Book Review – All-Star Batman and Robin the Boy Wonder vol. 1

  • Title: All-Star Batman and Robin the Boy Wonder vol. 1
  • Author: Frank Miller
  • Artists: Jim Lee, Scott Williams, 
  • Line: New 52
  • Characters: Batman (Bruce Wayne), Robin (Dick Grayson)
  • Publication Date: 2008
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 6/05/2016

All Star Batman and Robin – the Boy Wonder is intense, really intense and the art is breath-taking. It brings to mind the classic Frank Miller graphic novel, Batman The Dark Knight Returns. However, that is also part of the problem with this book. In All Star Batman and Robin – Batman is a dangerous psychopath. He’s catching and beating up murderers, rapists, and thieves not to put an end to crime and corruption in Gotham City but because he enjoys it. And he kidnaps Richard Grayson not because after watching Dick watch his parents die he sees a kindred spirit – but because he selfishly wants a protégé, and this Batman will torture a twelve-year-old to get what he wants.

The Justice League also make appearances in this graphic novel – we see Black Canary become Black Canary (which was awesome, if violent), Wonder Woman (another violent psychopath who hates men), Superman (who Batman hates), and Hal Jordan’s Green Lantern (who Batman also hates). The argument and then fight between Batman, Robin, and Hal takes place in a yellow-painted room, because Batman wants to mess with Jordan. Yet, Jordan’s arguments make sense – Batman’s violent actions are and will bring down official wrath on all the masks – all the heroes (who at this point aren’t acting that heroic). Plus, Batman’s anger at Hal seems fueled not by anything concrete but by mere jealousy.

Don’t get me wrong – I loved Frank Miller’s The Dark Knight Returns when I read it in the 80s, and the dark, apocalyptic view of Batman, Gotham City, and the world in that book made sense (as well as shaking up the comics world at the time which was much, much more light-hearted). However, even in The Dark Knight Returns Batman has honor – knowing he’s gotten too old to fight, he hangs up his cape and cowl. When the gang violence and everything else erupts, he comes out of retirement – having lost everything to death or simple abandonment, and he becomes the hero.

Here, Batman is at the beginning of his career – but he isn’t a detective, he isn’t the caped crusader, he isn’t an honorable knight – he’s a psychopath who cares for no one, who manipulates Dick Grayson into being a killer like himself, who doesn’t even care for Alfred. This isn’t my Batman – and all the breath-taking art doesn’t change that.

I read graphic novels for character – and the character of Batman was way off in this graphic novel. It felt like an Elseworlds or alternative reality Batman – maybe, but not my Batman. Not how Batman has been consistently written by those who seem to know the character best and write the character consistently the best. You’ll notice I never refer to him as Bruce Wayne – that’s because in this book, he’s always Batman – and he’s never Bruce. For once, he needs a little Bruce.

This book will haunt me (that his dying mother saw him as a psychopath, as does Alfred is downright frightening), so that speaks to the power of the story. But it’s not a likeable story, and nothing can take away the fact that Batman is simply out of character. This is too extreme and too unlikable – and I wish I hadn’t read it in some ways.

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Book Review – Batman: The Dark Knight Returns

  • Title: Batman: The Dark Knight Returns
  • Author: Frank Miller
  • Artists: Klaus Janson, Lynn Varley
  • Line: Elseworlds Stand-Alone Novel
  • Characters: Bruce Wayne, Carrie, Joker, Two-Face
  • Publication Date: 1986
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 5/14/2016

This is the first graphic novel I ever read, and unlike most graphic novels, it’s one I periodically re-read. Simply put, Frank Miller’s The Dark Knight Returns is a classic that influenced graphic novels, comics, and even the Super Hero genre for over two decades. First published in 1986, and I have an early printing – this graphic novel has never been out of print, which is highly unusual.

The story takes the kid-friendly Batman of the time and turns it on its ear. The time is the “near-future”, a dystopian future of gang violence, televisions everywhere, and where even Bruce Wayne has given-up retiring the cape and cowl. The Dark Knight Returns introduces a darker, scarer Two Face and Joker, a female Robin named Carrie, a very dark future, and an older, more grim Batman, who comes out of retirement out of necessity. Miller’s story is a classic and not to be missed. The 2-volume animated film based on it (The Dark Knight Returns parts 1 and 2) also does the original graphic novel justice, and includes nearly all of the more controversial images and parts of the story. The movies mimic the unique look of the graphic novel as well.

If you’ve never read this classic story, I highly, highly recommend it – it’s not to be missed.

Batman The Dark Knight Returns Part 2 (Spoilers)

  • Title:   Batman The Dark Knight Returns Part 2
  • Director:  Jay Olivia
  • Voice Director:  Andrea Romano
  • Date:  2013
  • Studio:  Warner Brothers Animation
  • Genre:  Animation, Action, Drama
  • Cast:  Peter Weller, Ariel Winter, Michael Emerson, David Seltz, Mark Valley, Robin Atkin Downes, Maurice LaMarche, Michael McKean, Conan O’Brien, Rob Paulsen, Frank Welker, Tara Strong
  • Format:  Windscreen, Color Animation
  • DVD Format:  R1, NTSC
“Look, either shut it down, or one of these days someone with authority is going to tell me to come stop you.  And when that happens…” — Clark
“When that happens may the best man win.” – Bruce
 
“Come on, finish me…. Doesn’t matter, I win, I made you lose control … and they’ll kill you for it.” — Joker
 
“Tonight, I am going to maintain order in Gotham City, you’re going to help me!  But not with these [guns]!  These are loud and clumsy!  These are the weapons of cowards!  Our weapons are precise and quiet!  In time, I will teach them to you.  But for tonight, you will rely on your brains and your fists.  Tonight we are the law!  Tonight I am the law!”  — Batman
Frank Miller’s The Dark Knight Returns is a classic graphic novel that’s been in print since it’s original publication in 1986.  It’s excellent, and truly raised the bar for graphic story-telling and changed comics forever.  It’s the first graphic novel I ever read and one I occasionally re-read.  I’m very glad Warner’s allowed two movies to be made from this big and complicated graphic novel.  I was worried though that Warners would “wimp out” with the more controversial aspects of the story.  I’m happy to report they did not.  The political aspects of the storyline are here in full.  Hazzah!
Whereas the first part (film) focuses on Bruce putting the Batsuit on again and Two Face and the Mutant gang Leader as villains, the second part focuses almost exclusively on The Joker as primary villain, though there is still a lot going on.  Even more than Part 1, television newscasts are used as a narrative device in Part 2.
In Part 2, the remainder of  the Mutant Gang has split into various groups.  The Sons of Batman, with their blue face paint, declare Batman as their leader, and attempt to save Gotham City from other criminals – violently.  The Nixons, with their tall blonde female leader, “Bruno”, rob and steal without remorse.  Bruno has red swastikas painted on her breasts.  Batman sets up a sting to catch her, and succeeds. Superman arrives in Gotham and saves a blind man who’s fallen into a subway track in the path of an on-coming train.  But the reason he’s there is to encourage Bruce to hang-up the cape again.  However, the majority of the film concerns Joker.
Jim Gordon retires.  The new police commissioner, Ellen Yindel, as her first act as Comissioner, issues a warrant for Batman’s arrest.  When Clark and Bruce talk, Clark has a bald eagle on his arm, and Bruce pets Clark’s white dog — which is a great image!
Joker is in an asylum, being treated by Dr. Wolper.  He manipulates Wolper to get him a pass and an interview on the Dave Endocrine Show.  Wolper does this, and soon Joker is free.   He kills Wolper with a coffee cup during the show’s taping, as well as Endocrine and his audience with his deadly Joker gas. Batman and Robin (Carrie) had gone to the show’s taping to try to stop Joker, but Yindel’s police attack Batman.  The police spend so much time trying to catch Batman that they fail to stop Joker.
After escaping the chaos at the television studio, Joker finds Selina Kyle, and uses hallucinogenic lipstick to control her mind, as well as one of her girls.  The girl gets a Congressman to declare the country should declare open war on the Soviets before falling to his death (while wrapped in an American flag).
The president announces on TV that American troops are battling Soviet troops in the South American Island country of “Corto Maltese”.  As in the graphic novel, the president looks like Reagan, and he’s voiced in the animated film to sound like Ronald Reagan, including his “folksy wisdom”.  He announces a war by saying, “Now those Soviets would like to see us turn tail and run, but we’ve got to protect our interests, I mean, stand up for freedom and the good people of Corto Maltese.  So don’t fret… we’ve got God on our side.”  This political conflict forms the backdrop of the entire film.  News is blacked out “due to severe weather”.
Batman finds out about the connection to Kyle Escorts.  He finds Selina, dressed like Wonder Woman, and tied-up.  She tells him about Joker and the mind-control lipstick.  Batman is too late to save the Congressman.
Batman also finds out Joker’s next target is the local amusement park, which is just opening.  Batman and Joker fight in the house of mirrors, where Joker shoots Batman in the shoulder.  Joker escapes into the tunnel of love, and he and Batman fight again.  Joker knifes Batman across the stomach and stabs him several times.  Batman beats Joker, who finally collapses against a wall.  Joker taunts Batman, then breaks his own neck.  Batman passes out.  Later, Batman awakes.  He places incindiaries on Joker’s body and disappears, as Yindel’s police troops close in.  Joker’s body burns and the entire tunnel blows up.
Carrie rescues Batman and takes him to the Cave where Alfred does surgery.
Reagan announces from an “undisclosed location” via television special report, American troops won in Corto Maltese, but the Soviets are “poor sports” as a missile’s been sent towards the Island nation.  Superman deflects the missile and it blows up over Gotham City.  Superman is irradiated, crash lands, and kills everything he touches — flowers, trees, grass, etc.
Gotham is blacked out and everyone panics.  Bruce realizes it was an EMP blast.  Batman and Robin ride on horseback into Gotham.  Batman rallies the Sons of Batman, and later citizens and even former members of the Mutant Gang into keeping order in the city.  Meanwhile, Jim Gordon, organizes people in his own neighborhood to put out fires.
The country is buried under a cloud of smoke and ash.  In Gotham, there is no sun, but electricity is slowly coming back on.  Gotham is the only city not torn apart by crime, rioting and looting.
The president (still Reagan) enforces martial law, and sends a recovering Superman after Batman. Batman works with Carrie, Oliver Queen (formerly the Green Arrow), and Alfred on a plan.  He fights Superman in Crime Alley, distracting him until Queen can fire a Kryptonite arrow at Superman.  The arrow doesn’t kill Superman outright, but weakens him.  Batman somewhat defeats Superman, but then he falls victim to a heart attack.  Superman, Diana (once, but no longer, Wonder Woman), Selina, and Jim Gordon attend the funeral.  At the end, Carrie, heavily veiled, is the last to stand by Bruce Wayne’s grave.
Wayne Manor has burned to the ground, after Alfred, following Bruce’s instructions, hit the self-destruct.  Alfred escapes the house but dies of a massive stroke.
There’s a cut to the sound of a heart monitor.  Then, Oliver Queen begins to instruct the Sons of  Batman in cleaning up the Bat Cave.  Bruce arrives and states he will instruct the Sons of Batman (as well as former Mutants and other citizens who joined him the first night after the missile fell).  They are now Bruce’s army.
I liked Part 1 slightly better; Part 2 seems like more of a slug-fest.  However, kudos to Bruce Timm, Andrea Romano, Warner Brothers Animation, and DC Premiere for not shying away from the darker and more political aspects of  Frank Miller’s classic book.  The second half of Part 2 works really well.  In the first half,  Batman’s final confrontation with Joker seems almost anti-climatic.  However, though the film is dark and violent, it is also really good — with an adult story, and incredible animation that evokes the art of Miller’s classic.  Recommended.
Recommendation:  See it!  (Though not for young children)
Rating: 4 of 5 Stars
Next Film:  The Third Man

Batman The Dark Knight Returns Part 1

  • Title:  Batman The Dark Knight Returns Part 1
  • Director:  Jay Olivia
  • Voice Director:  Andrea Romano
  • Date:  2012
  • Studio:  Warner Brothers Animation
  • Genre:  Action, Animation
  • Cast:  Peter Weller, Ariel Winter, David Selby, Wade Williams, Maurice LaMarche, Michael McKean, Rob Paulsen, Tara Strong, Frank Welker
  • Format:  Widescreen Color Animation
  • DVD Format:  R 1, NTSC

“We must believe we can all defeat our own private demons.” — Bruce Wayne, during press conference

“Two abducted children were found alive in a riverside warehouse along with six critically injured members of the mutant gang.  The children describe the gang’s attacker as, ‘a man dressed as Dracula.’ “– Female Newscaster

“If it’s suicide you’re after, I have an old family recipe.  It’s slow and painful — you’d like it.” — Alfred, to Bruce

“I played along as long as I could, while you and the docs had your joke.  You got everyone to smile and keep their lunches down when they looked at me, pretending I looked normal. … Just look at me and have your laugh.  Get it over with.  At least both sides match now, right?  Look at me, and have your laugh.” — Harvey Dent

Batman The Dark Knight Returns is based on Frank Miller’s incomparable graphic novel of the same name. Miller’s work changed comics for a decade, and it’s effects are still being felt.  The animated film starts quickly, with no credits (they will appear at the end).  Commissioner Gordon is weeks from retirement, and the Batman hasn’t been seen in Gotham City for ten years.  The city is in a grip of a crime wave, mostly caused by the Mutants, a gang dedicated to horrific violence even more than crime.  Bruce Wayne and James Gordon are having dinner.  Gordon lightly inquires about Batman, and then brings up Dick and Jason. Bruce insists he’s given up his old life fighting crime, but isn’t happy that Gordon’s brought up the Robins.

Bruce leaves his meeting with Gordon and walks through Crime Alley, there he is reminded of his parents’ deaths and his one-time vow to stop crime.  Some Mutants approach to attack Bruce, but he frightens them off.  That night, he dreams about his experiences.  He remembers falling down a well, and being scared by bats.  Unable to sleep, Bruce goes to the Batcave and stares at Robin’s shrine.  Alfred arrives, concerned.  To Bruce’s own surprise, he has shaved off his mustache.

Meanwhile, at the Arkham Home, a Dr. Wolper (Michael McKean) works with Harvey Dent, to rehabilitate the criminal once known as Two-Face.  Joker is also in Arkham, but completely comatose.  Harvey, his face  restored, and supposedly cured of  his criminal bent, is released, but then disappears.

Meanwhile, back at his manor, Bruce Wayne is flipping TV channels in the middle of  the night.  He keeps finding news reports of Gotham’s escalating violence.  But he also comes across a late night showing of The Mark of Zorro, the film he saw with his parents That Fateful Night.  The film brings back bad memories of his trauma.  But even as he tries to escape his memories by flipping channels, he only hears more bad news of crime and violence.  Even the weather report of the on-coming storm seems dire.  Bruce’s memories mix with the Voice of the Bat, calling him to return.  A bat breaks through his window.

Meanwhile, Carrie and her friend Michelle have taken a short cut through The Arcade to escape the rain.  Michelle is nervous because she has heard it’s a Mutant Gang hideout.  Carrie pooh-poohs her fears.  Then the lights go out and Mutants attack.  Batman confronts the Mutants and rescues the girls.

He also catches an armed robber the cops are chasing.  TV news clips and reports are soon covering the story of  the return of  Batman from a number of perspectives.  Even Carrie and Michelle are interviewed.

Alfred helps Bruce with his physical injuries, and chides him that he really is getting too old for this kind of thing.

The next day, one of the thugs Batman had captured and beaten up is in Gordon’s office with his lawyer, claiming “police brutality”.  Gordon simply releases the guy.  This turns out to be Batman’s plan, who follows him and tortures him to get information on Two-Face.

Meanwhile, Carrie listens to her parents whining and gets sick of  it, she sees the Batman symbol on a building and is heartened.

Gordon meanwhile has contacted Batman.  He tells Batman two helicopters were stolen the previous night.  Batman responses he didn’t get much out of Two-Face’s lackey,  just that the crime was going down the next day.  Gordon responds that it makes sense, since it’s Tuesday and the second of  the month.  Then Two Face breaks into the television signal of a news report.  He claims to have two bombs and he will destroy the Gotham Life Building (which has two towers) unless he’s paid off with Twenty-two million dollars, and he gives the citizens of Gotham twenty-two minutes to comply.

Batman defuses one bomb, but he’s attacked when he tries to cross on a line to the other tower.  Harvey Dent (Two Face) and Batman crash through a window into the other building.  There Batman pulls off Harvey’s bandages, but he looks normal.  Harvey, however, is delusional, and thinks that both sides of  his face are horribly disfigured and scarred.

On TV, a point-to-point debate pits pro Batman Daily Planet managing editor, Lana Lang, against anti-Batman author Dr. Wolper.  More news clips follow the rising debate.

Carrie dresses as Robin.

A newscaster reports that James Gordon has been killed, then admits she “read it wrong”, James Gordon killed a Mutant gang member.

Carrie tries out being Robin, and discovers her fear of  heights, but slowly she starts to get it.

The Mutants kidnap a wealthy family’s two-year-old heir; Batman rescues the child and defeats the Mutants.

The screen goes completely dark as Batman questions a suspect, eventually he takes his hand away from the man’s eyes, and reveals he’s holding him over the Gotham city streets far below.

Carrie stops a purse snatching.

Batman confronts the general who sold military-grade arms to the Mutants.

Batman and separately, Carrie, go to the Gotham dump to confront the Mutants.  Bruce is badly beaten by the Mutant Leader.  Carrie manages to get him inside the Batmobile, which looks like a tank.  Bruce orders the car back to the cave, despite Alfred’s pleas to go to the hospital.  He takes Carrie with him and tells Alfred she will be trained as a Robin.  Alfred isn’t hot on the idea.  Bruce also goes deep into the cave, alone, to confront his demons.  He decides to continue as Batman.  He flashes back to the loss of  his parents.

On TV, again Lana Lang and Dr. Wolper debate about Batman.  Carrie stares at the Robin memorial in the cave.  The mayor appoints a female, anti-Batman police commissioner, Ellen Yindel.  The mayor also offers to meet with the Mutant leader to arrange appeasement.

Alfred tries to talk to Bruce about his plans.  When he doesn’t appear to be getting through, he brings up Jason.  Bruce refers to Jason as a “good soldier” but that the war must go on.  He has Carrie undercover as a Mutant pass along a message for all the Mutant gang members to meet at “the Pipe”.

Gordon talks to Yindel, trying to explain to her why he approves of  the Batman.  When the mayor is killed by the Mutant leader during their “peace treaty”, Gordon agrees with Batman’s plan, and sees to it the Leader is able to escape.

Batman again confronts the Mutant leader.  They fight in the mud by the Pipe, in front of  all the Mutant gang members.  Batman uses his smarts as well as his fighting abilities to defeat the Leader.  As a result, the Mutant gang is broken up.  Gordon’s officers arrest several, others break off  into other splinter gangs.  One gang, the Sons of  Batman, insist on “actions not words” and attack other criminals.

Gordon turns in his badge and gun, retiring.  Ordinary citizens start to stand up to violence, a man stops a mugging in front of his store.  The TV news clips runs other clips, both pro and con Batman and the new reality.

The Joker awakes as he hears the news.

The story will be continued in part 2.

Batman The Dark Knight Returns is awesome!  The story is straight from Frank Miller’s classic graphic novel, and the animated film does not hold back.  This is a dark, and violent story with lots of  blood.  But the animation is also awesome.  Many of the images are truly memorable, and often it is the images that tell the story, especially Bruce Wayne’s flashbacks to his parents’ murder and becoming Batman.

Meanwhile, Gotham City is a mess — without Batman, violence, especially gang violence, has taken over the streets and ordinary people have no hope.  The constant TV news cashes in on the violence and “bad news”, offering no reprieve from the sense of  gloom and hopelessness.

The film realistically portrays an older Bruce Wayne, with lined face, who groans and creaks when he returns to the life of  Batman.  Commissioner James Gordon is also considerably older, and ready to retire.

Television news dominates the lives of  everyone in Gotham, and even Carrie gets on TV to tell the story of how she was rescued in the Arcade (by a man — seven feet tall!).  Like the graphic novel, much of the structure of the actual story is told in the comments of  the newscasters, and people they interview.  Much of this is also full of  irony and dark humor, such as the man who advises that criminals need to be rehabilitated back into society — then acknowledges that he “doesn’t live in the city”.

The animation in the film is incredible!  Not only is it very real-looking, but it’s dark and has the slightly “washed” look of the original graphic novel.  Great images abound, as well as novel things such as a scene that’s completely black, with only audio to tell you what Batman’s doing.  Uses of flashes of  lightning or gunshots or other bright, sudden sources of  light are also used in other scenes.  The over-all effect is of watching a moving graphic novel.

The plot of  the film is an excellent adaptation of the graphic novel.  Not only is Batman brought back after a gap of ten years, but he confronts two main villains beyond his own age:  The Mutant gang, notably their leader, and Two Face (Harvey Dent).  Both these villains are psychologically interesting and complex. The Mutants look like punks, and act like them too — committing horrible acts of  violence not for money or to survive, but because they can.  In other words, they are bullies – pure and simple.  And like any bully, when Batman defeats their leader in front of the entire gang, the gang itself falls apart.  And, some members of  the gang decide to follow Batman instead.  The other villain is Harvey Dent.  This film doesn’t go into too much detail about Harvey’s backstory, however, Bruce Wayne has personally paid for Harvey’s rehabilitation.  Harvey’s face is rebuilt, and a “psycholisgist” is employed to help re-build Harvey’s broken psyche.  Yet when he’s released from Arkham, Harvey goes straight back to his life of crime.  When Batman catches up to him, Harvey is completely delusional – convinced his face is now horribly scarred on both sides, and that’s how it was made to “match”.  Bruce is crushed – in a way he’s sympathetic, because he also can only see himself  as  Batman.

The film is very violent, and there’s just a lot of  blood.  If you’ve read the graphic novel, this isn’t surprising, but if you’re only familiar with the DC animated universe and original films — this one is considerably more adult in tone and imagery.  The rating is PG-13, and it should be at least that, if not limited to 15-year-olds and up.  But overall I highly, highly recommend it.  And if you loved the graphic novel, you will really love this film.

Recommendation:  See it!
Rating:  5 out of 5 Stars
Next Film:  Batman The Dark Knight Returns Part 2

Batman Year One

  • Title: Batman: Year One
  • Directors: Sam Liu, Lauren Montgomery
  • Date: 2011
  • Studio: Warner Brothers Animation
  • Genre: Action, Drama, Animation, Film Noir
  • Cast: Bryan Cranston, Ben McKenzie, Eliza Dushku, Katee Sackhoff
  • Format: Color, Widescreen Animation
  • DVD Format: R1, NTSC

The animation in this film is very impressive — it’s difficult to get a gritty, dark look to animation, yet Batman: Year One manages to do so. This film impressively keeps the look of Frank Miller’s Batman: Year One from the Batman comic book published by DC Comics. This is also Jim Gordon’s story, and cast in the role of Lt. James Gordon is Bryan Cranston, who does a good job.  The film is also real film noir stuff. Film Noir doesn’t have heroes, it has protagonists. The difference being a hero is frequently perfect (or can be thought of as perfect or trying to obtain perfection. Superman is a hero — invulnerable to anything bar Kryptonite, immortal, and always, always doing the perfect thing without errors or mistakes). A protagonist is much more realistic — Batman, in whatever guise you find him, has always been a protagonist.

Batman: Year One, though, makes Jim Gordon the protagonist. He’s a honest cop, which is dangerous in a town with a dishonest and corrupt police force. He’s just moved to Gotham City, after turning in a dirty cop to Internal Affairs in another city, and not being thanked for his efforts. But Gordon is no perfect angel. He has an affair while his wife is pregnant. He watches and waits as he’s introduced to the corruption in the Gotham PD, but he isn’t anxious to make the same mistakes he did before. And he’s tough.

Batman: Year One, is also the story of Gotham City. A nightmare town, full of danger, violence, graft, corruption, and sex. Catwoman starts off as a hooker. She’s also trying to protect a young girl who’s starting in the trade as well, when Bruce meets her for the first time. Gotham is rough, scary and dark — and it needs the Dark Knight as a protector. This is a city that understands when Batman says, “I am the dark, I am the night, I am Batman.”

Unfortunately, Batman doesn’t get to utter that line, or any other seminal Batman lines of Bruce claiming his identity as his own. Part of the problem is the actor they got for Batman/Bruce (Ben McKenzie) just doesn’t do a very good job. I can’t believe this guy as Batman, he just doesn’t work. Why, oh why, couldn’t they have asked Kevin Conroy back? Or at least Bruce Greenwood? This Batman is too weak, and doesn’t work as Bruce either. A good Batman must also always be able to carry the part of Bruce Wayne, something Christain Bale and Kevin Conroy could do. In this version, Bruce is either WAY over-the-top, or so morose he sounds semi-suicidal. Neither is right for Bruce Wayne, not even a young Bruce Wayne.

Alfred is also practically non-existent in this film. One of the advantages of early Batman stories, is they tend to use Alfred more. And the Alfred and Bruce relationship has always been one of my favorites in the Batman mythos. (The other is Batman and Nightwing. And there’s a similarity between those two relationships. Alfred is very much a father to Bruce — he raised him, and is the only person in the entire DC universe to have any idea what Bruce was like before that fatal night. Bruce, in turn, raised Dick Greyson, and he’s very much a father to the younger man.) There was a missed opportunity, by showing Alfred hardly at all.

But if Alfred is practically non-existent in Batman: Year One, it’s ironic, given the title of the film, that Batman really doesn’t get much screen time. This is Gordon’s story, it’s Gotham’s story, but it sure isn’t Batman’s story — and therefore it misses the boat. I was disappointed, for I did have high hopes. So, yes, the film is good, and the animation is incredible, but it’s not great (as it should be), and that’s to be laid at the feet of a major casting mis-step.

Recommendation: See it at least, it’s worth it for the noir story.
Rating: 3 out of 5 Stars