All-Star Superman

  • Title:  All-Star Superman
  • Director:  Sam Liu
  • Voice Director:  Andrea Romano
  • Date:  2011
  • Studio:  Warner Brothers Animation
  • Genre:  Action, Fantasy, Drama, Animation
  • Cast:  James Denton, Christina Hendricks, Anthony La Pagulia, Edward Asner, Alexis Denisoff, John Dimaggio, Robin Atkins Downes
  • Format:  Widescreen, Color
  • DVD Format: R1, Blu-Ray

“Lex Luthor, you’re under arrest for attempted murder and crimes against humanity!” – SWAT Captain

All-Star Superman opens with a group of scientists in a spaceship that’s about to crash into the Sun, in no small part due to evil goings-on by Lex Luthor. Superman flies near the Sun and rescues the scientists but soon finds out that he suffered and overdose of solar radiation and he’s dying. Essentially, the theme of the story is Superman with cancer. You would think that would be depressing, but this animated film has a wonderful tone to it. The story is very episodic, but in a very real sense we’re seeing Superman actually fulfilling the items on his bucket list.

Superman, tells Lois Lane he’s Clark Kent – something she barely believes, and brings her to his fortress of solitude. There he gives her a serum that gives her his powers for a day, and the two have a romantic day playing superheroes together. They even stop a fight between Samson and Atlas and intelligent dinosaurs from the center of the Earth. When Superman brings the creatures back where they belong, he’s goaded into a fight with Samson and Atlas. However, he ends-up besting them with his intelligence solving the Riddle of the Ultra Sphinx. The riddle is what happens when “the irresistible force meets an immovable object”, Superman answers, “They surrender”, and rescues Lois. He then bests Samson and Atlas in arm wrestling.

Meanwhile, the Daily Planet has exposed Luthor’s water crisis scheme, and Luthor’s been charged by the International Court of Justice. Not only is Luthor found guilty he’s sentenced to die in the electric chair even though it’s been banned for years.

Clark goes to interview Luthor in prison, and Luthor states he likes Clark Kent but he hates Superman – and he’s happy that even though he will die, Superman will die first. The Parasite escapes during Luthor and Kent’s discussion and starts a riot in the prison, killing guards and prisoners alike. Luthor escapes.

Superman, in his fortress with her, tells Lois he’s dying. Lois insists he will figure out an answer.

Superman takes the bottle city of Kandor to a planet that they can safely colonize. Two months later he returns to Earth.

Two Kryptonians show up and prove to be spoiled, superior, colonials bent on cultural imperialism. Superman discovers, however, they have been poisoned by Kryptonite. In the end, they are sent to the Phantom Zone.

Superman even goes to his father’s grave, leaving a Kryptonian flower there. He says hi to his mother, Martha Kent, but doesn’t stay long.

Lex Luthor is “executed” but he doesn’t die – he’s stolen some of Superman’s serum to give himself super powers for 24 hours.

Superman records his final journal entry in the Fortress of Solitude.

Luthor’s next stratagem arrives – Solaris a living, intelligent sun eater who will poison the sun and turn it blue. Luthor thinks he’s gotten Solaris to turn the Earth’s Sun red, which will leave Superman helpless – but Solaris betrays even Luthor and poisons the Sun to turn it blue.  There’s a classic fight scene.  Superman has his pet sun-eater attack Solaris, but Solaris rips it to shreds. Superman then faces the super-powered Luthor, including firing a gravity gun at him. The gun eventually speeds up Luthor’s personal time, so just as Luthor is beginning to see the real meaning of things, and that everything is connected, he collapses because he’s burned through the serum.

But Superman is also dying. As his face cracks with light, he kisses Lois then flies off to the Sun to “fix it” and reverse the poisoning done by Solaris. The film ends with Lois sitting in a park. Jimmy Olsen drops by and asks her if she’s “going to the memorial”. Lois says no because she knows that Superman isn’t dead, he’s fixing the Sun and he will be back.

All-Star Superman has a wonderful 50s/early 60s quality to it. It has innocence and sweetness without being saccharin. The story is episodic, but underlining the individual bits is the very real threat that Superman is dying, essentially from cancer, and there’s nothing that can be done about it. You’d think that would be depressing, but Superman takes the news in stride and does take the time to do the things he wants or needs to do. It’s even Clark Kent who writes the “Superman Dead” newspaper story then collapses at his desk. The animation style also has a wonderful retro look to it that works wonderfully with the story.

There are some lovely special features as well, including interviews with Grant Morrison who wrote the original graphic novel. Overall, it’s an enjoyable and feel-good Superman story that doesn’t get bogged down in just fight sequences but shows the audience a human side to the Man of Steel.

Recommendation: See it, especially if you’re a fan of Superman or Classic DC Comics
Rating: 4 Stars
Next Film: Hot Fuzz

Batman v. Superman Dawn of Justice – First Thoughts (spoilerish)

I saw Batman v. Superman Tuesday night. I normally wait until I have the DVD and can pause the movie while its playing, write down quotes, etc, before writing a review – but several of my friends on Facebook have asked for my thoughts, so here it goes – based on one viewing.

Overall – I liked it, but I have quibbles. Two of the quibbles were rather important – Ben Affleck (didn’t like him, more below) and the director (Dear Warner Brothers – Can we please fire Zack Synder? Please?) But there were also good things, and overall, taken all together, not only was the movie not as bad as I’d expected from the fannish rumbling and even critical backlash I’d heard even while trying to ignore spoilers, As I said, overall I liked it.

So – starting with the good:

I loved, loved, loved Wonder Woman (Diana Prince) – and I loved that she was a mysterious woman. We really don’t know who she is at first, and I liked that surprise factor. And she kicked butt during the fight sequences. I loved that. Plus her New 52-inspired armor actually worked for me.

I also really liked that the two “hero women” in the film were in a very real sense – the only ones with brains (we’ll get to that). Lois Lane and Diana Prince were the only people who knew what was going on. And they seemed to be at times the only ones with common sense.

Lex Luthor – omg, Lex Luthor. I never thought I’d be excited by Lex, he’s always bored me, other than his rather obvious direct parallels to real world politicians and businessmen. We’ve seen Lex as a buffoon, as a sociopath, and as cold unemotional b*****d, and even as president of the US – but I have never seen Lex Luthor as totally bonkers. Jesse Eisenberg’s Lex is completely and totally nuts – and even people other than Superman seem to realize it. Eisenberg plays Lex like he’s The Joker – and I liked it. It was very different, and it was interesting. Possibly in the Chinese sense (May you live in interesting times – the old Chinese curse) but wow. That was pretty much amazing.

I also liked that the film started with a different view of the battle from the end of Man of Steel. Seeing the same events from a different perspective was a cool way to start the film. And it should have set-up why Bruce was, um, concerned, to say the least about Superman.

I also loved the sneak peaks into the other “meta-humans”. But I refuse to spoil that by going into details.

Okay – now on to the bad.

Ben Affleck – from the beginning, the very beginning, I questioned this casting choice. And Affleck sank the last superhero movie he was in (2002’s Dare Devil), but I reserved judgement until I saw it. And Affleck was so bad as Bruce Wayne/Batman. Just awful. His grizzled look, heavy armor, and throaty voice reminded me of The Dark Knight Returns – both the graphic novel and the two-part animated film. But whereas it works, both as costume design and by the actor (Peter Weller) in The Dark Knight Returns it definitely does not work – at all – in Batman v. Superman. This film is supposed to be setting up the Justice League – so Batman should be young and relatively new to crime fighting. He definitely should not be old, cynical, gruff, rough and tumble, and grizzled. It was just wrong. I also hated seeing Batman using guns. Batman doesn’t use guns. It’s one of his major principles. Having Batman using guns, beating criminals to a pulp, and even branding them – that makes him into the criminal those who do not know the canon always accuse the character of being. Heroes need to be heroic or they aren’t heroes.

Bruce Wayne’s cynical outlook and utter lack of trust, especially of Superman, just didn’t really play either.

And since when did Bruce start having apocalyptical visions of the future? Can someone explain that entire thread in the film to me? Because it made no sense.

The other big problem was the director. At this point, I’m thinking Zack Snyder needs to have his directing license pulled. His ADHD hyperactive directing style is counter-productive. I found I was just starting to get involved in a story thread – when Snyder would change focus, completely. Action is completely meaningless if you don’t care about the characters – and Snyder directs in such a way it’s like he’s afraid of character and actual meaning. Good characters, meaning – that’s basic to what makes a film work. You have to care about the characters and have empathy for them. Characters drive the story – that doesn’t make it “boring”, it makes good film. Action sequences centered on characters we actually care about always work better that action that’s simply there to blow stuff up. And the sad part is, Snyder’s such as bad director he could sink the entire DC Comics movie line before it gets started. If Batman v. Superman Dawn of Justice has poor box office results – Warner’s could sink the whole line as “not profitable”.

OK – and on to the fan wank. Do Superman and Batman actually duke it out? Yes, they do. But what did I think of that scene? I was angry and annoyed. All Superman had to say was five words. Five words. He’s the bloody man of steel and he can’t get out five words because he’s either too dumb or too busy? Come on! That is not good action or good drama – it’s a bad excuse for a fight. And, in the end, it’s Lois who points out the truth to Batman. Though it was nice to see Lois being proactive for a change – that whole big fight scene just… well, it got my blood boiling. (Also, not spoiling what Superman just needed to say, because: major plot point, send me a message or comment below if you want to know.)

OK, finally, nice, not quite subtle point about how people treat Superman – as a hero, then as someone to fear, then as someone who’s “alien”, then as a saviour again. I actually liked that bit.

Overall, I’d say – go see Batman v. Superman Dawn of Justice. It’s worth two and half hours of your time. And it’s the necessary prequel to Wonder Woman, Aquaman, etc, which I have high hopes for. I will be getting the DVD or Blu-Ray and posting a full review then.

UPDATED: 4/3/2016 to fix typos.

Superman Returns

  • Title: Superman Returns
  • Director: Bryan Singer
  • Date: 2006
  • Studio:  Warner Brothers
  • Genre: Action, Fantasy
  • Cast: Brandon Routh, Kevin Spacey, Kate Bosworth, James Marsden, Parker Posey, Frank Langella, Eva Marie Saint, Sam Huntington
  • Format: Color, Widescreen
  • DVD Format: NTSC, Blu-Ray

“The son becomes the father, the father becomes the son.” – Jor-El, voiceover

“Well, I hope this experience hasn’t put any of you off flying. Statistically speaking it’s still the safest way to travel.” – Superman

“I hear everything. You wrote that the world doesn’t need a Saviour, but every day I hear people crying for one.” – Superman

Superman Returns is a sequel to Superman the Movie and Superman II. Superman has been missing for five years, and Lois Lane has moved on having a son and a long-term boyfriend, as well as winning a Pulitzer Prize for her editorial – “Why the World Doesn’t Need a Superman”. Superman crash lands at his mother’s farm, then Clark returns to the Daily Planet. No sooner is he back than an EMP-generated blackout causes havoc on a 747 plane carrying a space shuttle into launch position. Lois is one of the reporters covering the new procedure on the plane. The shuttle is meant to decouple from the plane and then launch with rocket boosters – but the blackout means it cannot detach nor can it shut down the launch procedure. Superman gets the shuttle safely launched into orbit, then goes to rescue the plane. He eventually sets it down in the middle of a baseball stadium. He gets a standing ovation from the crowd.

But the blackout was no ordinary blackout – Lex Luthor had gone to Superman’s fortress of solitude, listened to the crystal recordings, and taken a few of the crystal rods. He then goes to the mansion he’s stolen from a little old lady, and puts a tiny sliver of the crystal in the middle of a pond of water in the midst of a train set. When the crystal grows – it destroys the model city, and causes the EMP that knocked out the power – including to computers, cell phones, etc.

Lois wants to cover the power outage story – but Perry wants her to cover the return of Superman.

Meanwhile, Clark is trying to adjust to the idea of Lois having a child and a serious boyfriend, Richard White, Perry’s nephew.

Superman does what he does – stopping crime, rescuing people, world wide – not simply in Metropolis.

Lex Luthor steals Kryptonite from the Metropolis Museum of Natural History for the next stage in his plan.

Superman lands on the roof of the Daily Planet to talk to Lois, then takes her flying. Lois takes off her shoes before letting him fly with her. The flying sequence, rather than being romantic like in Superman the Movie or in Superman II – is sad. Lois, and Clark, act like old lovers who never quite got together – meeting again years later. Superman tries to explain to Lois that he hears all of the pain in the world – and he’s simply there to help. Lois doesn’t appear to buy it, but she writes an article called, “Superman Returns”.

Superman returns to his fortress of solitude and discovers some crystal rods are missing.

Lois, who should be on her way to her Pulitzer Prize dinner, takes her son with her to continue to investigate the blackout story. She finds the mansion, and the yacht moored at a private slip in front of it. Lois sneaks aboard the yacht to investigate and runs into Luthor, who kidnaps her and her son.

Once on the yacht, Luthor explains his plan – he will place one of the crystal rods inside a hollowed-out tube of Kryptonite, and fire it into the ocean. This will create a massive new landmass for Luthor to sell – and kill billions of people on the East Coast of the US which will be swamped with the displaced water. Luthor carries out his plan. Kitty begins to have second thoughts.

Superman deals with the earthquake and disasters in Metropolis as a result, including saving Perry from the giant art-deco planet that falls off the top of the Daily Planet building and nearly lands on Perry.

Thanks to a distraction provided by her son, Lois is able to send a FAX with her location to the Daily Planet. Richard takes the sea plane to rescue her; and once things settle down a bit in Metropolis, Superman also flies to the rescue.

One of Luthor’s goons, having noticed that Lois sent the FAX, attacks her. Lois’s son throws a piano at him and kills him. Additional goons grab Lois and the boy and lock them in the galley. As the land-mass gets bigger, Luthor, Kitty, Kitty’s very small dog, and Lex’s goons escape by helicopter.

The massive crystal land mass continues to grow, and Jason (Lois’s son) walks towards the door, which is opened by Richard. But just as he starts to rescue Lois and Jason, the shard of crystal stabs the bottom of the yacht causing chaos.

Superman arrives, pulls the yacht out of the water, he grabs Richard’s arm, and when he’s assured Richard has both Lois and Jason, he lets the yacht falls. Superman gets them to Richard’s seaplane and gives them a hand in launching.

Superman then challenges Lex Luthor, but he’s unaware he’s surrounded by Kryptonite. Lex punches and kicks Superman, then his goons and minions also beat Superman. Finally, Lex stabs Superman in the back with a shard of pure Kryptonite. It breaks off in Superman’s back and he falls into the Ocean.

Richard’s seaplane lands. First Jason, then Lois and Richard spot Superman. Lois jumps in to save him, Richard helps. They fly back to shore. Lois removes the Kryptonite, But when Superman recovers he tells her he must go back. He jumps out of the seaplane and flies above the atmosphere to recharge in the sun – then flies straight back to strike at Luthor. Superman picks up the entire island and flies it into space, then crashes to Earth.

Lex and his minions try to escape by helicopter – only Lex, Kitty, and the dog escape – the rest are trapped. Kitty dumps the crystals overboard into the Ocean. Lex, Kitty, and the dog end-up stranded on a desert Island.

Emergency workers bring Superman into the E.R. No one knows if he will live or die. Lois and Jason visit him. Superman recovers and flies off into the upper atmosphere to recharge. When Lois later asks, “Will I see you? Around?” Superman responds, “I’ll always be around.”

Superman Returns picks up a few threads from the classic 1970s Christopher Reeve/Richard Donner Superman films, using clips of Marlon Brando’s voice as Jor-El, the massive and gorgeous Fortress of solitude, and it’s crystal computer. Brandon Routh is quite possibly the most human Superman to date, that I’ve seen, and I liked his portrayal a lot. The story line between Clark and Lois of missed opportunities is truly sad.

The action sequences in the film are what action sequences should be – they work and are meaningful not merely for being “good action sequences” but because characters we care about are always at the center of the action sequences.

I liked Brandon Routh’s Superman and Clark Kent very much – his portrayal is very human. Kate Bosworth is a bit bland as Lois though. She doesn’t have the romantic quality Margot Kidder had, nor does she have Teri Hatcher’s humor and intelligence. She’s not terrible but she’s not great either. It’s like in big budget movies, the directors are either unable to let Lois really shine or unwilling to do so, perhaps for fear of overshadowing Clark/Superman.

Kevin Spacey is brilliant as Lex Luthor. He is a far cry from the Gene Hackman’s bumbling Lex of Superman the Movie and Superman II. This Lex is cold, calculating, and utterly ruthless. He will sacrifice anything and any one to get what he wants. And he has no moral scruples whatsoever. He cares for no one. Spacey’s cold-edged performance is brilliant.

It’s a real pity Superman Returns didn’t do better at the box office, because it really is one of the best Superman movies. I recommend it.

Superman Batman Public Enemies

  • Title: Superman Batman Public Enemies
  • Director: Sam Liu
  • Voice Director: Andrea Romano
  • Date: 2009
  • Studio: Warner Brothers Animation
  • Genre: Animation, Action, Drama
  • Cast: Tim Daly, Kevin Conroy, Clancy Brown, CCH Pounder, LeVar Burton
  • Format: Color Animation, Widescreen
  • DVD Format: R1, NTSC

“Luther did the one thing nobody was expecting. He made things boring again. And boring’s good, isn’t it? The economy’s back to normal, crime’s down, there are no wars or anything.”— Power Girl

“You mean those so-called super heroes?”— Lex Luthor

“They do work for you now, most of them anyway.” — Amanda Waller
“That’s to keep them from working against me. I’m not going to put the fate of this planet in the hands of… of freaks and monsters.” — Lex Luthor

“It doesn’t matter what any of us think, Luthor’s the president and what he says goes.” — Capt. Atom


“You’re not going to tell me you killed him for your country, are you?”— Batman

“Some of us still believe in putting our country first.”— Maj. Force
“Sorry, but I don’t see any patriotism here. All I see is a psycho who latched onto an excuse to kill people and who’s so stupid he doesn’t realize he’s being used by Luthor.”— Batman

This is the second time I’ve watched this film, and it does stand up to re-watching, something that’s difficult for animated films to do. The two Superman Batman animated films are based on a series of Superman Batman Graphic Novels. This film in particular is based on the graphic novel of the same name, which I loved, and I think it’s one of the best in an excellent series of books.

The film opens with a voice-over and video montage of economic collapse. Companies are laying off workers, people are demanding jobs in protests, people are getting evicted and living in tent cities, there are audio clips of politicians telling people to “tighten their belts”, there’s a corresponding rise in crime, and martial law is imposed. Into this walks Lex Luthor, campaigning for the presidency on a “third party” ticket. He wins.

And in his first speech, he attacks super heroes, while introducing the country to his own hand-picked super hero force: Power Girl, Captain Atom, Major Force, Black Lightning, and some other female hero (who’s neither recognizable nor important to the plot). They’re stooges, essentially, even Power Girl, who should know better than to trust Luthor.

Luthor then, privately, discusses the private threat he hasn’t yet revealed to the public – a meteor of pure Kryptonite is heading straight for Earth, and will hit the planet in seven days. Luthor’s plan?  Destroy it with nuclear missiles, of course. Amanda Waller, and later even Luthor’s own general ask Luthor to consider a back-up plan, but he ignores their advice, swearing he’s made the calculations himself and he knows he will succeed.

Batman and Superman are together in the Batcave below Wayne Manor when Luthor announces he wants a meeting with Superman to “bury the hatchet”. Both Bruce and Clark know it’s probably a trap, but they go anyway.  At the meeting, Luthor threatens Superman, then unleases Metallo – a Krypton-powered metal man whose very presence hurts the Man of Steel. Metallo and Superman fight. Batman arrives to rescue Superman, and is nearly strangled. Superman rescues Batman but gets shot with a Kryptonite bullet. Batman blows Metallo to smithereens, but Superman warns he’ll re-form. Batman and Superman are covered in the dirt, ash, and rock from the explosion. But before Batman can remove the Kryptonite bullet from Superman, he realizes that Metallo is after them again. Batman sets off another explosion, and he and Superman escape through the sewers.  The explosions catches them, though. Clark sees Bruce lying face down in the water, “Bruce! It’s not ending here… I won’t let it!” he gasps, and moves to his friend’s side, and pulls him out of the water. Bruce coughs up the water, somewhat recovered, and the two limp their way through the sewers to the Batcave. Bruce has Clark pull down the electric fence covering the opening. They are met by a startled but unflappable, Alfred.

Though Clark and Bruce are both weak and injured, they soon recover. Alfred is shown sealing away the Kryptonite bullet in a lead box. Alfred also returns Superman’s washed uniform shirt and cape.

As the two heroes recover in Bruce’s inner sanctum of the Batcave, Luthor gives a presidential address. He blames Superman for the death of John Corbin (Metallo), and shows an edited videotape of Superman attacking himself and Corbin “for no reason”, before showing Corbin’s burnt body. Then Luthor supplies an answer for anyone doubting that Superman could do something so evil — the approaching meteor is Kryptonite (true) and driving Superman mad (not true). Luthor closes his presidential speech by announcing a one billion dollar bounty on Superman’s head.

Batman and Superman attempt to investigate, but they are attacked – first by Banshee, then by a group of ice villians (Mr. Freeze, Captain Cold, Killer Frost, etc), then by Soloman Grundy and Mongo, then Sheba, then Night-Shade and Grog. Before long Superman and Batman are seemingly surrounded by every DC villain that could fit on the screen.

Captain Atom arrives with his team and a Federal Warrant for Superman’s arrest. But Superman and Batman fight Luther’s heroes and defeat them, then Superman escapes with Power Girl, his cousin, Kara. Captain Atom and his group follow Superman and Batman, after receiving orders from Luthor to “do your job” and eliminate Superman. During that fight, Batman shows his skills not only at fighting, but at psychological manipulation, not only goading Major Force by calling him a psychotic murderer, but doing so in front of Captain Atom who hears every word, and takes it to heart.

Kara, however, has realized that her cousin is right and Lex Luthor is wrong, and attacks Major Force to defend Batman. Despite everyone yelling at her, she breaks Force’s containment field causing a radiation leak. Black Lightening and Captain Atom co-operate to contain Major Force. In the resulting explosion, Force is dead, and Atom appears dead. Kara, that is, Power Girl, decides to stay with her cousin.

Meanwhile, Luthor’s launched his nuclear missiles at the meteor. It doesn’t work. The meteor is still on course for the planet. Luther appears weak and sick. Power Girl takes Superman and Batman to Luthor’s hideout, but they are met by Hawkman and Captain Marvel who attempt to take the two out. When Superman knocks out Captain Marvel, and Billy Batson is left in a crater, a concerned Batman goes to check out the young teen to see if he’s OK. Batman asks the injured child to say something. Billy answers, “Shazam!” and becomes Marvel again. But, the two, with Power Girl’s help manage to convince Hawkman and Marvel to not listen to Luthor.

Meanwhile, Luthor claims the first attempt to destroy the meteor was a “fact finding” mission, but he can now put his plan into action. Not even the public is convinced by this, as rioting and looting breaks out.

Amanda Waller, shocked by Luthor’s inaction, discovers he’s taking steroids and liquid Kryptonite injections. Luthor tells Amanda he will let the meteor hit, so he can be in charge of the world that rises from the ashes. Dressed as Hawkman and Captain Marvel, Batman and Superman arrive. Luthor destroys all the information on the meteor, but Amanda gives them a back-up on a thumb drive. She also asks a general to arrest Luthor. Luthor, however, escapes, and takes more Liquid Kryptonite, before climbing into a robotic super suit.

Superman and Batman travel to Japan, to meet Hiro — the Toyman. Power Girl has arrived before them and acts as lookout to avoid the teen billionaire genius.

Toyman shows the two heroes a giant Superman/Batman Robot, he mentions it has manual controls, but he can control it from a nearby computer console. The Lex-bot arrives, takes out Power Girl, using Kryptonite blasts. He fights Superman, also using his Kryptonite gun. Then he destroys the control council. Batman heads for the rocket, saying “Goodbye” to Clark/Superman as he gets inside the robot and takes off.

Superman fights and defeats Luthor. Batman takes off in the rocket. “That was my best friend! And you just killed him!” Superman yells at Lex, before knocking him into next week. However, Luthor takes off again in pursuit of the rocket and Batman.

Batman manages to destroy the meteor using the rocket. Superman and Lex fight, and even though they’ve landed back in the US he finally knocks him out. Captain Atom has recovered and arrives with Power Girl and a message for Superman. Superman rescues Bruce who’s in a survival capsule shaped like a combination of the Batman and Superman symbols. He sets Bruce on a rooftop, and helps him out of the ship. Luthor is taken away. Lois arrives. Batman disappears as Superman watches the sun rise.

Again, this was an excellent animated film. It is a bit political in tone – rich businessman Lex Luthor, one of the most evil villains in the DC Universe, yet someone that Superman can never really stop because he can’t prove he’s broken the law – becomes president. And in the DC universe, Lex Luthor was president for awhile during the Bush years (besides harrassing Superman, he bombs Gotham City at one point to annoy Batman, making part of the city a wasteland). Although the film doesn’t state outright that Luthor caused the economic turmoil that he then exploits to get himself elected, it’s certainly implied. And the economic turmoil described in the film’s excellent opening sequence is half the Great Depression, and half every economic down turn since.

But what is even more striking about Lex Luthor is what an obvious xenophobic racist he is. He wants to get rid of Superheroes, especially Superman, not only because he doesn’t trust them, but because he considers them “freaks and monsters” – and not human. Luthor is one step away from openly declaring a war between humans and meta-humans.

But one of the best things about this film isn’t merely it’s politics – it’s seeing the glimpses of the close friendship between Bruce Wayne (voiced by the incomparable Kevin Conroy of Batman: The Animated Series) and Clark Kent (Tim Daly of Superman: The Animated Series). Though they don’t see eye to eye on how to solve crimes, or battle super villains, in this film they are nonetheless close friends – and it’s threats to Bruce that cause Clark to really go after Lex Luthor. Plus there’s some wonderful dialogue between the two.

If I had one quibble with the film, I could have done with less of the mega fight scenes, especially every super villain they could find being thrown into a fight with Superman and Batman, and more of the male bonding between Clark and Bruce. And more Alfred. I always like to see the more Alfred the better – he only gets one scene here. It’s a great bit, but once Batman sails off into what appears to be a one-man one-way mission to save the planet, you’d think someone would break the news to him. But I digress.

The Superman Batman Graphic Novels were known for their thought bubbles, yellow for Superman’s pov, and blue for Batman’s pov. I think the film could have used some voice-over between the two, because that was a big part of what made the graphic fun – seeing Clark’s view of  Bruce and Bruce’s view of Clark, or their situation or whatever. It was always great fun to see how iconic characters viewed each other. However, the film does do a great job, when we see Superman and Batman working together, of showing their different personalities and methodology. And that was terribly fun.

Recommendation: See it!
Rating: 4 of 5 Stars