarin – but he refuses as he thinks it’s none of his business.  When Happy is injured in an random Mandarin attack, however, Tony takes it personally – and not only threatens the Mandarin but gives out his home address in a public press conference.

Tony’s actions prove to be as dumb as that sounds – as the Mandarin attacks and destroys his Malibu home.  Tony, in escaping, ends-up in Tennessee, where he is given help by a young, geeky, know-it-all kid.  And yes, that part of the plot was extremely annoying. Pepper disappears for the vast majority of the plot – and Tony’s running around with a kid.

Tony is in Tennessee for a reason, though – before the public threats of the Mandarin started, there was another explosion with the same heat signature.  Tony figures there’s a connection, and in Tennessee – he finds it, thus leading him to Trevor, and then to Killian. But Killian meanwhile has taken Pepper and exposed her to Extremis.  Thus, Tony ‘s final battle is more about saving the woman he loves than about stopping Killian and Extremis. This should have made the film work better – however, not only is Tony helped by Rhody, now the “Iron Patriot” but about 30 remotely activated Iron Man suits join in the final battle. Therefore, in the final battle – it’s very difficult to figure out who’s who and what’s going on (both Tony and Rhody get in and out of various suits throughout the battle).

Still, at the end, Pepper almost dies, but Extremis saves her.  Tony realises how much he loves Pepper, and even has the shrapnel and electromagnet removed from his chest, and one is left with the idea that he might, finally, become a better person without relying on his suit of iron.  Well, until the next Avengers film.

The problem with Iron Man 3 is twofold – it doesn’t expand the universe at all, it simply introduces yet another villain, and this villain isn’t even real – the Mandarin is a sham.  An Killian, though nasty, is somewhat finite as a villain – Extremis doesn’t work.  It, temporarily, does as promised – even regrowing limbs, but eventually the patient blows-up.  Not exactly a medical miracle.  And secondly, it becomes just another chapter in an on-going story that never ends.  There’s no beginning, middle, end structure to the Iron Man films – so there’s no growth.  In the second film, I felt Tony had slid backwards to his original party self; in this one – Party Tony is in a flashback, but there’s still no real growth or change.  And the end scenes, which do hint at change — Tony realising his feelings for Pepper, Tony having the shrapnel and magnet removed, etc., all seem fake and short-lived.  We know Iron Man will be back, so what’s the point?

I did like the scenes between Pepper and Tony at the beginning and end of the film, but overall, Gwyneth Paltrow is almost criminally under-used in this film.  She needed either, her own storyline, or to be with Tony in Tennessee doing research – not simply arguing with Tony at the beginning, and being a victim at the end, until Tony tries to rescue her and she ends up rescuing herself instead.

Recommendation:  For die-hard Marvel fans Only
Rating:  3 Stars
Next Film:  Justice League:  Flashpoint Paradox

Robert Downey Jr. being RDJ – Photosets

bakerstreetbabes:

hedgehog-goulash7:

Pretty Downey Jr.

He was very pretty in “Sherlock Holmes: A Game of Shadows,” that’s for sure.

He’s a pretty lady.

So cute and so humble. I love ‘em.

Sherlock Holmes – Photosets – Characters in Various Versions

bakerstreetbabes:

freshlense:

Granada ♦ Warner Bros ♦ BBC

This is great!

PERFECT!!!  Absoultely PERFECT!  Whoever made this deserves an award.  I seriously love seeing all the different versions of the characters, and the clips are great.

Sherlock Holmes – RDJ – Green Screen Fight

bakerstreetbabes:

hedgehog-goulash7:

ironholmesgrl08-rdj-blog:

Behind the scenes of Robert Downey Jr fighting and being man-handled in Sherlock Holmes.

With Mark Strong (Blackwood) and Robert Maillet (Dredger)

We would gladly man-handle that fella.

The Avengers

  • Title:  The Avengers
  • Director:  Joss Whedon
  • Date:  2012
  • Studio:  Paramount, Marvel Studios
  • Genre:  Action, Fantasy, SF
  • Cast:  Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Samuel L. Jackson, Gwyneth Paltrow, Paul Bettany, Alexis Denisoff, Clark Gregg
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC
“The cube is a doorway to the other end of space, right?  Doors open from both sides.” — Clint Barton
 
“I’d like to know why S.H.I.E.L.D. is using the Tesseract to build weapons of mass destruction.”  — Dr. Bruce Banner
 
“Is this the first time you lost a soldier?”  — Capt. Steve Rogers
“We are not soldiers!” — Tony Stark
The Avengers takes several heroes from previous Marvel films and brings them together into a team-up movie, as a new super-hero group, The Avengers, is assembled to combat Loki’s challenge, find the mysterious Tesseract cube Loki has stolen,  and ultimately to fight an army of creatures from another galaxy.
The film opens with an attack by Loki on a secret S.H.I.E.L.D. facility.  He uses his staff to take control of Clint Barton (a.k.a. Hawkeye) and succeeds in taking the Tesseract cube.  In the chaos, the facility is destroyed.  Recognising that the special circumstances call for a special team and a special response, Nick Fury calls for Agent Phil Coulson to assemble a team who will become The Avengers.  The beginning of the film introduces and assembles this team, all of whom are in the midst of their own problems, but they put their own problems aside to combat Loki’s threat.  The team is:  Black Widow (Natasha Romanoff) an assassin, Dr. Bruce Banner (the Hulk), Tony Stark (Iron Man), Capt. Steve Rogers (Captain America), Thor, and S.H.I.E.L.D. itself.
Once the team is assembled, they begin to look for Loki and the Tesseract.  They easily find Loki in Stuttgart, Germany.  Captain America and Ironman fight and capture Loki, with some help from Black Widow, a S.H.I.E.L.D. helicopter, and Thor.  However, once they take Loki to S.H.I.E.L.D.’s heli-carrier (remember the Valiant from the Doctor Who episodes:  “The Sontaran Stratagem”/”The Poison Sky”? – it looks like that.) it seems that Loki wanted to be taken.  He plays the team, attempting to get Dr. Bruce Banner so angry that he turns into the Hulk and smashes the carrier in flight.  Despite the Avengers figuring out this plan, it works. Hawkeye, still under Loki’s control, also attacks the carrier.  Stark and Rogers have to work together to prevent the entire carrier from crashing.  Agent Phil Coulson is killed by Loki.  Both Thor and Hulk fall out of the heli-carrier, but are un-hurt when they land.  Prior to his turning into the Hulk, Banner and Stark both got along very well.  Stark treated Banner well, complimented his scientific work and papers, and even inviting Banner to Stark Tower to work in R&D.  The same cannot be said of Stark and Rogers – who strongly dislike each other at first.  Loki successfully escapes, though Stark and Rogers are able to prevent the carrier from crashing.
Recovering from their losses, and the death of  Agent Coulson, the Avengers plan their next move.  After a discussion with Rogers, Tony realises that Loki will use the new Arc Reactor self-perpetuating green power source at Stark Tower to accomplish his plans.
The film moves to New York, where Loki has already opened a portal to another galaxy.  Alien creatures go through the portal and start causing chaos – attacking everything, destroying buildings, and killing people.  Tony first challenges Loki, then co-ordinates the counter-attack. Eventually all the Avengers join the fight. S.H.I.E.L.D.’s shadowy cabinet decides to cut their losses and target a nuclear missile on the city.  Fury is, well, furious, at the very idea and refuses to comply with the order.  The cabinet sends out a fighter jet to send in the nuke anyway.  Fury informs Ironman, who informs the other Avengers.  Tony then takes the missile and carries it into the portal.  He sees it blow-up, cutting off  the alien’s power, then falls to earth.  Stark barely makes it through the portal before Natasha closes it with Loki’s staff.  Hulk catches the powerless, falling Stark.
Tony and Pepper are adorable and cute together at the beginning of the film, when Coulson comes to bring Ironman into the mission.  When he’s heading for the portal and thinking he will probably die, Tony agrees, at Jarvis’s suggestion, to call Pepper.  She, however, misses his call.
News clips round-up the story, with man-on-the-street type interviews with those saved by the Avengers, as well as political pundits who criticize the destruction of the city.  Thor takes Loki and the Tesseract; Tony and Banner ride off together, Steve leaves on his own motorcycle, and later Tony and Pepper are in his lab re-designing Stark Tower.  The Avengers have split apart but they will draw together again when needed.
The film is a great ensemble piece, with crackling, snappy dialogue.  I enjoyed it very much.  I really liked the “science bromance” of  Tony Stark and Dr. Bruce Banner.  Stark is a genuine admirer of  the other man, and is not in fear of  the green “rage monster” as he calls it.  He’s shocked when Banner admits he had once attempted to shoot himself, only to have “the other guy” spit out the bullet. Natasha and Clint also seemed to have a history, though Hawkeye spends most of the film in Loki’s thrall, she is, eventually able to break that and he joins the Avengers for the final battle.  Overall, this was a great summer “popcorn” movie.  It’s fun, the actors all did a great job, and the characters were very cool.  When I saw it last year, the only other Marvel films I’d seen were some of the X-men movies and the (Tobey McGuire) Spiderman films (which aren’t connected at all), and Thor (which was).  This film got me to see the Ironman films, largely due to Robert Downey Jr.’s excellent performance, which I enjoyed (see reviews on this blog).  The Avengers shows that an ensemble piece with several characters with elaborate backstorys can still work as a film.  Warner Brothers are you listening?  Make Justice League!  Anyway, it’s recommended.
Recommendation:  Go see it!
Rating: 4 out of 5 Stars
Next Film:  The Third Man

Sherlock Holmes A Game of Shadows

  • Title:  Sherlock Holmes A Game of Shadows
  • Director:  Guy Ritchie
  • Date:  2011
  • Studio:  Warner Brothers
  • Genre:  Action, Adventure, Drama
  • Cast:  Robert Downey Jr, Jude Law, Jared Harris, Noomi Rapace, Rachel McAdams, Kelly Reilly, Stephen Fry
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

“Oh, how I’ve missed you, Holmes.” — Dr. John Watson

“It’s so overt, it’s covert.” — Sherlock Holmes

“What better way to conceal a killing, no one looks for a bullet hole in a bomb blast.” — Dr. Watson

“They’re dangerous at both ends, and crafty in the middle. Why would I want anything with a mind of  its own bobbing about between my legs?” — Sherlock Holmes (on horses)

It isn’t often that an adventure film sequel is as good as or better than the original, but Sherlock Holmes A Game of Shadows is one brilliant film, just as good if not better than Sherlock Holmes. Guy Ritchie’s Sherlock Holmes films are proving to be crack to the SH fan — doing things any fan of Sir Arthur Conan Doyle’s writing has always wanted to do (Who hasn’t wanted to push Mary off a railway bridge? Or to not only have Watson see Holmes’ fall at Reichenbach, but to have a hint that he knew Holmes wasn’t dead?) Holmes and Watson were the original “buddy cop show” (though neither was a cop) and Holmes the original geek (used in the best sense, not the pejorative one) Ritchie’s films have come about at the most appropriate time, here’s hoping to a long and successful series.

In Sherlock Holmes A Game of  Shadows, we immediately see the close friendship between Holmes and Watson. They finish each other’s sentences, know each other’s moves, and have complete trust in each other when it really counts. Holmes doesn’t discount Watson’s abilities, especially as a soldier, or as a doctor.

This film introduces Professor James Moriarty, as Holmes’ equal and opposite. Their conflict is played out in a metaphor of chess, and both are very good at the game. But, Holmes probably wouldn’t have directly challenged Moriarty, even when he finds out, to his horror, exactly what Moriarty is up to, if it wasn’t for Moriarty’s murdering of Irene Adler, and threats against Dr. John Watson, and his wife, Mary. The film also plays with real historical events, including a series of anarchist bombings in Europe (which did happen, especially in Russia) and the prelude to World War I. Moriarty’s plan, in fact, is to use the existing alliances and rivalries in Europe to start a world war — twenty three years early. This, after he has bought-up every business that can profit from war from bandages (cotton) to bullets (weapons and chemical warfare). Moriarty owns cotton, steel, opium (used to make morphine – the anesthetic of the time), and the aforementioned arms. As Holmes points out when Moriarty is torturing him, “Now that you own the supply you intend to create the demand.”

The film also introduces Mycroft, Sherlock’s brother, played by Stephen Fry, as quite possibly more eccentric than Sherlock. However, it is to Mycroft that Sherlock trusts the health and welfare of Mary, after dropping her from a moving train into a lake to save her from Moriarty’s attack. Watson is quite distraught at Holmes’ cavalier treatment of his wife, until he realizes that Holmes was in complete control, timing things perfectly, and his actions were to protect Mary. Quite a lot of Holmes’ actions in the film are to protect Mary and John; John because he is Holmes’ only friend and Mary because she is important to John.

I, personally realized the film was doing “The Final Problem”, when Moriarty’s men attack on the train, but I still loved just how much Ritchie opened up that particular story and brought more to it. That Holmes sends John on an errand so he can sneak into Moriarty’s weapons factory in Germany speaks volumes of how much he cares. That John returns and immediately figures out how to rescue Holmes, not only shows his own intelligence, but his own feelings for Holmes.

The escape, with the gypsies through the forest was brilliant. First the  direction, using a stop-motion technique to freeze the action briefly, enabling the audience to actually follow it was brilliant. The complete chaos of the explosions, gunshots, and use of big guns (howitzers, etc) brings to mind World War I. There is also complete trust between Holmes and Watson, when at one point, Holmes twirls the stock of a gun, and Watson is right there to receive it as Holmes hands it off. It’s Watson who fires the weapon at Moriarty’s men.

After escaping, Holmes, who’s been tortured, Watson, and Sim, their Gypsy companion, are in a railway car. Holmes stops breathing and his heart stops. Watson beats on his chest (this is a little premature – I don’t think even a doctor would know CPR in 1891) but is unsuccessful. Then he has a lightbulb moment – and uses Holmes’ wedding gift — pure adrenalin, that Holmes had extracted in an experiment, and Watson had seen Holmes use to revive Gladstone (Watson’s dog) after the dog ate something poisonous. The adrenalin works and Holmes jumps up, babbling of bad dreams. But the entire scene is brilliant. Watson pounds on Holmes’ chest crying that Holmes, “Bloody well not going to die on me!” and shouting at him to “come on”. Watson’s brief devastation as he realizes that his best friend has died, before the light bulb goes off, perfectly illustrates his caring for Holmes.

Holmes, Watson, and Sim arrive in Switzerland and meet Mycroft, but discover the peace conference is still planned. Holmes dances first with Sim, and then with Watson. (Another perfect moment!) He points out that Rene has had his face altered by experimental surgery. Holmes trusts Watson to find Rene, Sim’s brother and stop the planned assignation that will touch off a war, while he goes to confront Moriarty personally. Holmes and Moriarty plan a chess game together, without even using a board, while Moriarty both threatens Watson and Mary, and tells Holmes there is nothing he can do to stop him. Holmes sacrifices his Queen in the game, to win. The two then fight, first in their heads (each plotting out moves and counter moves, before doing a thing). Holmes, knowing he is still weak from his injuries at Moriarty’s hands, grabs Moriarty and sacrifices himself, dragging them both over a balustrade into the rushing waterfall under the castle of  Reichenbach. Watson, having found Rene, and stopped the assignation attempt, opens the door, a smile on his face to tell Holmes of their success. But, his smile evaporates, as he sees Holmes and Moriarty fall into depths. We then hear Watson reading the end of  “The Final Problem”, as a voice-over, which then becomes Watson typing the story. Mary comes to him, reminding him of their planned honeymoon trip. However, Watson gets a strange package in the post, Mycroft’s oxygen breather. Watson leaves, and Holmes appears, having been hidden by his camouflage. He adds a question mark to the words, “The End”, at the end of Watson’s story, cut to credits. Simply brilliant!

Sherlock Holmes A Game of  Shadows is brilliant. The directing is perfect. I loved the ramped-up “Holmes vision”, which really gets into Holmes’ head and shows the audience how he thinks. Also, it makes Holmes seem less arrogant or untouchable/non-understandable by allowing the audience to see just how his mind works, rather than letting his deductions and actions seem almost magical or like some sort of trick. The friendship of Watson and Holmes was handled very well. I loved that they finished each other’s sentences, knew each other’s moves, but also, at their core, Watson cares deeply for Holmes and Holmes cares deeply for Watson. It is the male friendship that makes the pair timeless. And the plot was extremely well put together. Moriarty not merely as a master criminal, but an extremely crafty war profiteer, how appropriate. All in all, I really don’t think anything could have made this film better, I really loved it and highly recommend it.

Recommendation:  An absolute must see!
Rating: 5 out of  5 Stars
Next Film:  It Could Happen to You (a recent purchase) or Shrek (on list)

Ironman 2

  • Title:  Ironman 2
  • Director: Jon Favreau
  • Date:  2010
  • Studio:  Paramount, Marvel
  • Genre:  Action, Fantasy
  • Cast:  Robert Downey Jr, Gwyneth Paltrow, Sam Rockwell, Scarlett Johansson, Don Cheadle
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

“You want my property, you can’t have it.  But I did you a big favor, I’ve successfully privatized world peace.”  — Tony Stark

“You are running out of both time and options.  Unfortunately, the device that’s keeping you alive is also killing you.”  — Jarvis

“You want to do this whole lone gunslinger act, and it’s unnecessary.  You don’t have to do this alone.” — Rhodey
“You know, I wish I could believe that, I really do.  But you gotta trust me.  Contrary to popular belief, I know exactly what I’m doing.”  — Tony

The film does open with a re-cap of the audio from Tony’s press conference at the end of the first Ironman film — played out against a man in Russia assembling his own arc reactor and Ironman-like suit. We will later discover this is Whiplash.

Tony, as Ironman, literally drops in to a rock concert-like opening for Stark Expo, complete with screaming fans and Rocketts.  He’s back to the arrogent, egomaniac — wild, and irresponsible, challenging anyone and everyone who is in his way, including a Senate sub-committee.

Normally, in a sequel to a heroic adventure, I would expect that the hero, having learned his true path in the first film (or book) would spend the second film facing down a bigger, badder, meaner challenge.  It’s nice if there’s more character interaction and development; or if  the world opens up, so to speak, widening the area where the hero plays.  However, in Ironman 2, Tony seems to have slipped backwards — once again becoming the irresponsible playboy, without a thought for how his actions affect others.

It’s soon revealed that Tony is dying.  The Palladium core of the arc reactor in his chest that keeps him alive, is also slowly poisoning him.  Tony begins to give away his things, such as donating his modern art collection to the Boy Scouts of America.  He also makes Pepper the CEO and chairman of his company. Their conversation when he does so, is at breakneck speed and great fun to watch.

Tony then goes to the Grand Prix race in Monaco.  Pepper, Happy, and a new Stark Industries employee named Natalie Rushman (later revealed to be a S.H.I.E.L.D. agent, named Natasha) accompany Tony to Monaco. There he’s challenged by Justin Hammer, CEO of Hammer Industries – a weapons manufacturing company and former business rival of Stark’s.  Hammer wants to build his own Ironman suits as well, to sell to the US Armed Forces.

Tony slips away from the meeting, and tests his blood toxicity (with a device that looks very much like the type of portable blood sugar monitor used by diabetics).  Next you see him, he’s preparing to drive the race car he was only supposed to be sponsoring for the Grand Prix.  Pepper is livid and has Natalie find Happy so they can try to stop Tony from getting himself  killed.   During the race, Whiplash arrives and causes havoc — attacking cars and then deliberately crashing Tony’s race car.  Tony manages to free himself, and with a little intervention from Happy and Pepper is briefly rescued.  Pepper throws him a red suitcase, and Tony steps into the Ironman suit and challenges Whiplash.  He wins and the villian is carted off by the police.

On the flight back to the US, Pepper does ask Tony what he’s not telling her.  He talks about cancelling his birthday party and going with her to Venice.  Again, their dialogue together is cute, but Tony isn’t really telling her what’s going on.

Whiplash escapes prison, and is convinced to work for Justin Hammer.  He, does, however, have his own agenda.

Meanwhile, the night of  his birthday party, Rhodey finds Tony in his workroom, alone, and in bad shape. Tony gives a wild birthday party, and when Pepper tries to stop him — he goes even more wild, destroying things.  Rhodey shows up in one of Tony’s old Ironman suits and the two go at it.  In the end, Rhodey escapes with the suit and takes it to the Air Force.

The next day, Fury, of S.H.I.E.L.D., arrives and gives Tony lithium dioxide to counter the effects of  the Palladium poisoning.  He also introduces a more important part of the plot; that Howard Stark said the arc reactor was only a stepping stone to something greater, and Tony was the key.  Tony’s confused by this, but takes his father’s trunk and returns to the Orphanage (his home) where he discovers Agent Phil Coulson will be his body guard and babysitter.

Going through he father’s things, he discovers an old 16mm film of his father’s speech for the opening of Stark Expo.  At the end of his practicing the speech, Howard Stark addresses Tony directly.

Tony goes to see Pepper at Stark Industries and again is incapable of telling her how he feels (partially because she cuts him off) or that he’s dying.  But when he sees the Stark Expo model leaning against a wall, he realizes there’s more to it than meets the eye.  He brings it back to his workshop, and has Jarvis render it into a 3-D working model.  Working with the model, he realizes it’s an atom for a new element. Tony builds a Large Hadron Collider in his workshop and creates the new element.

As before, Tony is at his best, when he is alone and working on a problem or to build something.  The man is most definitely an engineer.  And I still love Jarvis and the 3-D holographic displays as Tony figures stuff out and manipulates parts of the rendered drawing with his hands.  (I use AutoCAD at work — I wish it was that easy!)  The final shot of Tony surrounded by dots of blue light, representing his new element is absolutely gorgeous!  I loved it!  Tony puts the new element in his arc reactor core which will help his “dying” problem.  In other words, he’s no longer being poisoned slowly.

Justin Hammer turns out to be a bully — taking Whiplash’s pet bird when he isn’t delivering fast enough on making suits that imitate Tony’s Ironman.  Rhodey delivers his suit to the Air Force who deliver it to Hammer.

At Stark Expo, Hammer introduces his battle drones, and his VTRB (Variable Threat Response Battlesuit).  But Wisplash takes control of the suits remotely and chaos reigns.  Even Rhodey in his own VTRB suit can’t control it.  Tony has Jarvis hack into Rhodey’s suit, granting him control at least.  Pepper contacts the police to try to bring some control to the chaos.  Eventually, Tony and Rhodey defeat Whiplash and his drones, but Whiplash has one final act to play — all the drones contain bombs.  Tony rushes off and rescues Pepper.  She quits as  CEO of Stark Industries.

Ironman 2 has some fun moments, and I liked the advancement of  Tony and Pepper’s relationship.  I also found the one step forward two steps back approach to Tony and Pepper’s relationship to be frustrating almost to the point of annoyance.  Tony and Pepper are cute together.  She can improve him, but they also seem to be always moving in opposite directions, unable to stand still long enough to really meet and know what the other is saying.  But I also found it odd that dying was used by Tony as an excuse to go back to his irresponsible playboy ways.  And, in a sense there was too many “big action scenes” and not enough character development (even for the villian — the only place his name was used was the back of the DVD box).  A sequel should further develop the main character’s arc, but in this film it seems to go backwards instead.   However, Robert Downey Jr and Gwyneth Paltrow again knock it out of the park, doing their best with what they are given.  And I like Tony when he’s alone and acting as an engineer.  But overall, a little disappointing.

Recommendation:  See it.  May as well to keep up with the various Marvel movies leading up to The Avengers.
Rating:  3.8 out of  5 Stars
Next Film:  Sherlock Holmes:  A Game of  Shadows