Hot Fuzz

  • Title: Hot Fuzz
  • Director: Edgar Wright
  • Date: 2007
  • Studio: Rogue Pictures, Working Title, Universal Pictures
  • Genre: Comedy, Action
  • Cast:  Simon Pegg, Nick Frost, Jim Broadbent, Timothy Dalton, Bill Nighty, Edward Woodward, Ron Cook, Martin Freeman, David Bradley
  • Format: Color, Widescreen
  • Video Format:  Blu-Ray

But the fact is, you’ve been making us all look bad.” – Met Chief Inspector
“I’m sorry, sir?” – Nicholas
” ‘Course we all appreciate your efforts but you’ve been rather letting the side down.” – Met Chief Inspector
“It’s all about being a team player, Nicholas.” – Inspector
“If we continue to let you run around town you’ll continue to be exceptional and we can’t have that. You’ll out us all out of a job.” Met Chief Inspector

“You can’t switch off, Nicholas.” – Janice

“I just feel like I’m missing out sometimes. I wanna do what you do.” – Danny
“You do do what I do. Why on Earth do you think you’re missing out?” – Nicholas
“Gun fights, car chases. Proper action and shit.” – Danny
“Police work is not about proper action! Or shit! It you’ve paid attention to me in school you’d understand. It’s not all about gun fights and car chases.” – Nicholas

Nicholas Angel is an excellent police officer – excelling in training, as well as academically, and has an arrest record 400 percent better than his fellow officers in the London Met. He is completely dedicated to his job and extremely good at what he does. But that becomes his problem as well. His girlfriend tells him he “can’t switch off”, and his fellow officers find his talent for policing annoying because he “makes them look bad”. So the Met comes to a decision – Nicholas is promoted to sergeant and transferred to the quaint English village of Sandford. Nicholas protests – but to no avail. So he and his Japanese Peace Lily plant head for Sandford.

In Sandford, Nicholas has trouble fitting in, though he gradually becomes friends with his new partner, Danny. But Nicholas also begins to suspect something strange is going on, as a series of fatal accidents occurs in the quiet village. Nicholas suspects these accidents are murders – but everyone from the villagers to the other police officers insist they are accidents. It’s obvious the murders are murders, and Nicholas can’t understand the reluctance the police have to investigate them as such. Slowly Nicholas even suspects the random acts of violence are linked.

Nicholas investigates, and also becomes acclimatized to the village and it’s rather odd inhabitants. But soon his investigations turn up a vast conspiracy – of actions and silence, that even reaches into the police itself. Nicholas is forced to leave.

However, he soon returns, and with the help of his partner Danny, he cleans-up the town in a symphony of violence and action.

Trust me – it’s funnier than it sounds. Hot Fuzz combines a satire of American action thriller films (such as Lethal Weapon, Point Break, and Die Hard), an English Village horror story (The Wicker Man, which starred a very young Edward Woodward, who also appears in this film), and a surprisingly sensitive story of a man’s coming into his own. Simon Pegg is the main character, Nicholas Angel, but he plays the role as the Straight Man. It isn’t Angel who’s the comedian – what makes the film funny is how Angel reacts to the outrageousness around him. And Nicholas also grows, not simply learning “to switch off” but to embrace his inner nature, but to take the time to form friendships as well. The arc of the relationship between Nicholas and Danny is well told, and parallels many classic American buddy cop films.

Yet it isn’t simply Nicholas’ story that Hot Fuzz tells and tells extremely well. Danny’s favorite passtime outside of work is watching the American action films that Hot Fuzz will ultimately parody, especially in the action-packed final sequences. A central scene in the film has Danny talking Nicholas into a real night out at the pub, with the two both drinking lagar, rather than Nicholas having his one cranberry juice then leaving. After several beers, the two head to Danny’s for an action movie binge night. Danny however grows as well, learning self-confidence and ultimately stepping out of his police inspector father’s shadow.

Yet this film, for all that it borrows and parodies from American action thrillers, is also quintessentially British, in that the actual plot that Nicholas discovers is that of the “perfect English village that gets it’s perfection from weird cults and strange sacrifices or conspiracies”. It’s a story that’s been around for awhile (the film The Wicker Man is a prime example, but I’ve seen versions of the story on Randall and Hopkirk (Deceased) (2000), Torchwood, and even the Neil Gaiman novel American Gods, and I’m sure there are more examples.) But Hot Fuzz combines an insane amount of violence, lots of action, including a bit pulled from Lethal Weapon with Pegg and Frost firing two hand guns each while moving diagonally through the frame, car chases, confrontations, explosions, and just lots and lots of gunfire and sight gags. It’s hard to describe how such over-the-top action scenes can be funny – but because they are so over-done they are. Yet the film never loses sight of it’s characters or the characters unique points of view (even the villagers’ conspiracy, as misguided as it is – makes sense to them). Throughout the story the characterization rings true – even when the action and violence hits the ludicrous level (which makes the film funny). Nicholas Angel isn’t someone the audience will laugh at in this film. He’s someone the audience will sympathize with, especially as some of the other police officers, especially at the beginning, bully him,  and ignore his knowledge.

In the end, Nicholas gets to the bottom of things, and not only is all well – but the trio of inspectors from the beginning of the film arrive in the village to ask Nicholas back to the Met. Nicholas declines, deciding he likes his little village.

Hot Fuzz is a great movie, full of wonderful bits, great acting, and a top-notch cast. The films blends genres effortlessly and showcases the talents of Nicholas Pegg, who really is the central character of the film.  I highly recommend it.

Recommendation: A must see!
Rating: 5 Stars

Thunderbirds

  • Title:  Thunderbirds
  • Director:  Jonathan Frakes
  • Date:  2004
  • Studio:  Working Title, Universal
  • Genre:  SF, Adventure, Action, Children
  • Cast:  Brady Corbet, Bill Paxton, Sophia Myles, Ron Cook, Ben Kingsley, Anthony Edwards, Genie Francis
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

“Alan, This equipment’s only to be used in an emergency! [Tin Tin and Alan look at each other] I guess this qualifies.” – Fermat

“It’s the children. They have it.” – The Hood
“No way. They’re dead. No one could live through something like that.” – Mullion
“I did.” – The Hood

“Alan? He’s just a kid.” – Gordon Tracy
“He’s a Tracy.” – Jeff Tracy

Thunderbirds is a live-action children’s adventure film based on the ITV Gerry Anderson Supermarionation series of the same name. For more information on the original television series see this post. The film is an origin story of sorts, set early in the career of International Rescue and the Thunderbirds. Jeff is very much an active part of the organization, and Alan – the youngest Tracy, is still at school, attending Wharton Academy, an all-boys boarding school, with Fermat, Brains’ young son.

Alan dreams of the day he can leave school behind and join his brothers in International Rescue as a full Thunderbird.  In this film, the Thunderbirds are the pilots of the machines as well as the machines themselves. Alan’s at school when he’s caught daydreaming by a teacher – and is given an extra report to write during Spring Break. However, soon all the students are watching a news cast – the Thunderbirds respond to an fire at an oil rig in Russia and rescue the trapped men, despite heavy rain and other problems. Alan and Fermat watch with the other students, but Alan, far from being worried about his older brothers and father – mimes their actions and wishes to be with them.

Lady Penelope, the family’s London agent, arrives at Wharton and picks-up Alan to bring him home to Tracy Island, because the rest of the family is obviously busy. Not only does she arrive in her 6-wheeled pink Rolls Royce – but Lady Penelope’s entire wardrobe is pink. Once she, Alan, Fermat, and Parker have driven away from any traffic the car turns into a flying car – and Parker pilots it to the Island.

Unbeknowest to Scott Tracy, however, when he and Virgil drop off the rescuees at a local hospital, one of them shoots a tracking compound onto Thunderbird 1. Scott doesn’t notice. At dinner, Alan asks his father when he can become a Thunderbird, and Jeff rebukes him saying he’s too young.

Alan and Fermat sneak into Thunderbird 1 where they accidentally start the launch sequence. The sequence is stopped without incident, but Jeff is so mad at Alan’s behavior he doesn’t give Alan a chance to tell him about the tracking goo he and Fermat found. (At this point the children don’t realize what the goo is for.)

John’s on Thunderbird 5, a manned satellite and communications station. He reports to Jeff on a couple of minor problems but his report is it’s basically a quiet night. Then, suddenly, and without warning, The Hood (Ben Kingsley) fires a rocket into Thunderbird 5. The satellite is crippled and John is in trouble.  Jeff, Scott, Virgil, and Gordon take Thunderbird Three, the giant, red rocket ship into orbit to rescue John/fix the satellite.

Meanwhile, The Hood invades Tracy Island.  Alan, Fermat, and Tin Tin see his sub – but are unable to stop the attack on Thunderbird 5.

The Hood bursts into the house on the island, looking around he recognizes Jeff’s picture. The Hood’s vendetta seems personal. The Hood forces Brains to activate command and control. Jeff and his boys enter Thunderbird 5, but The Hood locks the door so they can’t get out.  Jeff handles the emergency on Thunderbird 5 well, and finds and cares for his injured son, John.  However, the five men are unable to escape the satellite because The Hood’s locked and jammed the door from Command and Control.

Alan, Fermat, and Tin Tin (Kyrano’s daughter) go the Thunderbird Silos – they use the Firefly and the Thunderizer to escape The Hood’s henchpeople, Mullion and Transom.  They slide down an exhaust pipe into the Ocean surrounding the Island, then get to shore. The three need to come up with a plan. They decide to cross the Island on foot, through the jungle to the Island’s satellite dish to try to contact Jeff on Thunderbird 5. After a few adventures, they make it.  They have some difficulty with the transmitter, but eventually get it working.  Alan asks what to do – but Jeff tells him to follow protocol and get to Lady Penelope.

Alan would rather have an more active role. He finds one of the family’s old hover-sleds, and builds a sidecar-like device so he can carry Tin Tin and Fermat as well behind them. They are chased by the Hood’s Henchpeople, Mullion and Transom.  Fermat and Tin Tin are caught, and put in a freezer with their fathers, Brains and Kyrano.

Meanwhile, Alan is still free, and he sees Lady Penelope and Parker arrive. He follows and sees them challenge and fight the henchpeople in the Tracys’ living room.  Although the British agents fight extremely well, they are no match for The Hood’s mind control – the are caught and put into the freezer with everyone else.

The Hood, Transom, and Mullion head off to the Bank of England in Thunderbird 2 – having gotten the guidance computer chip Fermat had taken out of the machine.

In the freezer, Parker remarks that he can open the lock if he had a small piece of wire. Lady Penelope offers him the underwire from her bra. Everyone had discretely turned away as she retrieved it.

The group manages to rescue Jeff and the boys on Thunderbird 5 just before the satellite burns up in a decaying orbit, as well as reversing the sabotage to the satellite airlock door to Thunderbird 3. Then, the group, including Lady Penelope take Thunderbird 1 to London.

The Hood lands Thunderbird 2 in Jubilee Gardens, near the London Eye.  They take the Mole and dig a route under the Thames towards the Bank of England, their route cuts the supports of the monorail – causing a disaster.

Meanwhile, Jeff and his boys head directly to London in Thunderbird 3.

Alan arrives in Thunderbird 1 – he lands and uses Thunderbird 4 (the yellow sub) to rescue the monorail car, with help from Tin Tin who secures the line around the monorail, which is then lifted by Thunderbird 1.

Jeff watches his youngest son in action, and is proud of how his handles himself. He lands Thunderbird 3 in Jubilee Gardens next to the other Thunderbirds.

Once the people from the monorail are safe, the Thunderbirds and Lady Penelope go to the Bank of England to stop The Hood.  Lady Penelope, thanks to The Hood’s special powers, and Jeff end-up locked in a vault.  Alan, with the help of Tin Tin’s use of her own special powers, defeats The Hood.

At a celebratory beach party, Jeff gives International Rescue pins to Fermat, Tin Tin, and Alan – and welcomes Alan officially into the family business.

Thunderbirds is a fun family movie. It always makes me smile whenever I watch it, from the opening animated sequence, to the ending credits theme tune by Busted, “No strings to hold them down,” indeed.  Yes, it’s a kids movie, and Jeff and the older Tracy sons are basically stuck in Thunderbird 5, completely helpless for the majority of the movie. The movie emphasizes Alan – and shows us his journey from teenager, to full-fledged International Rescue member. Jeff Tracy does come off as an, excuse the expression, bit of an hard-ass, but explanations are given. The Hood hates him because when International Rescue responded to the collapse of his illegal diamond mine – he wasn’t rescued, but stranded. Being trapped led him to develop his mental powers. When Alan asks if The Hood’s story is true – Jeff tells Alan, yes, it is, and that sometimes you can’t save everyone, even though International Rescue saved 600 people that day. Alan then asks, “What was Mom like?” To which Jeff replies, “She was like you.” Jeff had been inspired to start International Rescue after his wife was killed in an avalanche.

There are some notable differences from the TV show the movie is based on – one of the most notable is that the International Rescue members, that is, the Tracy boys who pilot the Thunderbird machines call themselves Thunderbirds as well. In the series, their organization was always International Rescue, the machines were Thunderbirds, and the pilots were the Tracys. Though, as it was a secret who IR was – I could easily see the public also calling the pilots Thunderbirds rather than members of International Rescue as they do in the TV show. Also, in the series, Alan is an adult – an astronaut who is also famous as a race car driver (which was almost a hobby for him). And Alan’s a competent member of International Rescue, and the pilot of Thunderbird 3 – who splits space monitor duty with John, aboard Thunderbird 5.  Jeff leads his boys from the ground as base commander. And Lady Penelope doesn’t wear so much pink. Though I must admit her wardrobe in the film, is fantastic.

Still, even with the shift of focus to Alan, Fermat (a new character for the film), and Tin Tin, the film is fun. It’s an excellent family film. And I always enjoy it every time I watch it.

Recommendation:  See It! Especially appropriate for families and pre-teens.
Rating: 4 out of 5 Stars
Next Film:  Thunderbirds Are Go