Book Review – Infinite Crisis

  • Title: Infinite Crisis
  • Author: Geoff Johns
  • Artist: Phil Jimenez, George Pérez, Jerry Ordway, Ivan Reis, Andy Lanning
  • Characters: Batman, Superman, Lois Lane, Superboy, Alexander Luthor, Dick Grayson, Power Girl (Kara), Blue Beetle (Ted Kord), Wonder Woman, Justice League, et. al.
  • Publication Date: 2006
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 8/31/2016

Infinite Crisis is a sequel to Crisis on Infinite Earths, however it doesn’t bring back the Monitor or the Anti-Monitor. Rather, remember the characters who were stranded in nowhere? Superman from Earth-2, Lois Lane, Alexander Luthor, and Superboy? They return to cause havoc. It seems Superman (2) and company could watch what is happening on Earth-1 and they do not like it one bit. Having seen the darkness in our heroes – Superman (2) gets a bright idea – he will bring back Earth-2 instead, because Earth-2 is the better Earth. Superman (2) is also motivated by the fact that Lois is dying (of old age). Alexander Luthor encourages Superman in this plan – though he also shows his true colors, as it plays out – Luthor doesn’t care about Lois (he knows she’s doomed to die) or Earth-2, he wants to bring back all the Earths until he finds the perfect Earth. Meanwhile Superboy is pure nuts. His violence disillusions everyone.

The first thing the alternate characters do is bring in Kara, Power Girl, a version of Supergirl that no longer has a home planet, because she’s from Earth-2 but survived on Earth-1 at the end of Crisis on Infinite Earths. Kara although initially under the sway of Superman (2) and Lois – eventually comes around.

Superman (2) visits the Earth-1 Batman and tries to convince him that bringing back Earth-2 is best for everyone. Yet, when he learns that Dick Grayson no longer exists on Earth (2), Batman refuses. He even tries to bring down Superman with his Kryptonite ring, but the ring has no effect on the Earth-2 Superman. Later, in one of the best vignettes in the story, when the Brotherhood of Evil uses Chemo to attack Blüdhaven – destroying the town with toxic waste, Batman rushes to find Nightwing. Nightwing wasn’t in the city, fortunately, but he stands on the outskirts ready to rush in to help. Batman prevents Dick from going in, brings him to the Cave where he fills him in on everything: Superman (2)’s plan, Brother Eye, OMAC, how Batman’s own surveillance plan went horribly awry – Grayson is impressed at Bruce’s openness. Bruce then gives Nightwing a mission, something to keep him occupied. As Dick Grayson heads out to Titans Tower – Bruce asks, “Those early years – were they good for you?” Nightwing answers, “the best”. It’s a wonderful moment, tightly written, not overly sentimental – yet it shows how much Bruce cares for Dick. Probably the best page in the book.

In general, though, Infinite Crisis is a big, showy book, that again features most of the DC characters. There are many full-page or double-page spreads filled with heroes and even villains. But the plot, not including the miscellaneous side plots, is simple – those left behind from Crisis on Infinite Earths want to return to the status quo. If Earth-1 is destroyed in the process, they don’t care – the old way is best. For our heroes on Earth-1, many have been in a crisis of conscience. After Maxwell Lord betrays the Justice League and kills Ted Kord (Blue Beetle), Wonder Woman executes Max. This shakes up the League and leads to distrust of the League by the general public. But the new Crisis brings Batman, Superman, and Wonder Woman back together. In the end, this book has a more final ending – if a bit of a predictable one. But our heroes are together and strong as they pull together to face a world-bending, well, crisis.

Overall, I liked this book better than Crisis on Infinite Earths, though I enjoyed both. And the art is very spectacular. For the DC fan, this book isn’t to be missed and deserves a place on the shelf.

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Book Review – Crisis on Infinite Earths

  • Title: Crisis on Infinite Earths
  • Author: Marv Wolfman
  • Artist: George Pérez
  • Characters: Batman, Superman, Wonder Woman, Green Lantern, Justice League, et. al.
  • Publication Date: 2001 (this edition), first published 1985
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 8/12/2016

Crisis on Infinite Earths is big, really big, you might think it’s a long walk down to the chemist’s but… No wait, that’s The Hitch-hiker’s Guide to the Galaxy, but nevertheless this graphic novel is huge. It is really big – in every sense. It’s 364 pages – not including the introduction or the final analysis/review and the sketchbook at the end. Not only is it a lot of pages, but the art style and layout of Crisis on Infinite Earths include many small panels almost crammed onto the individual pages – rather than four or two or a single splash page there are often 9, 11, 14, small panels per page – the effect isn’t that the art is crowded or hard to follow – it’s that there’s so much going on simultaneously that multiple panels are needed to even give a glimpse of the story. This novel is a breathless read.

The story is also huge in every way that a good superhero comics story can be. It features just about every DC superhero – from all the various alternate Earths in the pre-Crisis universe. Earth 1, Earth 2, Earth 3, Earth X, Earth S – those and more are all here – as are their heroes. Every hero from the known (Superman (two of them), Wonder Woman (two of her too), Batman, Aquaman, etc.) to the obscure (Bwana Beast, The Question, Rip Hunter, various magic-users, etc.) is here – at least briefly. And the teams are here too – from the World War 2 Era Freedom Fighters to Doom Patrol, the Justice Society to the Justice League of America, The Green Lantern Corps to the Legion of Super-Heroes. Amazingly, this doesn’t get confusing or overwhelming – the book is skillfully-written to give you at least a name or affiliation for each character, as well as usually defining their powers.

The actual story had a very pragmatic purpose – the DC Universe had gotten very confusing. When you’ve been around since 1932 – that’s bound to happen. And the creative folks at DC were feeling a bit confined by trying to keep everything in continuity or declare a story an “Elseworlds” or “Imaginary Story” (DC’s parlance for alternate universe stories and stories outside the main continuity.) The creatives at DC felt their universe was also intimidating to new readers. Crisis on Infinite Earths was DC’s plan to simplify. Not to quite go back to a clean slate or change everything – but to create a new starting point. Yet for something that had a practical purpose, it’s just an amazing roller coaster ride of a story. It moves. It has sad bits. It has humor. It has moments that will make you gasp. And it the end, it does what was promised: some will live, some will die, the DC Universe will never be the same.

I started with reading DC Comics immediately after Crisis on Infinite Earths – so I didn’t read it in softcover. And it took a long time for this story to be published as a graphic novel. This was my second reading (the first was when I bought it whenever that was) and I was even more impressed. Crisis on Infinite Earths is a “wow” graphic novel. It’s amazing. And it’s something any comics and graphics novel fan needs to read. This novel didn’t just change things at DC – it changed the comics industry forever by showing that a long, complicated, cross-over story that actually changed things could be done and could be both successful and popular. Not to be missed.

The Batman Season 5 Review

  • Series Title:  The Batman
  • Season:  5
  • Episodes:  13
  • Discs:  2
  • Cast:  Rino Romano, Alastair Duncan, Danielle Judovits, Evan Sabara
  • Original Network:  Cartoon Network
  • Production Network:  Warner Brothers (Animation)

The previous season (4) finale introduced the Justice League to The Batman, so it’s fitting that the final season of The Batman features several team-ups. These team-ups also featured the partner superhero’s greatest villain. I enjoyed the team-up episodes very much. The opening two-part story features a team-up between Batman and Superman – verses Lex Luthor. Batman still doesn’t trust Superman – which complicates things, but in the end they both learn how to work together as a team. “Vertigo” features a team-up between Green Arrow and Batman. Initially,  Oliver Queen (the Green Arrow) thinks Bruce Wayne is responsible for the sudden rash of people getting sick in Gotham. Batman has to convince Ollie that Bruce can’t possibly be involved in Count Vertigo’s actions – which was fun, of course. “A Mirror Darkly” features a team-up between Batman and the Flash verses Mirror Master. “Ring Toss” sees Batman and Green Lantern Hal Jordan battling Sinestro. And “What Goes Up” features a team-up between The Batman and Hawkman.

As much as I enjoyed the team-up stories, and I did enjoy them – the solo Batman adventures, well, adventures of Batman, Robin, and sometimes Batgirl, were less enjoyable. They just very much seemed to be the same old thing. Even the two Joker episodes, “Joker Express” and “The Metal Face of Comedy”, though they had interesting ideas behind them, seemed to fall a bit flat. The Joker in The Batman just never had the wonderfully villainous, interesting, and perfect quality of Mark Hamill’s Joker from Batman: The Animated Series and the various follow-up movies.

The finale for Season 5, and of the series, “Lost Heroes”, is a team-up of the entire Justice League. One by one the super-powered members (Superman, Flash, Green Arrow, Hawkman, and Martian Manhunter) are kidnapped. It’s up to the non-super-powered members, Batman and Green Arrow to rescue the rest of the League and find-out what’s going on. And what’s going on is that the Joining are back thanks to Hugo Strange. It’s a good story, and I enjoyed very, very much how Batman and Green Arrow worked together. The Joining were an interesting extra-terrestrial villain in the final of last season and it was worth it to see them return.

However, there is one little problem with the Justice League as shown in this iteration. And that is – its an all-male League. No Wonder Woman. No Black Canary. No Hawkgirl. I seriously have a problem with this. The Justice League has always included female members. Wonder Woman is one of the original seven. Even the precursor to the Justice League of America, the Justice Society – included women. And Black Canary (Oliver Queen’s wife, girlfriend, or ex-wife depending on the timeline) was the second-in-charge of the late 1980s – early 1990s Justice League behind Batman. Since Batman tended to be busy – Black Canary ran the League. As much as I really liked the team-ups in the Batman, I felt there was something seriously wrong with not including any female superheroes – at all – in the Justice League. This series is from 2008 – there’s absolutely no excuse to completely exclude women (except Batgirl) from the series.

Justice League Gods and Monsters

  • Title:  Justice League Gods and Monsters
  • Director: Sam Liu
  • Date:  2015
  • Studio:  Warner Brothers Animation
  • Genre: Fantasy, Action, Animation
  • Cast:  Benjamin Bratt, Michael C. Hall, Tamara Taylor, Jason Isaacs, Richard Chamberlain, Penny Johnson Jerald, Carl Lumbly
  • Format:  Widscreen, Color, Animation
  • DVD Format:  Blu-Ray

“At least fifty dead in the embassy massacre, and not just dead – dismembered, burnt alive, sucked of their blood, a virtual house of horrors. Granted the victims were part of a terrorist organization… but what about our terrorist organization? What about the Justice League? It’s not like we haven’t been warned.” – Female Newscaster
“What the government has sanctioned is more than a Super-SWAT Team, it’s a weapon of absolute power. We all know where that leads.” – Lex Luthor

“We’re being framed! Someone’s actively trying to frame the Justice League? Who would have the balls?” – Superman

Gods and Monsters is an alternative universe story, DC calls these types of stories – “Elseworlds”, and before that “Imaginary Stories” (to distinguish them from the main continuity) as pointed out on one of the special features that accompany the film. This tale gives us three very different versions of Batman, Superman, and Wonder Woman. The film starts with Superman’s new origin story. In Gods and Monsters Superman’s father isn’t Jor-El but Zod. This is shown in the opening scene where Zod pokes his finger into a genetic device that will develop into a baby in the spaceship that’s sent to Earth. Once the ship lands, he’s rescued by a migrant laborer couple rather than the Kents. This Superman is very different – he’s brash, arrogant, and even rude. He also knows very little about his genetic parents or Krypton, because Luther stole his baby spaceship and everything inside.

In the film’s present, Superman, Batman, and Wonder Woman are on a US-sanctioned mission to destroy a terrorist cell. Steve Trevor is marginally in charge of the mission, but they neither listen to him nor do they wait for Trevor and his troops to arrive before totally trashing the cell and everyone in it. This shows the violence of this alternative Justice League, and their willingness to let the end justify the means.

However, before long, a series of scientists – many who were known as “Luther’s Whiz Kids” are getting killed in horrible ways – and the crime scenes are designed to look like the Justice League is guilty. But since we see the robots committing the crimes from the beginning the audience knows that this Justice League, as twisted as the are, aren’t responsible. Though, like all mysteries – who is responsible isn’t revealed until the end.

While telling the mystery story we also see flashbacks explaining the origins of Batman and Wonder Woman. Batman is Kirk Langstrom, who attended university with Will Magnus, and Tina. Kirk was suffering from some form of cancer or blood disease (it isn’t spelled out exactly what) and is experimenting with bats. He ends up becoming Batman, a vampire.

Wonder Woman isn’t from Paradise Island, but New Genesis. Bekka was to marry the son of Darkseid, Orion, whom she had actually fallen for – despite the fact that the marriage was arranged and she was actually a bride-price to stop an eons-long war between New Genesis and Apokolips. Just after the wedding, however, her Grandfather, known as High Father (Richard Chamberlain), and his troops break up the wedding by killing everyone they can, including Bekka’s very new husband. Angered at both the carnage and the death of her consort, Bekka turns her back on High Father, and New Genesis, and makes her way to Earth via Motherbox (boom tube – basically a type of very long distance teleport).

The rest of the story involves the attacks on the scientists, the Justice League finding out about the attacks – and various people calling for sanctions against the League, including Amanda Waller, who had been their government liaison and handler.

Superman decides to challenge Luther as well (Luther is still his arch enemy) – from Luther he finds out the truth of his origins. However, this Luther, though initially overly cautious (thus his refusal to share the information from Krypton with Superman), is won over by his use of Kryptonian technology to study the universe.

Gods and Monsters is a surprisingly violent story – fifty people are killed in close to the opening scene (after the background scenes on Krypton), the scientists – Victor Fries (now a climatologist), Silas Stone, Ray Palmer, etc. are first killed one by one, but then there’s a bloodbath to kill any scientist who had opposed the Justice League. At times, it seems both Batman and Superman have real blind spots when it comes to protecting themselves when solidly framed. Batman, though a vampire and having a completely different back story, does have good investigation skills – but not good enough to see what’s going on until it’s almost too late. Superman, upon realizing they are being framed is incredulous, as in, “Who dare be dumb enough to frame us?” Still, as in all good mysteries – the League does figure it out and with some surprising help, is exonerated.

The Blu-Ray includes a documentary on DC’s history of Alternative Universe, “imaginary stories, and “Elseworlds” stories, starting with the example of, Gotham by Gaslight. The Blu-Ray also includes a documentary on Jack Kirby, New Genesis and Apokolips. And finally there’s a making-of documentary that’s excellent. Just the comics history and information in the documentaries make the Blu-Ray worth having.

Overall, I enjoyed this film, though it was very dark. Still, it was a good, alternative take on the big three DC Heroes.

Recommendation: See it
Rating: 3 out of 5 Stars
Next Film: When Harry Met Sally

The Batman Season 4

  • Series Title:  The Batman
  • Season:  4
  • Episodes:  13
  • Discs:  2
  • Cast:  Rino Romano, Alastair Duncan, Danielle Judovits, Evan Sabara
  • Original Network:  Cartoon Network
  • Production Network:  Warner Brothers (Animation)

I very much enjoyed Season 4 of The Batman. Season 4 brings Robin (Dick Grayson) on to the show. It also continues to use the new theme tune brought in during season 3. I don’t like the theme tune at all, and I found myself fast-forwarding through it for most of the episodes I watched. However, that is the only negative, really, about Season 4. The first episode of the season introduces Dick Grayson who quickly becomes Robin. The bare bones of the story are there but it changed slightly, so that Dick is even more involved in the death of his parents. He is actually on the platform for their acrobatics act, but is unable to catch his mother when the rigging fails.

Some new villains are introduced in one-off episodes in Season 4, but they are interesting and different, which kept the show interesting. In the episode, “Artifacts”, a future archaeological team is investigating the Batcave, hoping to find a solution to defeat Mr. Freeze, who is destroying Gotham with a new city-wide freezing weapon. The team discovers the cray computer memory is destroyed and cannot be recovered. However, Batman – anticipating such a possibility had embossed or etched all the information he had in his computer memory banks on the walls of the cave, including how to defeat Freeze if he ever woke up from his cryogenic sleep. The code was also in binary – meaning a future computer could translate the data. Once the team does that, they get a video message from Batman and other information to defeat Freeze – it was an excellent story.

“Two of a Kind” introduces Harley Quinn. But rather than having her as a hangers-on to Joker, it’s almost the other way around. “Doctor” Harleen Quinzel is the host of an advice to the love lorn phone in telephone show. Her so-called “doctorate” is from an on-line degree program, and it probably had no practical experience, and was not accredited. Additionally, she offers flip advice, and insults her guests (such as Bruce Wayne) and customers who call in for advice. She’s also bubbly and gives the false impression she’s a total airhead. Joker, meanwhile, has become “addicted” to her call-in show, and even schedules his crimes in such a way as to be “home” in time to watch it. Joker calls in to the show, using the name “Mr. J.”. When Harley is fired after she insults the head of the television network that airs her show – Joker decides that it is unfair. Before long, Joker and Harley Quinn are on a crime spree together, Bonnie and Clyde style. What I liked about this version of Harley was that even though she was a really terrible therapist, a reason was given for that (she had a paper degree and no real training), and she has agency – it was her decision to join Joker, her decision to accept Joker’s offer to become Harley Quinn, and her decision to engage in criminal activities. None of these things are good or lawful, mind you, but at least it was her decision. Other versions of Harley, such as in the otherwise wonderful Batman: The Animated Series (and even there the dis-functional relationship is the point) I’ve seen she reminds me of a abused woman – she’s fallen hard for Joker, and even though he treats her terribly she keeps coming back. Even worse, Joker, as a true psychopath, is incapable of ever loving Harley, so he abuses her, but she continues to love Joker anyway. In “Two of a Kind” it’s Joker who is attracted to Harley and wants a partner in crime, who can take care of herself, though he is still incapable of love.

Finally, the two part season finale, “The Joining”, is awesome. Just awesome. Bruce introduces Dick to Lucius Fox at Wayne Enterprises, pointing out that Fox knows Bruce is the Batman – and that Fox helped to build the Batcave, and builds Batman’s special arsenal and toys. Batman meets Detective John Jones, who he quickly discovers is Martian Manhunter. John bit by bit shows all his powers – mind-reading, shape-shifting, flight, telekinesis, invisibility – and his weakness, an aversion to fire. But Martian Manhunter is also there to get Batman’s help – an alien race called The Joining is about to invade and destroy the planet. They are a robotic but networked race that uses materials from the planet they plan to conquer to do it – in this instance, metals from Wayne Industries. They operate by absorbing all information from a world then destroying it suspiciously like Brainiac from Superman. “The Joining” was written by Jane Espenson, known for her work on Once Upon a Time (and it’s universe), the new Battlestar Galactica (and it’s universe), and Joss Wheldon properties such as Buffy, the Vampire Slayer and Dollhouse.

Batman, Martian Manhunter, Batgirl, Robin, Lucuis Fox, and Alfred work together and eventually destroy the alien invaders, saving Earth. At the end, Martian Manhunter takes Batman to the Hall of Justice in Space (or maybe the Watchtower) and invites him to join the Justice League! I loved that and actually clapped.

Season 4 of the Batman was much better written, and more consistent than previous seasons. The tone of the episodes was more serious and darker, but having Robin there throughout the season also lightened things so the show didn’t get too dark. Batgirl was present some, and I enjoyed seeing Lucius who has always been a favorite of mine. And since Martian Manhunter was one of my favorite characters in late Silver Age/early Modern Age DC Comics – it was awesome to see him.

Recommended!

Justice League Throne of Atlantis

This Review includes SPOILERS.

  • Title:  Justice League:  Throne of Atlantis
  • Director:  Ethan Spaulding
  • Voice Director:  Andrea Romano
  • Date:  2015
  • Studio:  Warner Brothers Animation
  • Genre:  Animation, Action, Fantasy
  • Cast:  Matt Lanter, Sean Astin, Rosario Dawson, Nathan Fillion, Christopher Gorham, Shemar Moore, Jerry O’Connell, Jason O’Mara, Sumalee Montano, Sam Witwer, Sirena Irwin, Juliet Landau, George Newborn, Khary Payton
  • Format:  Color, Widescreen
  • DVD Format:  Blu-Ray

“Not all heroes wear capes.” – Sub Captain

“Death by collateral damage in a surface war does not comfort me. They kill our race, they poison our oceans, they will destroy this planet and take Atlantis with it. We must protect our people and attack!” – Prince Orm (aka Ocean Master)

“You speak to me of betrayal – you who spilled Atlantean blood and blamed it on the surface world! I have eyes everywhere Orm and you will pay for your treachery!” – Queen Atlanna

“This coup is over!  I am Queen and war is not in my plans!” – Queen Atlanna

I really enjoyed this DC Animated Feature — and it’s the first time in several DC Animated films I’ve been able to whole-heartedly say that. Although technically a Justice League movie, Throne of Atlantis really concentrates on the character of Arthur Curry and his journey to becoming Aquaman, and part of the New 52 Justice League.

The teaser for the film has a sub near the Marianas Trench responding to an SOS call. The sub is attacked and all aboard are lost. Cyborg is called in to investigate, and he calls in the rest of the Justice League.

Meanwhile, a middle-aged man is in a seaside bar in Maine, getting drunk and sharing his troubles with a live lobster in a tank. The bartender cuts him off the booze. When the same bartender takes the lobster out of the tank to make it into someone’s dinner – the man, Arthur Curry, gets in a fist-fight. He’s very strong and a good fighter, despite being drunk. He rescues the lobster, keeps in in his vest, then escapes outside. Defeating several guys from the bar who attack him again, as well as one man armed with a knife, Arthur releases the rescued lobster, sans rubber bands on its claws, back into the ocean.

Cyborg holds a meeting of the entire Justice League, with Flash convincing everyone to show up, though it’s Green Lantern who brings in Batman. Once everyone arrives he shows him the information about the attack on the sub. Wonder Woman recognizes the writing on the weapons as Atlantean. Shazam (Captain Marvel, Billy Batson) suggests contacting an expert in Atlantis and it’s lore. Superman and Batman go to investigate.

Meanwhile, Arthur Curry is living in his father’s lighthouse.

Prince Orm, in league with Black Manta, confronts Queen Atlanna, his mother, whom he blames for his father’s death. His father, the king was warlike and was considering a war plan to “cleanse” the surface dwellers. Atlanna, by contrasts, wishes to abandon their isolationist practices and contact the surface to broker a peaceful co-existence. Atlanna sends Meara to find Arthur, her older son.

Black Manta talks to Dr. Shin, the expert on Atlantis, on the phone, then sends his troops after the scientist. Dr. Shin arrives at Arthur’s door to give him some information about his father. Arthur is very hung-over and takes awhile to get to the door, he agrees to let Dr. Shin in, but when he closes the door to take the chain bolt off, Dr. Shin is attacked and killed by Manta’s troops. At the same time, Black Manta’s troops, under orders from Prince Orm, attack and kill Atlantean farmers.

Meara rescues Arthur from Manta’s troops. She takes him to Atlantis and sees the dead villagers who have been attacked.

Superman and Batman investigate Dr. Shin’s lab – but everything’s been destroyed. They find enough to lead them to Arthur Curry.

Prince Orm uses the attack on the Atlantean villagers to stir up hatred and war. Queen Atlanna tries to arrange a meeting between herself and the Justice League. Meara explains to Aquaman that he is the son of Queen Atlanna and a human, his father, Thomas, this sequence uses flashbacks. Meara shows Arthur his armor. He wears the orange and green body suit but not the outer armor.

Meara and Arthur are attacked by Trenchers (sea creatures). The Flash arrives to help Arthur and Meara. A few minutes later, Green Lantern, then the rest of the Justice League arrive to help.

Prince Orm, who shares his dead father’s hatred of the surface world, again confronts his mother, Queen Atlanna. However, she knows he was behind the attack on the farmers, and she insists they will not go to war. He kills her – then blames her death on a surface dweller. Orm and Manta will lead the Atlanteans to war.

Arthur and some Justice League members go to Atlantis. They meet an old woman who says the city is empty because Queen Atlanna is dead, at the hands of a surface dweller, and Atlantis prepares for war.

Arthur, Meara and the League investigate, and run into Orm in his Ocean Master uniform. He brags that he killed his mother, the Queen. He then uses the Trident, the symbol of royal power and a powerful weapon, to attack and imprison the League.

Meanwhile, Batman, the Flash, and Shazam who have stayed behind get an alert that a tidal wave is heading for coastal cities, including Metropolis.

Arthur uses his royal power to break out of the cocoon Orm trapped him in, then uses his telepathic power to call sea creatures to help. He gets the Leaguers free and defeats the sea monster guarding them. Arthur also rescues Meara.

A tidal wave heads for Metropolis, the National Guard arrives, and sirens go off in the city causing panic. An Army General orders the Atlanteans, led by “King” Orm to stand down. Orm orders his troops to attack. The army attacks back. The entire League joins the fray, both those who had gone to Atlantis, and those who had stayed on the surface, including Aquaman and Meara.

The League keep getting defeated in battle. Finally, Batman finds Cyborg and reboots his systems. He finds out from Cyborg that Orm killed Atlanna. Cyborg has computer recordings of this. He plays the recordings a couple of times to the Atlantean troops. When Orm claims it’s a trick, Meara backs up the recording, swearing it’s a true depiction of what happened. The Atlanteans lay down their arms and stop fighting.

Arthur makes a speech that he will guide his people. A little while later, Arthur is “knighted” as king, takes his place as ruler and king of Atlantis. The League meanwhile decide they need to meet on a regular basis, and Arthur is invited to join the League as Aquaman.

I really enjoyed this film. It’s an origin story for Aquaman and explains how he became part of the Justice League. The film also had some great touches – the flashback scene of Arthur and his father when Arthur realises he can swim underwater without difficulty and he also sees his mother, the flashbacks explaining the ill-fated romance between the Atlantean Princess Atlanna and Thomas Curry, and my favorite – the scene at the beginning of the film of Arthur pouring out his heart and troubles to a lobster in a tank, then rescuing the lobster.

The Justice League are not the real stars of this film – it’s Aquaman’s movie. But they are all present, and they do have things to do. I also felt each character was in character and their individual tasks and actions suited their characters.

Overall the film was highly enjoyable and it’s highly recommended.

Recommendation:  See It!
Rating:  4 out of 5 Stars
Next film:  The Third Man

Justice League War (Origins – New 52)

  • Title:  Justice League War 
  • Director:  Jay Oliva
  • Voice Director:  Andrea Romano
  • Date:  2014
  • Studio:  Warner Brothers Animation
  • Genre(s):  Action, Fantasy, Animation
  • Cast:  Sean Astin, Christopher Gorham, Justin Kirk, Michelle Managhan, Shemar Moore, Jason O’Mara, Alan Tudyk, Ioan Gruffudd
  • Format:  Color, Widescreen
  • DVD Format:  Blu-Ray

“They don’t like us much!” – Green Lantern (Hal Jordan)
“The world’s afraid of us.” – Batman
“You say that like its a good thing.” – Green Lantern (Hal Jordan)
“It’s necessary.” – Batman

“Superman’s close, I’ve been tracking his flight path.” -Batman
“Pfft, on what?  Your own satellite?” – Green Lantern (Hal Jordan)
[pause, as Batman checks an electronic gadget]
“I was kidding.  You have a satellite?!” –  Green Lantern (Hal Jordan)

With Justice League War Warner Brothers Animation moves from creating animated DC Comics films based on classic Silver Age (and early modern age) DC Comics, to making films based on the New 52.  Justice League War is a perfect case in point, as it is based on the graphic novel Justice League Volume 1 Origin (which is, in turn, really just a compilation of issues 1-6), written by Geoff Johns, penciled by Jim Lee, and inked by Scott Williams.

The first time I watched War I was impressed, the animation is good, and I felt the story did what it needed to do – introduce a big enough threat to bring together all seven superheroes who, until that time, had only been working in their own respective cities. These heroes, including new hero, Cyborg (Victor Stone) must over-come their distrust and fear of each other and learn to work together to overcome Darkseid, his Parademons, and his lieutenant, Desaad.

However, the second time I watched this, last night, I was considerably less impressed. Yes, the animation is gorgeous. And it’s nice to see older DC elements, like mother box and boom tubes, brought back. And if one needs a really big threat, it doesn’t get much bigger than Darkseid. Yes, this is essentially a re-boot. And, DC Comics, has rebooted it’s universe before.  They’re somewhat famous for it, actually. Personally, I actually started reading DC Comics when they re-booted the universe after Crisis on Infinite Earths. That was a great time to start reading comics – everything was new, you didn’t need to know the long complicated history, even the books started at number 1. I imagine, now, there are people who did the same thing for New 52 – they started there, and don’t know (or care) about the Silver Age and post-Crisis on Infinite Earths books I read and loved in college (just like when I started reading DC I didn’t care if a story was set on Earth 16 or Earth 2 or whatever). And that is perfectly OK. I see no need to rain on their parade.

But, as a fan of the Post-Crisis on Infinite Earths era, I really don’t like New 52. There, I said it, I don’t. Justice League War, especially on repeat viewing, is a perfect example of why I don’t like New 52. War, is, as the title suggests – full of battles and wisecracks. I’ve watched other DC animated films (Justice League:  Doom is a perfect example) where I also felt there was too much of an emphasis on fights and not enough on character – but at least in Doom, there is character. And, it’s the flaws in the characters that are exploited and must be overcome that are central to the plot. That keeps me riveted to the screen. But in Justice League War, not only is the majority of the film fight scene after fight scene, but the characters are pretty much stereotypes – not the DC characters we know and love. Hal Jordan, rather than being a man who knows no fear (and intergalactic police officer for the Green Lantern Corps) is reduced to “the one with the funny quips and lines”. Barry Allen, the Flash, is “the one who’s the nice guy next door”. Wonder Woman is the overly naïve “little girl” type. Superman is “the angry one”; I mean, seriously – Was that even supposed to be Clark Kent? Because he sounds like Young Justice‘s Conner Kent. Billy Batson (Shazam), well, actually, he’s got the same “little kid in a big body” quality he’s always had – but then, that is what he’s supposed to be. Cyborg is”‘the new guy”. And even Batman is “the only one who knows what’s going on / the parent”. These aren’t our much-loved characters – they are stereotypes. Even in the last line of the film, Wonder Woman describes her fellow heroes as iconotypes by comparing them to the Greek gods. (Jung would call these archetypes and it is a fair and valid comparison.) But I found the lack of real character a major disappointment. Creating great characters, not only the major characters, but the minor characters, has always been a strength of DC Comics. I feel New 52 falls short of the mark. Though this is an origin film, and it’s always possible that there will be improvement as the series develops.

Justice League War also cuts frequently from scene to scene as the various heroes fight Parademons in whatever city they happen to be in, before joining together to fight Darkseid, Desaad, and more Parademons. And in fighting together, the seven Justice League (a term never used in the film) founders, do learn to work together. They do learn that cooperation is very important, as is teamwork.  Perhaps the series will improve.

Recommendation:  See it, if you want to stay up to date with New 52
Rating:  3 out of 5 Stars
Next Film:  The Prestige