Running Scared

  • Title:  Running Scared
  • Director:  Peter Hyams
  • Date:  1986
  • Studio:  MGM
  • Genre:  Action, Comedy
  • Cast:  Billy Crystal, Gregory Hines, Jimmy Smits
  • Format:  Color, Widescreen
  • DVD Format:  R1, NTSC

“I don’t mean be a cop, I mean quit, retire, be a regular person.”  Danny
“Regular people suck.”  — Ray
“Maybe. But they hardly ever get shot at.”  — Danny

“Careful gets you killed in this business.”  — Captain Logan

“47-63 — Pursuit has left the Interstate, now we’re on the L.”  — Danny

Running Scared is a fast, funny, buddy cop drama with plenty of action, shootouts, and a great car chase on an elevated train track. The film is mostly set in Chicago (and filmed on location in Chicago and Stokie, Illinois) with a brief interlude in Key West, Florida (also shot on location). Detective Danny Costanzo (Crystal) and Detective Ray Haughes (Hines) are two wise-cracking, wild and crazy Chicago cops. They bust a drug pusher with $50,000 and figure they can use him to get to Julio Gonzales (Smits) a drug kingpin with plans of becoming the first Hispanic godfather of Chicago. While taking the pusher, Snake, in; the two cops: stop at the aftermath of a jumper, stop by the funeral of Danny’s Aunt Rose, and nearly get mugged until they point out they are the cops.

Once Snake has been taken in to the station house, they convince him to wear a wire to set-up Gonzales. However, the planned bust turns into a disaster, when not only is Snake killed, but Danny and Ray walk into a DEA investigation and mess it up. Their captain, Logan, is ticked and gives the two detectives a month of forced vacation. Did I mention it’s the middle of winter? Danny takes part of his inheritance from his Aunt Rose and he and Ray head to Key West for some R & R. Danny even considers buying a bar in Key West and retiring there, giving up being a cop.

However, before the two cops can retire they have to return to Chicago. Once in Chicago again, they decide to finish the Gonzales case. Again, the two become wild, though Danny also starts becoming careful because he’s actually given his notice to retire in thirty days. Both the captain and his partner point out that, “Careful gets you killed.”

Meanwhile, Danny’s ex-wife, Anna, has told him she’s getting re-married to a dentist. Danny, clearly still in love with her, isn’t happy about the idea.

Detectives Costanzo and Hughes continue to work the drug case, now saddled with training their replacements, the two narcotics officers from the messed-up DEA bust. There is a fantastic car chase with Ray and Danny in their new undercover police car, a yellow taxi cab, which goes from the airport, down I-190, and on to the L tracks. The L chase feels like a roller coaster ride and is a lot of fun. The filming of the chase is also extremely well done. However, Gonzales decides to get rid of the two officers; his men find their car while they are on stakeout and flip the car into a garbage truck and crushes it. The detectives, however, are fine.

Then Gonzales takes Danny’s ex-wife hostage, demanding his stolen cocaine (which Hughes and Costanzo found at the airport) as ransom. The climax of the film is in a building identified as the Illinois State Building (but it looks like a really nice shopping center). Anna is in one glass elevator, and Danny has to take the other. Meanwhile, Ray sneaks in the back way, discovers all the county sheriffs tied up and has to use the window washing equipment to get into the building. There’s another huge shoot-out and Gonzales is killed. In the end, both Danny and Ray decide to stay in Chicago and continue to be police detectives.

Overall, this is a fun film. In definitely has roots in Beverly Hills Cop, The French Connection, and other buddy cop films of the time, but it’s still fun. Crystal and Hines have a great relationship; and the film is full of their wisecracks and jokes. Neither appear to be realistic Chicago cops; but the film is enjoyable to watch. The car chase on the L is also a definite must see.

Recommendation:  See it!
Rating: 3.5 Stars out of 5
Next film:  Sabrina

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2010 The Year We Make Contact

  • Title:  2010 The Year We Make Contact
  • Director:  Peter Hyams
  • Date:  1984
  • Studio:  MGM
  • Genre:  SF
  • Actors:  Roy Scheider, John Lithgow, Helen Mirren, Keir Dullea, Dana Elcar
  • Film Format:  Color, Widescreen
  • DVD Format:  Dual-sided Standard/Widescreen
  • DVD Formats:  R1, NTSC

“My god, it’s full of  Stars!”
“What’s going to happen? / Something Wonderful.”

The common problem with older SF movies is often their anachronistic nature. It’s 2010 now  — I don’t see a mission to Mars, much less to Jupiter. It’s easier to ignore out-of-date fashions in a drama, than someone using a computer that looks like it came from Radio Shack 30 years ago. However, if the SF film is a space-fantasy like Star Wars or resembling a drama more than anything else, like 2010, sometimes little inconsistencies can be overlooked.

2010 The Year We Make Contact is a sequel to 2001 — but with a completely different look and feel.  It’s not weird, hard-to-follow, visually stunning but character poor like 2001. The plot is straight forward, in 1984, when I originally saw it, this film had drama and tension, and seemed incredibly realistic in a futuristic way.

Watching the film again in 2010 — things pop up that seem strange (like Schneider using a Word Processor with a lift-up 4-inch screen instead of a computer, laptop, or even an iPad.) And the cold war plot seems really, really strange and out of place. After all, the Soviet Union broke up, when, in the 90s? But Russia, will always be Russia — any country that managed to survive even a little bit under the Czars… But it was weird to see the Soviet flag on the Russian spaceship and on the Russian uniform. I mean, I don’t think I’ve even seen a picture of it in over 10 years.

However, about halfway through the film, the Cold War turns hot — messing up the join space mission considerably. And the answer to the survival of both crews turns out to be cooperation. Also, the end of  the film is fantastic and awe-inspiring! It makes the film worth watching, even with all the technical “problems” (more along the lines of “oh, come on — tech doesn’t work that way”). And HAL still seems chilling, and strangely advanced, compared to any other computer in the film, or what I’m typing on right now.

Scheider and Lithgow are both wonderful, as usual. Watch for them to team-up again (previously) in 1979’s All that Jazz. Scheider’s a magnetic actor — simply because he never seems to be acting. Lithgow can do just about anything — he melts into his characters extremely well. Helen Mirren, doing a passable Russian accent, manages to be less annoying than usual (she must have been pretty young here). Keir Dullea of 2001, makes a re-appearance. Dana Elcar plays a Russian diplomat of some sort, his exact title isn’t spelled out. But his Russian accent is terrible.

The plot of 2010 is considerably less complex than 2001 (which no matter how many times you see it always leaves one scratching their head, thinking, “Huh?”). Nine years after the mission of the Discovery went south rather spectacularly — the man who designed the mission (Scheider), the computer engineer who designed HAL, and an engineer (John Lithgow), hitch a ride on a Russian ship to Jupiter to investigate the monolith, figure out what went wrong on Discovery, fix HAL, and pretty much find some answers. And they do…  ultimately 2010 is satisfying as a film because it explains the loose ends left in 2001 and has it’s own plot of cooperation overcoming Cold War oppression and stupidity, that works. Some of the other issues in the film can be overlooked. And it also looks pretty good, so that’s helpful. That is, the special effects don’t look particularly dated.

Recommendation:  See it, after seeing 2001 and boning up on your 1980s culture and history.
Rating:  3.5 out of 5 stars
Next Film:  42nd Street