Supergirl Season 2 Review

  • Series Title: Supergirl
  • Season: Season 2
  • Episodes: 22
  • Discs: 5
  • Network: CW
  • Cast: Melissa Benoist, Mehcad Brooks, Chyler Leigh, Jeremy Jordan, Floriana Lima, Chris Wood, David Harewood
  • Format: Color, Widescreen, NTSC, R1

This review contains spoilers for the second season of Supergirl.

With it’s second season, Supergirl switches over to the CW, which frankly, is where the show belongs instead of on CBS. Also, Supergirl is now officially part of the CW DC-verse (aka the “Arrowverse”) and this season of the show includes two crossovers. Click here to read my Season 1 review of Supergirl.

There are some character changes for Season 2, Cat Grant is in the first two episodes, but then she leaves to find herself, putting new reporter, Kara Danvers, in the care of Snapper Carr. The opening episodes with Cat show her both as her acerbic self and as a mentor to Kara, and when Kara announces she wants to be a reporter, Cat hands her a sealed envelope – inside is Kara’s resume, with the word, “reporter”, written across it. But rather than shepherding Kara through her new role, Cat leaves. Snapper, Kara’s new boss, is rude, entitled, and a bit racist and sexist. As annoying as that is, by the end of the season – Kara’s experiences with Snapper do show a different type of mentorship – and for a show with a younger audience, an audience that it probably dealing with “old guard’ bosses at work that behave like Snapper or worse, and it shows how to deal with it and with people like Snapper. Kara even follows her heart and publishes a story on her own, a story that Snapper refused to publish due to his own prejudices. Breaking her contract with Catco gets Kara fired. To get her job back, not only does Kara need to find another exclusive story, and bring that story to Snapper with it’s resources and documentation done precisely as Snapper wants, but she has to share the byline with Snapper who did nothing on the story. Then Kara has to apologize to him and declare he “was right” and that she’s learned a lot from Snapper. Watching that scene is hard and it made me bristle – clearly it was Snapper who’s anti-alien prejudice prevented him from wanting to publish either story in the first place. In both cases, Kara was right in her stories – and she wasn’t writing mere opinion, but facts.

Snapper also co-opted Kara’s work and took credit for it. But, as unfair as that seems – it’s also the way of the world. That type of stuff happens all the time in the real world, and in all sorts of industries. Supergirl shows, especially to it’s young audience of teens and twenty-somethings, how to deal with those situations in the real world. Essentially by swallowing her own pride and sucking up – Kara gets her job back, and is given more freedom to do want she needs to do – be a reporter. Would Snapper have treated a male reporter the way he treats Kara? Probably not. If Kara’s stories had been full of anti-alien trash and prejudice with no research and just prejudicial language and hate speech – what would Snapper have done? Probably publish them without a single red-pen edit. In a sense, his Archie Bunker attitude is the one being criticized, while at the same time showing just how to circumvent such people. Snapper also attacks James, whom Cat has named as her successor during her sabbatical. But within an episode or two, James tells Snapper off – pulling the “I’m the boss whether you like it or not” card.

Season Two also introduces Maggie Sawyer, a National City cop, and a lesbian. Alex meets her, they become friends, Maggie gets Alex to realize she is also a lesbian, then Maggie rejects Alex. They do get back together, and Maggie is present in some form or another for the rest of the season. The Maggie/Alex relationship is brilliantly played, with ups and downs, rather than as a fairy tale. It becomes clear that both Maggie and Alex have some self-esteem issues. Both have had trouble in the past being true to themselves and opening up to others. These flaws make the characters more interesting, and give the audience different types of characters to identify with.

Winn also meets a girl (are we sensing a pattern?) an alien named Lyra. Their relationship seems fine, and very hot, until she sets him up to make it look like he broke into a museum and stole Starry Night by Van Gogh. Winn, though, doesn’t buy the police line that he was simply used. Even when Lyra tells him the same, he pushes, until he finds out that Lyra was blackmailed into the theft and a series of others to pay off her brother’s gambling debts and free him from the alien mobsters who are holding him. Even though Supergirl, Winn, Alex, and the DEO are able to free Lyra’s brother and arrest the mobsters, after the incident we seldom see Lyra.

The season introduces Megan McGann, (aka M’Gann, Miss Martian) whom at first seems to be a Green Martian refugee like J’onn J’onezz. She turns out to be a White Martian instead, one whom became disgusted at the genocide of the Green Martians on Mars – and whom helped some escape. The relationship between the two also has its ups and downs and ends with M’Gann deciding to return to Mars to find similar thinking White Martians.

Finally, Kara, herself finds love – but it’s a bumpy, season-long process. At the very beginning of the season, a Kryptonian pod crashes on Earth. It’s occupant is Mon-El of Daxam. Since Daxam, sister planet to Krypton, has also been the enemy of Krypton for centuries, we get the rare experience of seeing Kara’s prejudice against someone – namely Mon-El. She even jumps to conclusions and blames him for a crime that he is innocent of and has no knowledge of. When it quickly becomes apparent that she was wrong, Kara, to her credit, admits her mistake. She then starts to work with Mon-El, trying to basically make him exactly like herself – from wardrobe, to internship at Catco, to becoming a superhero, to wearing silly glasses to hide his identity. It doesn’t work. However, over time, the real Mon-El emerges, and as Mon-El becomes his own person – it is that person that Kara falls in love with. And Mon-El also improves himself because of knowing Kara. Once he gives up on being an intern at Catco, Mon-El gets a job as a “mixologist” at the alien bar that’s a reoccurring location for the season. But he gradually becomes more involved in helping the DEO and Kara.

This season also introduces Lynda Carter as President of the US, who passes the Alien Amnesty Act, allowing alien refugees to become US citizens. In contrast to her compassion and understanding, Cadmus – run by Lillian Luthor (Lex’s mother) is an anti-alien organization that wants the destruction of all aliens – especially Supergirl and Superman. Like most people who act out on unreasonable prejudices – Lillian sees all aliens as the same – something evil, to be hated, to be feared, and Lillian also uses her resources to stir-up hatred in the general population. Lillian is unable and unwilling to see people as individuals but sees all others as evil ones to be hated and feared. Cadmus makes threats over the airwaves, taking over the media in National City. They use alien weapons to commit crimes and attack people then blame aliens for the crimes. Cadmus even co-opts Jeremiah Danvers, Alex’s father and Kara’s adoptive father, convincing him that deporting all aliens is the Final Solution to the Alien Problem. Yeah. For the most part, however, even with the destruction, death, and set-backs (at one point the alien bar is attacked and every alien is killed), the DEO, Alex, Maggie, and Supergirl are able to stop Cadmus and Lillian.

In contrast to Lillian, Lina Luthor is actually a good person. She becomes a fast friend of Kara (who, again, was willing to hate her for being a Luthor, but saw Lina as a person and became her friend instead), and goes up against her own mother to protect the people of National City, including aliens. Lina is fascinating, she’s also a businesswoman, re-branding “LuthorCorp” as “L Corp” to distance the corporation from her notorious brother and evil mother. She develops an alien detector, which becomes a plot point, though not an over-used one.

The beginning of the season tends to have a lot of stand-alone episodes, though threads are being laid for season-long plots, especially in terms of the characters and their relationships. One problem with the stand-alone episodes is it generally goes like this: alien menace arrives, alien menace (or cyborg or constructed alien like Metallo, etc.) defeats Supergirl in a fist fight or by using special powers (Kryptonite, absorbing her powers, etc.) Kara goes to the DEO and John, Alex, Winn, and maybe James or Maggie come up with a way for Supergirl to defeat said alien menace. Supergirl challenges the menace and wins. This is a boring and repetitive plot. Fortunately, it’s only a few isolated episodes in the first half of the season, and all of those, as I’ve said, have other character stuff going on, but it’s something future seasons really need to avoid. Besides, seeing Supergirl get defeated over and over again weakens the character, and makes her subsequent wins unbelievable.

There are two crossover events for this season of Supergirl: Invasion and the Musical. Invasion is the 4-part crossover that features the entire CW DC universe (aka the Arrowverse). Invasion is actually a pretty much stand alone episode. For the Supergirl episode that introduces it – it’s pretty much just the last five minutes of the episode, when The Flash and Cisco arrive via a universe-hopping portal and ask Kara for help. She then leaves with them and spends three episodes as a lead character in Invasion. Unfortunately, those other episodes are not included on the DVD set. Because the DVD releases of all four shows were spread out over a month, it’s also not possible to stop watching Supergirl and skip over to Invasion (until after The Flash and Arrow were finally released that is). I highly recommend that, since I do enjoy the crossovers, the crossover story be released as a separate special DVD with all four episodes in order. Which isn’t to say those episodes shouldn’t be included on the season sets of their respective shows. But like the Doctor Who Christmas specials – Why not release the Crossover Event as a DVD a few weeks after it airs? I’d buy it – and I’d still buy the season sets at the end of the season. From watching Invasion during the highly-rated Crossover Week – it’s pretty stand alone anyway, and it’s a good introduce to the Arrowverse for new fans. An inexpensive DVD/Blu-Ray release would be an awesome idea.

The Musical is a story that is integrated well in the season arcs of both Supergirl and The Flash. In Supergirl, Kara has just found out that far from being the “palace guard” that she thought Mon-El was – he’s the prince. Although every one tells her to work through her anger at being lied to, in the end, Kara breaks up with Mon-El. Meanwhile, on The Flash, Barry and Iris are in a similar situation – Barry had proposed marriage to Iris, she accepted, then for plot purposes they broke it off (there will be more when I watch and review The Flash). Again, at the end of a Supergirl episode, suddenly an “alien” is being led into the operations center of the DEO, he breaks free of his bonds, and whammys Kara, who collapses. Now by this time, my copy of The Flash had arrived from Amazon, so I was able to go straight to “Duet” and watch it. In “Duet”, we find that the “alien” is the Music Meister, an imp with Mxyzptlk-like powers and an interest in “true love”. He traps Barry and Kara in a musical, which features some actors from Legends of Tomorrow and Arrow as well as The Flash – though everyone is playing different characters. They sing. I was disappointed with “Duet” though. The music was, overall, only so-so both the old songs (“Moon River”) and the originals (“Superfriends”). The storyline in the musical is OK, but pokes fun at musicals (“It really is easy to convince people in a musical!”) The story does end with a beautiful scene of Barry proposing again to Iris (for real) and in song. Kara also sees the error of her ways and declares her feelings for Mon-El.

The final arc of Supergirl is brilliant – well acted, relevant, smart, and a better season finale than even Myriad. Cat Grant returns and we realize just how much we’ve missed her. The President (Lynda Carter) becomes a important part of the story. We meet Mon-El’s parents, played by Kevin Sorbo and Teri Hatcher – and discover that Queen Rhea is the most controlling parent in the the universe (not to mention a little nuts). Rhea returns and tries to get Mon-El to return to lead the survivors of Daxam as prince and future king. But Rhea hates Kara because she’s from Krypton, and after all when Krypton was destroyed it bombarded Daxam and made the planet a wasteland. Mon-El eventually is forced to sacrifice himself and his love for Kara, but she rescues him. This puts Rhea on the warpath. She passes herself off as human, approaches Lina, and gets Lina to work with her on a portal to move goods and people from point A to point B instantaneously. There are two issues with this: one – major side effect, the radiation from the generator that runs the portal turns telepathic aliens into dynamos that attack with the uncontrolled power of a tornado, and two – Rhea has no intention of the portal being used for the humanitarian uses Lina envisions, instead she brings in a fleet of Daxamite ships, which attack National City and hold it hostage.

In the end, even though Supergirl challenges Rhea to single combat for the planet, Rhea cheats – not only by using Kryptonite, but by calling in her guards and airstrikes despite Supergirl winning. This causes Supergirl to release a weapon of mass destruction developed by Lillian and Lina Luthor – they seed the entire planet with lead, which is toxic to Daxamites. This kills Rhea outright, and means Mon-El has to leave the planet. He escapes in the Kryptonian Pod, only to be swallowed up by a wormhole.

I had to wonder about the whole “lead” thing. First, lead is highly poisonous to humans, birds, and animals – it causes brain damage to children and babies; yet Lillian, Lina, and Kara don’t seem to even notice this fact or care. Second, it’s stated several times that Supergirl and Superman (who makes several guest appearances this season) cannot see through lead. If microscopic pieces of lead are in the very atmosphere, it would rend both characters blind until the lead settled out of the air, at the very least. It would be like walking outside on a day with heavy mist – you get wet. Not as wet as in a downpour, but your face and hair is going to be covered in a fine spray of water. So the “fix” to get rid of the Daxamites doesn’t make a lot of logical sense.

Still, Season 2 of Supergirl is an enjoyable series. The characters are likable – and it’s nice to see the interpersonal struggles without either falling into the extremes of soap opera plots or perfect characters who never have problems. I liked the relevance of the series, from Superman’s “I’m with her” statement while standing next to Supergirl, to the female president who has compassion and sense, yet is still strong and capable, to the last episodes being entitled, “Resist” and “Nevertheless She Persisted” – this is a show with something to say, and that is good. Also, looking at the credits in the episode guide flyer included with the set – nearly every episode is written, co-written, and/or directed by women. And that is awesome! This season also has less of a “aimed at teenaged girls” feel and more of a “general audiences” feel which is good, many of the people who “need” the messages of this show won’t watch a program they think is for teen girls. Kudos on that.

Recommended.

 

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Book Review – Supergirl vol. 1: Reign of the Cyborg Supermen

  • Title: Supergirl vol. 1: Reign of The Cyborg Supermen
  • Author: Steve Orlando
  • Artists: Brian Ching, Emanuela Lupacchino, Ray McCarthy, Michael Atiyeh, Steve Wands
  • Line: Rebirth
  • Characters: Supergirl, Eliza and Jeremiah Danvers, Cat Grant
  • Publication Date: 2017
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 06/18/2017

**Spoiler Alert** To be honest, I’d like to rate this 3.5 Stars. It’s not bad, just a bit disappointing. Supergirl vol. 1 Reign of the Cyborg Supermen collects Supergirl Rebirth and the first six issues of the newest Supergirl series from DC Comics. This Supergirl is heavily influenced by the CW Series, it seems, but leaves out some of the best parts of that show. Alex Davers, Kara’s human adopted sister on the CW series is nowhere to be seen here. But 16-year-old Kara is being raised by two DEO Agents, Eliza and Jeremiah Danvers. At times, the Danvers act like parents. But at other times, they act like secret agents simply doing a job. Kara, herself, is sent to a regular high school in National City. Well, a science and technology magnet school, though Kara is confused by the primitive nature of the technology she uses at the school. It isn’t quite, “a keyboard how quaint”, but it’s close.

However, Kara and one of her classmates are soon taken out of school entirely to be part of Cat Grant’s Young Innovators program at her new Catco Corporation. Other than her determination to deny young people a normal education, Cat is actually one of the most interesting characters in this book. She is just starting Catco, and is remarkably astute, realizing both that she can be her own worst enemy and that to do what she wants with Catco, she needs the new ideas she can get from the young. I would have no problem with her Young Innovators program if it was a Summer internship, or even a “gap year” program, but taking young people out of school and putting them straight in to an incredibly stressful and competitive business environment, with no mentoring, structure, or help? That’s just not a good thing. 16-year-olds are too young to be told to sink or swim. But I digress.

The second part of the story is where the title comes from: the Cyborg Supermen. Kara’s father, Zor-El returns. He is now a cyborg, and wants to return Kara to Argo city. Worse, his plan to bring back the citizens of Argo City involves turning them into Cyborgs who will suck the life out of humans to become truly living. Kara isn’t having it, and the fight scenes between Kara and her misguided father have meaning because there are emotional reasons behind why the two are fighting. And as misguided as Zor-El is, he has his own point of view. In the end, he only wants to save his people, the last city of Krypton. Of course, doing that by killing a city’s worth of people on Earth, in a strangely vampiric way, isn’t the best way to accomplish this – but at least Zor-El isn’t being evil simply for the sake of being evil. And Kara really, really gets to kick butt. She is powerful, strong, and ultimately defeats Zor-El and his super-powered cyborgs, both by using her wits and by physically beating Zor-El. That was enjoyable.

Overall, Supergirl in many ways feels like young adult fiction. A teenaged girl would probably enjoy the story more than I did. Still, I also did not hate it, I was just disappointed. I felt Kara was a bit too young. I didn’t like the “send Supergirl to high school” thing, and apparently neither did the writers, because no sooner than they sent her there than they pulled her out. Why not make her a 17 or 18-year old high school graduate at least? Or make Cat’s program a Summer internship? The plot with Kara’s father had emotional impact, at least, so that worked. Kara was strong throughout, which was also good. The art has a Japanese Anime look, though the colors are bright with a lot of red and blue, as a Superman family book should be.

Recommended with reservations.

Book Review – Batman/Superman vol. 2: Game Over

  • Title: Batman/Superman vol. 2: Game Over
  • Author: Greg Pak
  • Artists: Jae Lee, Brett Booth
  • Line: New 52
  • Characters: Batman (Bruce Wayne), Superman (Clark Kent), Wonder Woman, Hiro (Toyman aka Toymaster), Mongul, Warworld, Jochi, Supergirl, Steel (John Henry Irons), Red Hood (Jason Todd), Batgirl (Barbara Gordon), Power Girl (Earth-2, Karen/Kara), Huntress (Earth-2, Helena Wayne)
  • Publication Date: 2014
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 7/10/2016

Batman Superman Vol. 2 – Game Over is the second volume in the New 52 graphic novel collections of Batman/Superman stories. Though this series is not as good as the Superman/Batman graphic novel series from a few years ago, because: New 52, it’s still a pretty good series and one I plan on continuing to buy. This volume consists of two stories.

In the first story, Hiro, the new Toyman (or Toymaster) has come up with the “ultimate videogame”, having hired a woman to help with the computer programming. He brings in three game testers – but as they play the game, Hiro realizes it’s real and that Batman and Superman have been really dragged into the “game”. The entire story is presented in landscape format – meaning one has to turn the graphic novel to read it. I found this approach annoying. I could see that the horizontal layout was meant to mimic a widescreen video game – but with the graphic novel being bound, now on the top, even turning the pages was annoying. Nice idea but stick with vertical, OK?

The second story, which is linked to the first one has Mongul and Warworld showing up. Batman and Superman are able to defeat Mongul (perhaps a bit too easily) but then are dragged into a conflict with his son, Jochi. Batman and Superman must then each bring two allies in essentially a no-holds-barred cage fight to determine the new ruler of Warworld. Superman brings Supergirl and Steel (John Henry Irons) as his seconds, though Wonder Woman had offered – he told her to stay on Earth and defend it. Batman brings Jason Todd, aka Red Hood of the Outlaws, and Batgirl (Barbara Gordon who is no longer the paralyzed Oracle). During the fight, of course Superman and Batman are forced to fight each other. Batgirl messes with Warworld’s computers, Jochi is defeated, and when the entire planet is about to crash into the Arctic (which would be an extinction-level event – though no one notices this in the story) Superman transfers the entire planet into the Phantom Zone.

The third story has Kara (or Karen) – Power Girl and Huntress – daughter of Bruce Wayne and Selina Kyle from a parallel Earth show up on the New 52 Earth. Kara’s powers are out of control and Batman and Superman must help her. The encounter with alternate versions of the characters they know stirs Batman’s and Superman’s surppessed memories of travelling to an alternate Earth – and learning of the threat of Darkseid. This story had a bit more characterization, and was less of a slug-fest than the other two.

Similar to the classic Superman/Batman series – this series includes thought bubbles for both Superman and Batman, so the readers can see how these characters think. However, Batman is extremely distrustful of Superman. Bruce and Clark are not friends, and certainly not best friends, which is a pity. One of the best aspects of the classic series was seeing the friendship of Clark and Bruce. They had their own ways of doing things – but they were still friends. In this series, as in all of New 52 – no one trusts anybody, which is just a stone’s throw from everyone hating everyone else – and that’s a problem. If I wanted to read about distrustful, hateful, “superheroes” who don’t get along I’d read Marvel. This is DC. DC Heroes work together, they cooperate with each other, they trust each other, and they are friends. This doesn’t mean “they are singing kumbaya” or that the stories are unrealistic or not relevant. By showing how a diverse group can work together – the DC Heroes can inspire readers. This is a major problem with New 52 – and it’s why I’m so happy that Rebirth is bringing back the old, traditional approach to DC – making comics fun, and showing the reader a group of people working together for a common goal of bettering and protecting the planet.

Anyway, I do plan on buying the next volume of the Batman/Superman series. And this story had some unique story points to it. I like seeing Hiro as more of a hero – or at least someone that works with the heroes to supply their gadgets. I really enjoyed seeing Helena, Huntress, and Power Girl – a couple of favorites that were killed off when New 52 started. The trope of Batman and Superman commenting on each other gives the reader new insight into these well-known characters. Also, the art is fantastic – and I liked the mirroring between Batman and Superman a lot. But the New 52 “attitude” is really, really annoying.

Flashpoint – Is there more to be revealed on the CW DC Shows?

I have now caught-up on the current seasons of all four DC CW shows. And I’ve noticed something. The Flash mentioned Flashpoint at the opening of the season, and Barry attempted to reverse Flashpoint. But his attempt failed. The Flash is now in an alternate reality – Cisco, as Vibe, is much more powerful than he was last year when he was first discovering his powers. In some ways it’s like that character has skipped ahead in time. And that’s not all – somehow, as a result of Barry messing with time – Cisco’s brother Dante is dead, killed by a drunk driver. Meanwhile, Caitlin is exhibiting cold powers – and she fears she is turning in to Killer Frost. And at the Central City Police Department a new guy is in charge of forensics and he’s a total, well, you know, to Barry. By the mid-season finale, we know a lot more about this guy who’s suddenly appeared from nowhere.

But it isn’t just The Flash that’s in a new reality. Arrow is also subtly changed. One thing I’ve noticed – last year on Legends of Tomorrow they visited future Star City – where they met future Green Arrow Connor Hawk (aka John Diggle Jr) and there was a skyscraper called Smoak Technologies. Due to Flashpoint, Diggle now has a son – John Jr, not a daughter, Sara. Felicity has also lost Palmer Tech – and in last night’s episode, Curtis mentioned he and Felicity were working on a start-up company (he mentions this as a cover for his Mr. Terrific duties to his husband) which Felicity seems to know nothing about. But easily, that could be the spark of an idea for her – especially if she pulls back from Team Arrow for other plot reasons. Flashpoint seems to be bringing the Arrow universe closer to the disaster we saw in last season’s Legends of Tomorrow. And let’s not forget – this season’s bad guys on Legends are the Triumvirate of Evil: Reverse Flash (from Season 1 of The Flash); Damien Darhk (from Season 4 of Arrow); and Malcolm Merlyn (aka “The Magician” in the comics, but he’s been hanging around Arrow since the beginning). I don’t think this is a coincidence. I think it’s all related to Flashpoint (which was a world-ending event in the comics and the animated movie).

I suspect since we also saw Damien Darhk in the Legends of Tomorrow last season; and he’s clearly working with the Reverse Flash this season, and later with Malcolm Merlyn. I don’t think it’s a coincidence. I think something is going on. I suspect time travel is most definitely involved. And I think the disappearance of Rip Hunter is also involved. I would love to see Rip return, maybe with his father, Booster Gold. I think the time paradoxes are only getting started and they will get more and more complex.  The four shows, but especially The Flash, Arrow, and Legends of Tomorrow, will have a bang-up complexly-related “super-crossover” feel by the end of this season. Maybe they will even change the “Supergirl is it’s own universe with no other Heroes” left over from last year when Supergirl was on CBS. Have I mentioned how that never made sense?

But I have to say, I love, just love, how all the DC shows are inter-related, just the way the comics are. Yes, you could just watch one or two of the shows – and you wouldn’t be lost. But when you watch all four, everything is connected. Also, just as is traditional for DC – all the Heroes know each other: they know each other’s real names; they know each others allies, friends and family; they know each other’s superpowers; and they work together when needed to overcome major threats (as in this year’s 4-part crossover event). That’s something that’s always been important in the DC Comics Universe. The heroes cooperate with each other. They don’t see each other as threats or rivals. When I first read Justice League International (later Justice League America / Justice League Europe) in the late 1980s and early 1990s – every hero, from the most powerful like Superman, Batman, and Wonder Woman, to the ones who really had no powers at all, like Blue Beetle and Booster Gold were members of the Justice League. In between the two extremes were a lot of single power individuals such as Fire, Ice, Black Canary, Vixen – all of whom were female. There were many minorities in the League as well, including John Stewart – the Green Lantern at the time and an African American. And there were the magic users: Zatanna, Dr. Fate, etc. There was something for everyone, and a well-balanced League. Young Justice, the animated series, although it had a modern aesthetic and look, also reflected the width and breadth of the Justice League with many female and minority characters or both (Rocket and Bumblebee are both African American young women). The CW Shows have women and minorities on every show. And the women are not simply there as set dressing or to be rescued by the “male hero” – they are smart, educated, career-oriented women (reporter, scientist, computer expert), minorities have viable roles (engineer, army veteran), and Legends of Tomorrow has a balanced team of women and men with minorities on the team. Plus, you have to love a team of self-styled “screw-ups” who manage to be heroes, um, excuse me, Legends, anyway. The CW Network is doing a better job at this point of doing live action DC stories that Warner Brothers is doing with the films – though Suicide Squad was fun (though Arrow did a suicide squad storyline in it’s first or second season) and I have high hopes for Wonder Woman.

Supergirl Season 1 Review

  • Series Title:  Supergirl
  • Season: 1
  • Episodes: 20
  • Discs: 5
  • Network: CBS
  • Cast: Melissa Benoist, Chyler Leigh, Mehcad Brooks, Jeremy Jordan, David Harewood, Calista Flockhart

Do see my Supergirl Pilot Review for my initial impressions of this series. However, it got better – much better. Although the early episodes seemed very much to be “Supergirl verses monster/villain of the week”, the season developed and once it moved into a continued storyline it improved immensely. The entire cast did a good job – after the pilot, Supergirl, her sister, Alex, and Hank from the DEO all improved, and from the very beginning I liked Winn and James Olsen. Although the structure of the show is similar to the other DC shows (on the CW), especially The FlashSupergirl did find it’s footing rather quickly in it’s first season.

Cat Grant, played beautifully by Calista Flockhart, was the most inconsistently-written character on the show. Some of the series’ writers seemed to believe a powerful woman must be a complete bitch and not in a good way (“The Devil wears Prada” stereotype). Yet, Cat could also be very strong, remarkably sensible, and the arc of her relationship with Kara shows her to be a mentor and a tough teacher. The last scene between the two of them in the season was a complete surprise. It should have been predictable and it wasn’t – making that arc work. We also see the reasons for some of Cat’s actions – and even her inconsistency. And meeting her mother really explains a lot about Cat (in short not only does her mother have Cat’s occasional meanness – but she’s snobbish and pushy as well).

The remaining characters surrounding Supergirl/Kara have their ups and downs as well – and the season has that rollercoaster feel we know so well from the CW shows. But Supergirl has it’s own tone as well. The tone of the show is hope, and unity, and strength that comes from working together rather in constant competition. Cat holds up Supergirl as a symbol of hope to National City. Kara explains to Winn that the S on her chest isn’t an S – it’s the crest of the House of El, whose motto is “Stronger Together”. The finale of the series rests on hope to defeat Myriad and the Kryptonian criminals from Ft. Rozz – the Kryptonian prison that landed on Earth. The series sees positivity as important, and human, and a real American value. It therefore stands against snark, meanness, rudeness, and especially racism and hatred of the other. From a senator’s anti-alien rallies and anti-Supergirl rhetoric to an army general’s statement that James Olsen “isn’t good enough for his daughter” – this series subtly but consistently fights against racism, hatred, and the darkness. In these times that is a strong and brave message – especially in a series that is aimed at pre-teen and teen-aged girls. That isn’t to say that adults can’t enjoy the show – it’s very much all-ages, but at least the first half of the season seemed very much to pitching itself towards that demographic audience.

As a quick glance through my blog will show, I’m a long-time DC fan, so I also appreciated the references and characters that were brought into the first season of Supergirl. Red Tornado and his creator, Dr. T.O. Morrow, were perfect. And I really enjoyed seeing Martian Manhunter – one of my favorite lesser-known characters as a regular. Maxwell Lord is also a regular – and is correctly portrayed as a very gray character. Grant Gustin’s the Flash also makes an appearance in an excellent episode called, “World’s Finest”. I hope the second season brings in more DC characters.

Season 2 of Supergirl will air on the CW, which is where this show should have been from the beginning. Overall, I recommend this show. And if you have a pre-teen or teenaged daughter, or niece or friend’s daughter – by all means introduce them to the show.

Supergirl Pilot Review

Oh Supergirl, what happened? I’m really hoping the show improves because Monday night was such a disappointment. Now, I know it was just a pilot – and sometimes a bad pilot results in a good show. And it wasn’t “bad” just not as good as I had hoped. And pilots do have a difficult job – you have to introduce everyone and the situation, and the world and it’s rules (especially for fantasy) but both Gotham and The Flash (and even Arrow) had better opening episodes than Supergirl.

First, Supergirl seemed incredibly derivative. Kara Danvers seemed way too much like Felicity from Arrow. I’d noticed this in the on-line trailers I’d seen but I hoped it would work to the show’s favor. Kara should be a strong character, an inspiration to young girls, both in her “real” life and as a superhero. One reason I really love Felicity is she’s a normal person – and she uses her own talents – rather than trying to be whom others tell her to be. Kara seems to constantly strive to “fit in” as she says, to do what everyone else tells her to do, to let others, especially male characters defend her, and to not stand up for what she believes. This isn’t a “feminist” hero.

The rest of the cast is derivative too. Oh, look, Kara has her own “Jimmy Olsen” type – Winn. And the “real” Jimmy, now using the more adult name, James, has just started working at Cat Grant’s Worldwide Media. But, of course, the one character from Superman we might expect to see, the Big Blue Boy Scout himself – Superman, isn’t in the pilot. If others were going to make Kara to accept her identity anyway – why not have Superman show up and actually talk to his cousin? A serious discussion between the two might have made Kara’s flip-flops on becoming Supergirl a lot easier to take.

Then there’s Cat Grant. Cat’s a minor DC character, usually a reporter, whom I’ve seen in a number of DC shows, including Young Justice and Batman: The Animated Series. She’s their generic “girl reporter”. So, they bring her in as the head of a multi-media empire – great, and then go all Devil-wears-Prada when writing her. Pleeeeeeeeaaaaase! Why, why, oh why, does a powerful woman have to be a bitch (and not in the good sense)? Why does a powerful woman have to abuse her “underlings” even worse than a male boss? Why couldn’t Cat be shown as an intelligent, inclusive person who values the input of her fellow employees? And Cat’s retrofit explanation for “Supergirl”, rather than Kara’s suggestion of “Superwoman” made me squirm. Cat’s a “girl”? No, she’s a powerful woman. Not to mention Kara gets belittled again when she’s not even allowed to choose her own name. (Yes, as a long-time DC fan, I know that the “Superwoman” name is, actually, already being used – and for an alternate universe “evil” Superman/Wonder Woman hybrid character.) I also realise the show has to be Supergirl – but at least it should have been Kara taking on that name. Actually the scene would have played better in reverse – Cat suggesting “SuperWoman” and Kara suggesting “Supergirl”.

Moving on to the episode itself. The rescuing the plane scene was very cool – but totally spoiled by the on-line trailers. And I’m not a big fan of spoilers, so I didn’t even look for every trailer – but that was in the main one. Alex, Kara’s adoptive sister changed sides more times than a tennis ball in a championship match, so when she finally decided that she was loyal to Kara and that Kara should be Supergirl – it almost came off as artificial. And Alex’s boss is an evil twit, but, yet again, he’s a somewhat standard and derivative character (for both Marvel and DC actually).

One of the best moments in the entire episode was actually Kara getting the hologram from her mother. I hope (but I don’t expect) that the series deals with Kara remembering her former life on Krypton. After all, if she left home at 13 she’d remember something (unlike Clark Kent / Superman who, since he left Krypton as a baby would remember nothing of his previous life or planet.)

I also like that both James Olsen and Kara’s friend, Winn, know who she is (as well as, obviously, her sister, Alex). It might be interesting to bring Cat into that circle.

I do plan to continue to tune in. It’s a shame Supergirl and Gotham are on at the same time. But I really hope for some improvement.