How traditions begin…
How traditions begin…
The amazing thing is that Neil keeps his accent when he’s singing. Not that I expected him to suddenly sound American or anything, but a lot of people drop their accent when singing. If you’ve heard the original of this song, it’s more of a BBC English accent than Neil’s very soft, presumably Southern English accent (or maybe London). —JM
I love reading books inside Barnes and Noble, but once I had a very grouchy and rather upset woman tell me that the store in which I was reading was not a library. 🙂 What is your favorite classic book?
You are not a proper reader unless somewhere, at some…
I love “A Tale of Two Cities” and “Oliver Twist”. The first time I read “Oliver Twist” it was actually quite a shock to me… I was used to all the musical and cartoon versions of the story. I’d never read it in school. So I was quite surprised when you had things like a 13-year-old prostitute and Billy Sykes (sp?) putting a gun to Oliver’s head to force him to steal. In other words, very shocking violence & social “issues” for what I thought would be a quaint Victorian novel. (OK, now I know BETTER, but I was younger then). ”A Tale of Two Cities” I simply love for the poetry of the writing.
If you meant e-reader… I still have my Sony. It’s old, and it doesn’t have the bells & whistles of the newer tablets. But I still like it. 🙂
“Nothing says romance like the gift of a kidnapped, injured woman!” — Yvaine
“I admire you dreaming. Shop boy like me, I could never have imagined an adventure this big in order to have wished for it.” — Tristan
“You know when I said I knew little about love? Well, that wasn’t true. I know a lot about love, I’ve seen it. I’ve seen centuries and centuries of it. And it was the only thing that made watching your world bearable. All those wars. Pain and lies. Hate. Made me want to turn away and never look down again. But to see the way that mankind loves… I mean, you could search the furthest reaches of the universe and never find anything more beautiful.” — Yvaine
Stardust reminds me of The Princess Bride, at times. It is a very funny, enjoyable fantasy film, filled with romance in both senses of the word. The film begins in the Victorian village of Wall, so named because of the brick wall separating the town from the nearby forest. Part of the wall has a hole in it, it’s fallen down, and this place is guarded day and night – no one crosses the wall.
One day a young man, out for adventure, crosses the wall. There he meets a young woman, slave to a female merchant. The young woman tells him she is a princess, tricked to be slave to a witch. He cuts the silver cord binding her to the merchant’s wagon, but the cord grows back and re-seals itself. The young man and the woman spend the night together, and the young man returns to Wall.
Nine months later, a baby appears on the now older man’s doorstep. The story skips ahead again, and the baby is now a young man, Tristan. Tristan is not a very successful young man in the traditional sense, but he works in a local shop and has fallen for Victoria. His rival for Victoria’s hand is Humphrey, an upper-class fop, but nevertheless someone Victoria sees as a better catch. Tristan convinces Victoria to go with him on a picnic. He treats her to champagne (a new experience for Victoria) and rich foods. Tristan tries to convince Victoria to accept his hand in marriage. Learning that Humphrey is going “all the way to Ipswich” to buy Victoria a ring, Tristan vows to go to London to make his fortune. Then a star falls. Tristan tells Victoria he will bring her the star, to win her hand.
Later, Tristan talks to his father, who tells him of his true origins, gives him a letter from his mother, which is wrapped in a candle. The letter says the “fastest way to travel is by candlelight”. Father and son light the candle and Tristan disappears.
Tristan lands in a crater. At the center of the crater is a beautiful blond woman, Yvaine, the star. Tristan ties her to him with the piece of magical cord that was also in the baby basket, and intends to bring her back to Wall. They begin a series of adventures.
Meanwhile, the King of Stormhold (the magical kingdom beyond Wall) is dying. He has seven sons, but three are already dead. A fourth is killed, as the King deactivates his royal ruby necklace and throws it out the palace window. It was this necklace that knocked Yvaine out of the sky, and which she found and placed around her neck. The ghosts of the dead princes, form a “peanut gallery” making comment and even fun of the actions of the living remaining princes. The princes are also all named by their number: Primus, Secundus, Tertius, et cetera all the way to Septimus. Septimus (Mark Strong) quickly dispatches one brother, and then Secundus is killed by a wicked witch. So it’s Septimus who becomes the main villian, pursuing Tristan and Yvaine.
The other villains are three witches, who want to capture Yvaine and cut out her heart – for eating the heart of a star conveys eternal youth and life (though using magic uses up this “star power”). Lamia (Michelle Pfeiffer) is the witch who eats the last of their previous star’s heart, becoming youthful, and goes in search of Yvaine. Each time she uses her magic, she loses some of her youth and beauty… becoming old and wretched by the conclusion of the film.
Thus Tristan and Yvaine are pursued by two groups: Septimus because he wants his father’s ruby necklace so he can become king, and Lamia because she wants Yvaine herself to kill her for her heart. Tristan thinks that he wants to bring Yvaine to Victoria, and thus win her heart with his gift.
The film thus follows the path of each of these three small groups. And it is beautifully shot, in gorgeous countryside, with great costumes and sets, competent effects, and good storytelling.
After meeting a group of pirates, lead by Captain Shakespeare (Robert De Niro) and their flying galleon, which captures lightening to sell, Tristan and Yvaine fall in love. They leave the ship, have more adventures, and finally reach an Inn near Wall. They spend the night together at the Inn. Tristan wakes early, the next day, cuts off a piece of Yvaine’s hair and goes to see Victoria in Wall. He speaks with Victoria, gives her his gift, but she rejects it as “worthless”. Humphrey arrives, but Tristan scares him off with the swordplay he learned from Capt. Shakespeare. Victoria they opens her gift, but is dismayed that it’s “mere stardust”. Tristan, who’s already rejected Victoria because he loves Yvaine (he’d only gone there to lord it over her how successful he now was) realises that if Yvaine follows him across the wall, she’ll die. He races back to stop her. But everyone else is proceeding to the Wall too. Septimus is there to take the ruby necklace from Yvaine. Ditchwater Sal is there with her servant girl (who is really Tristan’s mother and Septimus’s sister), and Lamia is there as well. Lamia attacks and kills Ditchwater Sal, freeing Tristan’s mother, but she captures Yvaine (thus accidentally saving her life, because she does prevent her from crossing the wall). Tristan arrives after the battle of the two witches, as does Septimus, and they both head for the witches’ palace.
There, in a fantastic battle, Septimus is killed by Lamia; but Lamia’s two sisters are killed by Tristan. Lamia uses Septimus’s body as a sort of golem to fight Tristan. Tristan finally manages to defeat him, frees Yvaine, and is nearly tricked and killed by Lamia. However, his mother steps in, fills in Yvaine and Tristan as to who he is, and in the end, Lamia is defeated. Tristan becomes the new king of Stronghold, with Yvaine ruling by his side.
Stardust is a wonderful film — fun, imaginative (as one would expect since it’s based on a Neil Gaiman novel), full of humor, magic, close calls, escapes, etc. The peanut gallery of the ghosts of dead princes add a twisted, dark humor to the piece. Again, the film is based on a novel by Neal Gaiman, so one would expect that. All the actors are fantastic! Robert De Niro plays decidedly against type, as a tough pirate captain, who is much happier helping Tristan and Yvaine to dress appropriately and teaching them both how to dance, and in Tristan’s case how to sword fight. He’s very funny, yet sympathetic. I highly recommend this film and I also think it’s very appropriate for children (aged, oh, about 10 or 12 and up), yet enjoyable for adults.
Recommendation: See it!
Rating: Five out of Five Stars
Next Film: Star Trek (2009)