Book Review – Doctor Who: The Wanderer

  • Title: The Wanderer
  • Series: Doctor Who Companion Chronicles
  • Discs: 1 CD
  • Author: Richard Dinnick
  • Director: Lisa Bowerman
  • Characters: Ian Chesterton, First Doctor, Barbara, Susan
  • Cast: William Russell, Tim Chipping (as Grigory)
  • Date Reviewed on GoodReads: 02/26/2020

**Spoiler Alert** I don’t give out 5 Star reviews lightly. My reviews usually top-out at four stars, and to earn five, something has to be extraordinary. The Wanderer, a story in Big Finish’s Companion Chronicles audiobook/play lines is extraordinary. I loved every minute of it. My second listen wasn’t to catch any details I’d missed (I listen to audios while commuting) but because I just really wanted to listen to the story again. Immediately. It was that good.

The story begins with Ian reflecting on how the phrase, “Nomadic Lifestyle” conjures up romantic ideas of Arabian Nights, riding across the desert on camelback, but the reality is quite different, then he mentions one true wanderer he and Barbara met on their travels. Then his wonderful telling of the story transitions into the story itself. The TARDIS lands, we quickly find out, in Siberia in 1900. It’s extremely cold, though the local carters who give the Docter, Susan, Ian, and Barbara a lift to the nearest village remark that it is Springtime.

As they arrive in the village, they meet another wanderer, dress in robes, gathered in at the waist by a rope. He is called Grigory, and the people call him Staritz, meaning Elder, leader, healer of his people. Everyone is just getting to know one another when a man rushes up, asking for aid. He’s a local lumberjack and his sons have taken ill. The Doctor offers his services and they wander off, making the trek to the logging camp. But when the Doctor opens the door to the simple log cabin, he is taken very ill and collapses. Ian reflects that it reminds him of the Doctor getting radiation poisoning on Skaro. Barbara and Susan stay with the Doctor and the other two sick men while Grigory and Ian return to the village for medicines and aid.

At the village, they find the healing woman and obtain basic herbal remedies, they also obtain more lanterns then head back. But when they reach the cabin they find it’s been ripped apart, Susan and Barbara are gone, the two loggers have died, and the Doctor is still ill. But he recovers enough to tell Ian that he’s being affected by chronon radiation. There’s a device in the nearby boathouse that’s alien – and leaking radiation.

Barbara arrives and fills in some details. The Doctor starts to recover a bit. Susan was poisoned by the radiation, it affected her mind, she ripped up the room, then took off. Barbara ran after her then returned. The Doctor’s notebook contains information about the alien device. He’s recovered enough to tell Ian a little bit about it – it’s supposed to be a recon device, gathering information – but it’s malfunctioned. The interaction of the chronon radiation and the device’s original purpose means it’s recording Earth’s future at a rate of 1000 years per day. And anyone who touches the device is overwhelmed, either by the radiation itself or by a sonic blast of literally too much information. The two men who died touched the outer surface of the device and were poisoned. Susan touched the inside, became stuck to it by some force, and Barbara had to pry her off, but she still wasn’t stable and ran off. Grigory hears all this and touches the device. He’s knocked out but recovers. The Doctor manages to free the device’s homing beacon and reverse it. He gives it to Ian and asks him, Barbara, and Grigory to find the alien spaceship. As Ian and Grigory walk through the woods, it becomes clear Grigory wasn’t unaffected by his encounter with the alien device. He’s now seen the next thousand years of Earth’s future but not his own fate. The description really reminded me of Billy Joel’s “We Didn’t Start the Fire”.

“I can see: Alexander, Kaiser Wilhelm, Bolsheviks, a Great War
Revolution, Armistice, Stalin, Nazis, Hitler, a Second World War
Television, Computers, Space Flight, Gagarin, Berlin Wall, Cuban Missiles
A Tenth Planet, Aliens, Invasions, Lunar Bases, Men on Mars, The Doctor!”
– Grigory Rasputin

And a little later, Rasputin continues to describe to Ian how he sees the Doctor through time.

“The Doctor is woven through the Tapestry of Time, keeping it safe against all manner of enemy: Others of his kind, denizens of Hell and other planes,
Soldiers from distant worlds and home-spun foes,
Plastic people, Men of Metal, Creatures of Carbon, Silicon, and Calcium,
Egyptian Gods, werewolves, ghosts, and vampires,
So many nonsensical things with unpronounceable names, like scrambled Roman numerals.
If they are as ungodly as I suspect, then The Doctor must truly be a Staritz.” – Grigory Rasputin

After a short walk, Ian and Grigory come across a small, squat, frog-like spaceship. Hearing a scream, Ian hides behind the ship then sneaks around it. He sees three aliens, short and stocky, but powerful, like their ship, with four arms, and a tail that curves up over their heads from the back and ends in a nasty stinger. Essentially, they seem like intelligent, walking scorpions. One of the aliens is holding Mikhail prisoner (the father of the two loggers who found the device earlier). Ian makes himself known and Grigory runs off. The aliens demand Ian tell them the location of their Ranger. They kill Mikhail and bring the unconscious Susan out of the spaceship, threatening her. Ian demands them produce and set free Barbara, but the aliens ignore the demand (because they actually haven’t seen her). The aliens threaten Ian, but he points out that if they kill him, they will never find their Ranger. He also tells them the device was damaged in landing and it’s making the humans here sick. But he’s scanned, the aliens find the homing beacon on him, then he and Susan are returned to the ship and tied up. then the aliens (four of them now), leave. Susan opens her eyes. She’s awake, uninjured, and no longer affected by the poisonous radiation from the Ranger device. Just as she and Ian try to figure out how to get themselves free, the door opens. It’s Rasputin, who lets them out. He’d run off so he wouldn’t be captured and he could let them free.

Everyone ends up back at the boathouse, where the Doctor and Barbara are waiting, including the four aliens. The Doctor tricks the aliens into handling their device, but because it is malfunctioning, it turns the aliens into petroleum puddles. Grigory is suddenly overwhelmed by the info-dump of a thousand years of future history, screams in agony and collapses. The Doctor, Ian, Barbara, and Susan gather the villagers and they haul the alien spacecraft by horse to a nearby river and drop it in to hide it. The Doctor takes the alien device (what’s left of it) and Grigory into the TARDIS. Grigory is cured of the radiation poisoning by exposure to the time vortex, and the Doctor wires the device into the TARDIS console. He returns Grigory to the garden outside the palace in St. Petersburg, after assuring Ian that Grigory will not remember any of the events he experienced. But when the Doctor tries to program the TARDIS to return Ian and Barbara to 1963, the alien Ranger finally gives up the ghost and goes “poof”. Barbara is upset at first but then accepts it. Ian is depressed that he and Barbara will still be doomed to wander, but he realizes that as long as he’s with her, she is his home, so it’s all right.

I loved this story! Loved it – every though a short summary makes it sounds somewhat grim, it’s actually a very enjoyable and fun story, with lots of laugh-out-loud moments. Ian’s somewhat sardonic narration is absolutely perfect. And you gotta’ love that Ian meets a man, dressed as a monk, named Gregori, in Russia, in Siberia, in 1900 – and it NEVER crosses his mind this guy might possibly be Rasputin until Rasputin mentions his last name. That bit was hilarious – and it’s so Ian, he can be quite clueless sometimes, but it a totally loveable way. Also, Ian being a bit depressed at the end of the story because of the possibility of finally going home is dangled in front of him and then it’s snatched away until he realizes that wherever Barbara is is his home is perfectly priceless. The entire story is just filled with little gems here and there, bits of dialogue, situations, that just really work. They suit the characters, break the tension, get you to laugh, but never make fun of or demean any of the characters. I also enjoyed the beginning where Grigory is a very rational man, but also a man of faith who believes he has a destiny. This isn’t presented as ego, but as a common thing – that everyone, no matter who they are, wants to be remembered. The Wanderer is a truly enjoyable story and I highly recommend it.

Book Review – Doctor Who: Starborn

  • Title: Starborn
  • Series: Doctor Who Companion Chronicles
  • Discs: 1 CD
  • Author: Jacqueline Rayner
  • Director: Lisa Bowerman
  • Characters: Vicki, First Doctor, Barbara, Ian Chesterton, Violet
  • Cast: Vicki (Maureen O’Brien), Violet (Jacqueline King)
  • Date Reviewed on GoodReads: 12/19/2018

**Spoiler Alert** Starborn is a story in Big Finish’s Doctor Who the Companion Chronicles line. The story is told by Vicki (Maureen O’Brien) one of the First Doctor’s companions with help by Jacqueline King as Violet. The story features the First Doctor (as played on the BBC television series by William Hartnell), Ian, Barbara, and Vicki – but it’s really Vicki’s story. The Companion Chronicles tell stories from a companion’s point of view and often consist of a companion somehow telling a story to someone else for some reason.

This story begins with Vicki running through the rain in London to the TARDIS. She calls out and pounds on the door but no one answers her. The woman with Vicki, Violet, insists that Vicki will die if she enters the TARDIS and also tells her that as a medium she has a contact who must speak with her. Vicki is skeptical but follows Violet to her rooms.

During the seance, Vicki first hears from “Crispus” a Roman citizen killed for rebelling against Nero. Vicki is, of course, skeptical about this, but after a bit of back and forth between this Control and Violet, she hears from another spirit. This spirit claims to be Vicki from the future, a Vicki who is dead.

This spirit tells Vicki of her next trip in the TARDIS. She, the Doctor, Ian, and Barbara materialize on another planet – the planet is lit by a thousand suns, and the TARDIS crew must wear dazzle hoods to prevent blindness. The Doctor also has each of them wear bracelets that are personal air conditioners. They meet a young woman, Annet, with silver hair who appears to be glowing. She explains the suns in the sky provide all the power for the planet and they communicate through streaks of light. She also explains that nearly everyone on the planet has some “star blood” in them and they are known as “Starborn”. Every so often, one of the stars in the sky will die. One of the Starborn will take its place, ascending in the sky to become part of the star network, providing power. The new star can communicate with the other stars, feeling the thoughts of loved ones who have become stars. Annet is Starborn and one of the stars is about to flame out – when it does, she will take its place. Annet says her mother ascended when she was twelve, and she knows she will be able to communicate with her when she ascends. Annet also tells the TARDIS crew that not only must a Starborn take the place of the dead star, but the gap causes energy to drain away, and if it’s not plugged – the entire network will drain through the gap and the planet below will die.

The Doctor and crew stay for the ascension ceremony and manage to secure an invitation to watch, even though strangers are normally not allowed. The star dies, and Annet is ready to take its place. But another black area appears in the sky, a pirate ship – crewed by female pirates. The pirates appear at the ceremonial grounds and knock most everyone out with a flash-bomb grenade. Only the TARDIS crew are unaffected. Annet falls from the pillar where she had sat waiting for her time to ascend. The Doctor orders Ian and Barbara to take the girl to the nearest town to find a doctor. Vicki thinks this is silly, as the Doctor is, well, a doctor – but it seems to be a ploy or distraction on the Doctor’s part. Vicki suggests someone else take Annet’s place as the now unstable network is draining away – and the pirates have placed a mirrored box on the pillar where Annet was. The Doctor takes one of the personal air conditioner bracelets, punches the button to lower it to the coldest setting, and throws it at one of the mirrors in the box. All the mirrors explode from thermal shock. Vicki suggests someone else take Annet’s place – but the Doctor is hesitating. Vicki, then, as her spirit tells Vicki herself in Violet’s room, takes Annet’s place. It’s actually working – until the Doctor throws his ring in the beam of light from the stars instead. Vicki falls to the ground – and presumably meets her death.

But Vicki’s figured it out – she knows whoever is telling her this story isn’t a future version of herself. She’s her this person refers to “Vicki” as well as Annet and Vicki as “the three of us”. Obviously, there was a third person there. Vicki also finds some of her descriptions of the Doctor’s behavior and even her own to be out of character. She then discovers this “dead spirit” is one of the pirates – she’d been sent to gather information about the planet and to find a way to steal their energy. But she became friends with Vicki and Annet and gradually realized that the pirates who raised her were selfish and cruel. Well, they were pirates. The pirate, whose name was Stella, threw herself into the beam and it was going OK until the Doctor threw his ring, then she fell instead of ascending – and died. The Doctor’s ring balanced the power long enough for Annet to return and take her rightful place. Stella tries to convince Vicki to destroy the Doctor’s ring so that she can ride out the paradox and survive. Vicki, knowing time travelers cannot interfere, refuses.

Stella’s time bubble collapses – and Vicki and Violet forget everything that happened. Vicki returns to the TARDIS.

Episode 1 and Episode 2 of Starborn are very different. The first episode describes this really beautiful though also very different society. With this being a First Doctor story he doesn’t condemn this different culture or try to prevent the “sacrifice” of young people becoming stars. He accepts that the culture works that way, and understands that Annet is honored and willing to become an actual star. And, as she says, she will see her mother again.

In Episode 2, some pirates show up. The pirates are greedy and want the planet’s power for themselves. And if a beautiful planet and its people are destroyed utterly in order for them to get some power – they simply don’t care. It becomes clearer in part two that whoever is telling this story to Vicki – it’s not Vicki herself. Among other things, she refers to “the three of us”. And there are other clues. So not only does disc introduce some pirates showing up out of nowhere – but it presents a bit of a mystery.
I liked Starborn more than I expected to and this story, like the rest of the Companion Chronicles, is highly recommended.

Find out more about Big Finish audios at their website: www.bigfinish.com.

Click to order Starborn on CD or Download.

Note: No promotional consideration was paid for this review. I review because I enjoy it!

Book Review – Doctor Who: The Rocket Men

  • Title: The Rocket Men
  • Series: Doctor Who Companion Chronicles
  • Discs: 1 CD
  • Author: John Dorney
  • Director: Lisa Bowerman
  • Characters: Ian Chesterton, First Doctor, Barbara, Vicki
  • Cast: William Russell, Gus Brown (as Ashman)
  • Date Reviewed on GoodReads: 11/27/2018

**Spoiler Alert** John Dorney’s The Rocket Men very cleverly starts in the middle of the story and then uses flashbacks to fill in what’s going on. But unlike the normal “start with an exciting bit and flashback to explain it” technique, The Rocket Men flashes back and forth between the near “past” and the present, using a word, phrase or action to move from one time to the other and back again. It’s a very effective technique and the story flows extremely well – without being overly confusing.

The Rocket Men is a volume in Big Finish’s Doctor Who the Companion Chronicles series, and features William Russell as the First Doctor’s companion, Ian and Gus Brown, as the Leader of the Rocket Men, Ashman. The First Doctor (as played by William Hartnell on the long-running BBC television series, Doctor Who), Barbara, and Vicki are also featured in the story. The Companion Chronicles feature a story told from one of the Doctor’s companions’ point of views and are often more wordy, framed as a two-hander play.

The TARDIS lands on Jobis, an idyllic gas giant and tourist destination, with cities built on platforms in the air, floating luxury hotels, and even beautiful creatures to watch – such as giant flying Manta Rays in the skies, and insects that sparkle like diamonds. After a few days, the Doctor goes off to another platform to visit and share ideas with some local scientists. Ian books a tourist trip on a glass-bottomed boat. Barbara isn’t feeling well and decides to stay at the hotel. Ian checks to make sure he doesn’t need to look after her, but Barbara decides she’s okay and Vicki really wants to try the boat ride, so the three split up. On the boat ride, the tourists, including Ian and Vicki, are attacked. Ashman leads his fierce Rocket Men, a group of pirates who want to steal the “diamonds” from the sky. The Rocket Men wear brown leather and rocket packs on their backs – and they attack the barge. Once the attack is winding down, Ian is able to attack one of the guards, knock him out and steal his uniform and pack.

Later, and the first scene in the story as one listens to it, the Rocket Men have attacked the hotel and gathered up the people they haven’t killed. They demand that the companions of “The Doctor” turn themselves over. When Ashman starts to threaten innocent tourists – Vicki and Barbara turn themselves over. Ian struggles to not admit who he is and seems to be waiting for his chance for something. When Barbara is thrown out an airlock, he rushes the door and follows, then uses the jetpack he’s wearing to control his descent and direction. He rescues the terrified Barbara and takes her to a nearby platform. She cries. They hug.

But Ian and Barbara aren’t completely safe. Ashton attacks and he and Ian start to fight each other in midair. Ian gains advantage, but then Ashton deactivates his rocket pack and Ian starts falling. He’s rescued by a Manta Ray. Meanwhile, the Doctor’s been working with the local scientists. They manage to break through the Rocket Men’s jamming signals and get out a call for help. The local authorities wrap things up and defeat the Rocket Men.

This an awesome story – it’s full of adventure and fun, but the core of the story is Ian’s feelings for Barbara and her feelings for him. It’s a very romantic story – both in the traditional sense in terms of the adventure and the scope – with men with rockets strapped to their backs running around, gas giant planets, giant manta rays, and a floating hotel. It’s awesome. But it’s also romantic in it shows a relationship between Ian and Barbara. That’s extremely fun.

Highly recommended, especially if you’re a fan of the Ian-Barbara relationship from early Doctor Who.

Find out more about Big Finish audios at their website: www.bigfinish.com.

Click to order The Rocket Men on CD or download.

Note: No promotional consideration was paid for this review. I review because I enjoy it!

Book Review – Doctor Who: Here There Be Monsters

  • Title: Here There Be Monsters
  • Series: Doctor Who Companion Chronicles
  • Discs: 1 CD
  • Author: Andy Lane
  • Director: Lisa Bowerman
  • Characters: Susan, First Doctor, Barbara, Ian, First Mate
  • Cast: Carole Ann Ford (Susan), Stephen Hancock (The First Mate)
  • Date Reviewed on GoodReads: 5/15/2018

**Spoiler Alert** Here There Be Monsters is a story in Big Finish’s Companion Chronicles line of stories. The companion chronicles feature stories told from the companion’s point of view. This one is told by Carole Ann Ford as Susan. Susan’s never been one of my favorite companions (I preferred Barbara in the very first Team TARDIS). However, Carole Ann Ford does a really good job here, and she plays Susan in a slightly more mature fashion. This story seems to be set just before “The Dalek Invasion of Earth” – when Susan leaves.

The TARDIS is hit by some strange energy in space and has to materialize immediately. Upon landing the Doctor, Susan, Ian, and Barbara leave the TARDIS and find themselves on a spaceship occupied by a plant. The plant’s leaves follow them as they move through the ship, and they even find a secondary control room where the plant is operating the controls with vines and branches.

The TARDIS crew follows the plant’s branches and vines until they find the main control room. There they find the captain of the vessel, a “vegetable life form” named Captain Rostrum. The ship is a Benchmarking Vessel, named Nevermore – which is punching holes through the galaxy, creating artificial black holes as an aid to navigation. The Doctor is appalled. Not only are black holes dangerous – but by punching holes through the fabric of space and time – Rostrum could destroy the galaxy. Rostrum steadfastly insists the process is safe and he must complete his mission. The Doctor insists he’s wrong and messing about with dangerous forces he doesn’t understand. Susan gets bored and wanders off.

Susan wanders off and meets a character we will later learn is called, “The First Mate”. The area this man is working in is dead – and the leaves are brown and falling away. Ian, Barbara, Susan and the Doctor had found similar dead areas in the ship while exploring. Susan and the stranger talk and he encourages her to spread her own wings, to live her own life, and to stop always accepting her grandfather’s word. While talking, Susan starts to feel weak. The First Mate then tells her the engines where he is working, emit radiation that’s dangerous to her – and she should leave. Reluctantly she does, and she returns to the control room.

When Susan arrives at the control room, she finds that everyone is staring out the viewport at a spaceship. The spaceship is attacking. As a scientific vessel, the Nevermore has no weapons, no defenses, not even shields. A group of missiles is heading towards the ship. However, just as it seems everyone is heading for certain death, a rip in space appears. This tear drags the missiles and the spaceship into it. Everyone on the Nevermore hears the message from the captain of the formerly attacking vessel. The benchmarking vessel’s artificial black holes had really messed up the ship’s home galactic system’s trade routes. This was viewed as an unprovoked attack. The Doctor uses this to try to convince Rostrum he’s right about the dangers of the benchmarking process but Rostrum doesn’t believe him. He is a stubborn vegetable.

Susan wanders off again, and this time she again ignores the First Mate’s warnings for her to leave when she feels ill from being near him. She ends up collapsing. Barbara finds her and gets her back to the control room.

However, the Doctor and Ian are now wondering about the dead areas in the ship, and they ask for a map of the dead areas so they can explore. Susan had told them all about the First Mate, but Rostrum insists no one else is on the ship – and that if there was, they must be part of the Doctor’s party. Soon, the Doctor, Ian, Barbara, and Susan are searching for the First Mate.

They find him – and find he’s from the other universe, the one on the other side of the rip that’s appeared in space. The benchmarking process is devastating to his universe and he’s been sent to stop it. And because he’s from another universe, he drains energy from people in this universe, including Rostrum. So it’s the First Mate who’s caused the dead areas on the ship.

When the Doctor tells Rostrum this, he isn’t believed – after all, Rostrum can’t see the First Mate.
But Susan talks to the First Mate and with the rest of the TARDIS crew, they decide they must end the Benchmarking process. The First Mate can shift back to his “natural” state – which will destroy everything within a light-year. The TARDIS crew runs for the TARDIS and barely makes it. The TARDIS protects them from the explosion. The benchmarking ship is destroyed, and the rip sealed. Just before he is also destroyed, the First Mate sends out a message – praising the courage of the people he met on the other side of the universe, stating they are not monsters. However, he suggests that people from his own side of the universe not travel to the universe due to the basic incompatibility of their species (e.g. the energy-draining thing).

I liked this story. It runs a bit shorter than some Companion Chronicles but the comparison between early navigators trying to discover how to determine longitude when sailing, and the benchmarking process were really interesting. I also loved the idea of a plant crewing a vessel in space. Stephen Hancock brings the First Mate to life particularly well, even if at first I thought it was David Warner (he sounds just like him). Carole Ann Ford did a particularly good job as Susan too. Finally, this story harkens back to the Age of Discovery with its title, Here There Be Monsters – the old way of marking off the unexplored areas of maps. The Doctor, as he talks about the dangers of benchmarking, talks about the universe as fabric, with weak spots. And beneath the fabric is an unseen place – where monsters come from. The Doctor’s worry is the universe could be destroyed, at the very least – rips could allow the monsters through. The First Mate also states that in his universe it was assumed that the “other universe” was occupied by monsters. As both the Doctor and the First Mate learn – the Other is not a monster. All you need is to talk to someone in a non-threatening environment to learn that people are people no matter what. The audio also plays the captain of the other ship’s message, which assumes the benchmarking vessel is aggressive and attacking without reason, to the First Mate’s message that states that the damage was an accident, and the people of the other universe aren’t monsters but courageous – and helpful in ending the damaging program, against each other. The two messages are polar opposites. And it’s the First Mate’s message, the message from a being from another universe, that correctly describes the Doctor and his TARDIS crew, as trying to help. This was a good story and I recommend it.

Find out more about Big Finish audios at their website: www.bigfinish.com.

Click this link to order Here There Be Monsters on CD or Download.

Note: No promotional consideration was paid for this review. I review because I enjoy it!

Book Review – Doctor Who: The Transit of Venus

  • Title: The Transit of Venus
  • Series: Doctor Who Companion Chronicles
  • Discs: 1 CD
  • Author: Jacqueline Rayner
  • Director: Nigel Fairs
  • Characters: Ian Chesterton, Joseph Banks (guest), First Doctor
  • Cast: William Russell, Ian Hallard
  • Date Reviewed on GoodReads: 10/23/2017

**Spoiler Alert** Big Finish’s Companion Chronicles series features stories told from the point of view of the Doctor’s companions. This series gives Big Finish the opportunity to tell stories set in previous eras of the British Television Series, Doctor Who with previous Doctors and companions. In that aspect, the Companion Chronicles are similar to the Missing Adventures and Past Doctor Adventures original novels. The Transit of Venus is performed by William Russell as Ian Chesterton, and is set in the First Doctor (William Hartnell) Era. As is the case with many of the Companion Chronicles, Russell is joined in his performance by Ian Hallard as Joseph Banks. The Transit of Venus is a pure historical story. The only science fiction elements are the TARDIS, and Ian’s references to the previous television story, “The Sensorites”.

The story opens with the Doctor, now very angry with Ian and Barbara, dropping them off someplace on Earth. He doesn’t even stay to see if they are in fact in 20th Century Earth or to check that they are alright. In turns out they are not alright, and, luckily for Barbara and Ian, Susan insists that her grandfather (the Doctor) stay and check. The Doctor and Susan see Ian and Barbara being attacked by the sailors of the 18th-century sailing ship they have landed on. The Doctor and Ian end up staying on the ship and Susan, Barbara, and the TARDIS are pushed over the side. Thus, this is a First Doctor and Ian story. Never fear, though, Barbara, Susan, and the TARDIS are found and the crew reunited at the end of the story. In some aspects, this is typical of early Doctor Who – the stories often depended on the TARDIS crew being separated and reuniting later. Often such separations serve the plot by the crew separately learning important information which is later pooled for plot purposes. Other times, characters disappearing serve more practical purposes – giving the actors on the show some much-needed time off (back in the days when producing Doctor Who was closer to three-quarters of the year repertory theatre than modern television. In the case of this audio play, having half the cast missing for all but the opening and closing scenes seems to have been done for purely practical reasons – fewer characters make the story smaller and easier to tell on audio.

However, this is not purely a negative. Once it becomes apparent that this will be a Doctor and Ian story, the listener can just go with it, and it is still a very enjoyable story. Ian and the Doctor end-up on Captain Cook’s Endeavour sailing ship, navigating the Pacific Ocean on their way to charting Australia and discovering the Cook Islands. The story is educational – teaching about the famous voyage as well as the geography of the region – the groups of islands, their names, the coastal features of Australia, etc. It’s the type of story that if filmed, especially with some sort of budget, could be extremely enjoyable, sort of Doctor Who does Master and Commander. Because this is Doctor Who there is another plot to pass the time on the long ship voyage – Ian meets Joseph Banks, a famed botanist. Yet, whenever Ian is alone with Banks, weird things seem to happen. Ian sees Banks shoot an albatross that is following the ship, and Ian warns him of the superstition against killing an albatross. Then he hears Banks quote the Rime of the Ancient Mariner. Later, as Ian approaches Banks’ cabin, he hears voices, which, to Ian, sound like Banks is reading aloud a diary entry containing information about the future. A few days later, Banks and Ian are on the ship’s deck, and Ian becomes fearful of Banks and even believes Banks pushed him overboard. Banks rescues Ian and states that he became disoriented on the ship and fell. As a result of his dunking in the ocean – Ian becomes quite sick, contracting a fever, and is cabin-bound. Ian has additional strange experiences on the ship, especially when near Banks.

Finally, the Endeavoour reaches the place in Australia where Ian knows they will land. And he sees Susan and Barbara on the shore. Barbara explains briefly what happened to them, how they survived, and even tells him that since they knew they would have a long wait – she had, as a history teacher, filled Susan in on the history of Captain Cook’s voyage, even telling Susan about The Rime of the Ancient Mariner and later that she had sung “Botany Bay” to her. Susan, after her experiences on the Sensesphere, it turns out, still had latent telepathic abilities. It was Susan who had unwittingly transferred information to Banks that Ian picked up. Information that Banks himself was unaware of, but that because of his familiarity with Susan, Ian was able to hear as a ghostly voice. This is a bit of a science fiction element – but The Transit of Venus is not a story where Joseph Banks is secretly an alien or time traveler as Ian at first suspects. Also, Ian is actually experiencing something outside his normal experience even as, by this point in the First Doctor Era, he is a seasoned time traveler himself. Playing with Ian’s emotions could have come off as cruel, but instead, it suits the story and the characters – and everything works out. After being reunited the TARDIS crew leaves in the TARDIS.

I enjoyed The Transit of Venus as a purely historical Doctor Who story for the most part. Ian’s suspicions are played more as paranoia than something really going on – which is novel for a Doctor Who story. Yes, in the Doctor Who universe if a character thinks someone is an alien and up to no good – they usually are. So for the accused to not be an alien is actually a surprise. Plus, Ian is a practical man and a man of science. Before meeting the Doctor he would have dismissed aliens, time travel, and the like. Now, dropped into a purely normal situation (albeit in 1770), Ian leaps to the opposite conclusion – based on his last couple of years of personal experience. That is pure Ian.

I did miss having Barbara in the story. I’ve always liked the Ian-Barbara dynamic, and the two had great chemistry as a couple. It is no wonder that in fan canon they are not only a couple but a married one. And this long-standing fan theory was even made canon in an episode of, The Sarah Jane Adventures. However, even though I would have liked to see Barbara in the story – if she had been on the ship with Ian, there would have been no conflict. The two, plus the Doctor, would have simply had a nice sea cruise. Enjoyable for them, but probably a bit boring for the audience. And Ian’s concerns and fears were played particularly well – playing off the audience’s expectations for a Doctor Who story, without making the character look like an idiot.

Overall, this is an excellent historical Doctor Who adventure. The CD version includes a panel interview with the cast, director, and producer as well as a trailer for the next Big Finish Companion Chronicles adventure. Recommended.

Find out more about Big Finish audios at their website: www.bigfinish.com

Click here to order The Transit of Venus on CD or Download.

Note: No promotional consideration was paid for this review. I review because I enjoy it!

Book Review – Doctor Who: The Library of Alexandria

  • Title: The Library of Alexandria
  • Series: Doctor Who Companion Chronicles
  • Discs: 1 CD
  • Author: Simon Guerrier
  • Director: Lisa Bowerman
  • Characters: Ian Chesterson, First Doctor, Barbara, Susan
  • Cast: William Russell, Susan Franklyn
  • Date Reviewed on GoodReads: 03/15/2015

Doctor Who – The Library of Alexandria is from the Big Finish Companion Chronicles line. The Companion Chronicles started with one person reading or telling the story (and sometimes a second guest reader), however, this play, as a more recent one (it’s from Season 7), though it still only has two people playing the parts, also has music and sound effects. One thing I like about all the Companion Chronicles is that they really do feel like Missing Adventures. I enjoy that.

This First Doctor story features William Russell telling the story of the time he, Barbara, Susan, and the Doctor spent a few weeks enjoying Alexandria. Susan Franklyn plays the part of Hypatia, a Greek Philosopher, but I’m pretty sure she’s also playing the parts of Barbara and Susan. (One critique I had was at times it was difficult to tell which character was speaking – Hypatia or Barbara.)

Of course, it’s a Doctor Who story, so of course, our characters’ vacation cannot last long. And it’s the Doctor who urges they all leave in the TARDIS before the Great Library is destroyed.

One problem with this story is the lack of surprise – we know the Library is going to be destroyed – and Ian, the Doctor, and Barbara all know it’s going to be destroyed. Ian and Barbara even know they can’t change anything, Barbara’s tried that before and it’s been a disaster.

The story does, however, supply a typical Doctor Who-style explanation for what really happened to the Library, but for some reason, it just seemed very, very predictable.

On the other hand, William Russell read and acted the story well. The Library of Alexandria really felt like Hartnell-Era Doctor Who. And other than occasionally having trouble figuring out if the speaker was Barbara or Hypatia – all the voices and characters were distinct.

I give this audio a 3.5 out of 5 stars.

Find out more about Big Finish audios at their website: www.bigfinish.com

Click this link to order The Library of Alexandria on CD or download.

Note: No promotional consideration was paid for this review. I review because I enjoy it!

Book Review – Doctor Who: The 12 Doctors of Christmas

  • Title: The Twelve Doctors of Christmas
  • Series: BBC Books – Special Themed Short Story Collection
  • Author: Various
  • Note: Includes paintings for each story
  • Characters: One story per Doctor, with companions
  • Date Reviewed on GoodReads: 12/22/2016

The Twelve Doctors of Christmas is a wonderful, wonderful book. Everything about this book is just awesome and it would make for a great Christmas gift for Doctor Who fans young and old. The presentation of this book is impressive – it’s a cloth-bound hard cover with incredible full-color art paintings – one per story. There is one short story per Doctor and one painting per story. The paintings are bound in groups, though, rather than as front pieces for each story, so you read four stories then get four pages of gorgeous art. Still, the full-color paintings are beautiful and aptly illustrate each story.

There are twelve short stories in the collection – one per Doctor, and the stories also feature many of the Doctor’s well-known companions. Each story also has a theme of Christmas – but it’s interpreted by the various authors in a broad way, so we get stories that range from Barbara and Ian “going home for the holidays” to the Seventh Doctor and Ace trying to rescue a crashed alien from Macy’s at Christmas (after hours) and trying to also save the few workers in the store. All the stories are inventive and approach the Holiday differently. It’s a wonderful collection.

This was an uplifting and fun read – and I could see myself re-reading it every year. It’s a beautiful presentation as a book, a great gift, and an enjoyable read. I simply loved it – and it was good to read at this time of year.

Stories, Doctor, Companion(s), Authors

  • All I Want for Christmas (First Doctor, Barbara, Ian) – Jacqueline Rayner
  • A Comedy of Terrors (Second Doctor, Jamie, Zoë) – Colin Brake
  • The Christmas Inversion (Third Doctor, Jo Grant, UNIT) – Jacqueline Rayner
  • Three Wise Men (Fourth Doctor) – Richard Dungworth
  • Sontar’s Little Helpers (Fifth Doctor, Tegan, Turlough) – Mike Tucker
  • Fairy Tale of New New York (Sixth Doctor, Mel) – Gary Russell
  • The Grotto (Seventh Doctor, Ace) – Mike Tucker
  • Ghost of Christmas Past (Eighth Doctor) – Scott Handcock
  • The Red Bicycle (Ninth Doctor, Rose) – Gary Russell
  • Loose Wire (Tenth Doctor) – Richard Dungworth
  • The Gift (Eleventh Doctor) – Scott Handcock
  • The Persistence of Memory (Twelfth Doctor) – Colin Brake