Supergirl Season 2 Review

  • Series Title: Supergirl
  • Season: Season 2
  • Episodes: 22
  • Discs: 5
  • Network: CW
  • Cast: Melissa Benoist, Mehcad Brooks, Chyler Leigh, Jeremy Jordan, Floriana Lima, Chris Wood, David Harewood
  • Format: Color, Widescreen, NTSC, R1

This review contains spoilers for the second season of Supergirl.

With it’s second season, Supergirl switches over to the CW, which frankly, is where the show belongs instead of on CBS. Also, Supergirl is now officially part of the CW DC-verse (aka the “Arrowverse”) and this season of the show includes two crossovers. Click here to read my Season 1 review of Supergirl.

There are some character changes for Season 2, Cat Grant is in the first two episodes, but then she leaves to find herself, putting new reporter, Kara Danvers, in the care of Snapper Carr. The opening episodes with Cat show her both as her acerbic self and as a mentor to Kara, and when Kara announces she wants to be a reporter, Cat hands her a sealed envelope – inside is Kara’s resume, with the word, “reporter”, written across it. But rather than shepherding Kara through her new role, Cat leaves. Snapper, Kara’s new boss, is rude, entitled, and a bit racist and sexist. As annoying as that is, by the end of the season – Kara’s experiences with Snapper do show a different type of mentorship – and for a show with a younger audience, an audience that it probably dealing with “old guard’ bosses at work that behave like Snapper or worse, and it shows how to deal with it and with people like Snapper. Kara even follows her heart and publishes a story on her own, a story that Snapper refused to publish due to his own prejudices. Breaking her contract with Catco gets Kara fired. To get her job back, not only does Kara need to find another exclusive story, and bring that story to Snapper with it’s resources and documentation done precisely as Snapper wants, but she has to share the byline with Snapper who did nothing on the story. Then Kara has to apologize to him and declare he “was right” and that she’s learned a lot from Snapper. Watching that scene is hard and it made me bristle – clearly it was Snapper who’s anti-alien prejudice prevented him from wanting to publish either story in the first place. In both cases, Kara was right in her stories – and she wasn’t writing mere opinion, but facts.

Snapper also co-opted Kara’s work and took credit for it. But, as unfair as that seems – it’s also the way of the world. That type of stuff happens all the time in the real world, and in all sorts of industries. Supergirl shows, especially to it’s young audience of teens and twenty-somethings, how to deal with those situations in the real world. Essentially by swallowing her own pride and sucking up – Kara gets her job back, and is given more freedom to do want she needs to do – be a reporter. Would Snapper have treated a male reporter the way he treats Kara? Probably not. If Kara’s stories had been full of anti-alien trash and prejudice with no research and just prejudicial language and hate speech – what would Snapper have done? Probably publish them without a single red-pen edit. In a sense, his Archie Bunker attitude is the one being criticized, while at the same time showing just how to circumvent such people. Snapper also attacks James, whom Cat has named as her successor during her sabbatical. But within an episode or two, James tells Snapper off – pulling the “I’m the boss whether you like it or not” card.

Season Two also introduces Maggie Sawyer, a National City cop, and a lesbian. Alex meets her, they become friends, Maggie gets Alex to realize she is also a lesbian, then Maggie rejects Alex. They do get back together, and Maggie is present in some form or another for the rest of the season. The Maggie/Alex relationship is brilliantly played, with ups and downs, rather than as a fairy tale. It becomes clear that both Maggie and Alex have some self-esteem issues. Both have had trouble in the past being true to themselves and opening up to others. These flaws make the characters more interesting, and give the audience different types of characters to identify with.

Winn also meets a girl (are we sensing a pattern?) an alien named Lyra. Their relationship seems fine, and very hot, until she sets him up to make it look like he broke into a museum and stole Starry Night by Van Gogh. Winn, though, doesn’t buy the police line that he was simply used. Even when Lyra tells him the same, he pushes, until he finds out that Lyra was blackmailed into the theft and a series of others to pay off her brother’s gambling debts and free him from the alien mobsters who are holding him. Even though Supergirl, Winn, Alex, and the DEO are able to free Lyra’s brother and arrest the mobsters, after the incident we seldom see Lyra.

The season introduces Megan McGann, (aka M’Gann, Miss Martian) whom at first seems to be a Green Martian refugee like J’onn J’onezz. She turns out to be a White Martian instead, one whom became disgusted at the genocide of the Green Martians on Mars – and whom helped some escape. The relationship between the two also has its ups and downs and ends with M’Gann deciding to return to Mars to find similar thinking White Martians.

Finally, Kara, herself finds love – but it’s a bumpy, season-long process. At the very beginning of the season, a Kryptonian pod crashes on Earth. It’s occupant is Mon-El of Daxam. Since Daxam, sister planet to Krypton, has also been the enemy of Krypton for centuries, we get the rare experience of seeing Kara’s prejudice against someone – namely Mon-El. She even jumps to conclusions and blames him for a crime that he is innocent of and has no knowledge of. When it quickly becomes apparent that she was wrong, Kara, to her credit, admits her mistake. She then starts to work with Mon-El, trying to basically make him exactly like herself – from wardrobe, to internship at Catco, to becoming a superhero, to wearing silly glasses to hide his identity. It doesn’t work. However, over time, the real Mon-El emerges, and as Mon-El becomes his own person – it is that person that Kara falls in love with. And Mon-El also improves himself because of knowing Kara. Once he gives up on being an intern at Catco, Mon-El gets a job as a “mixologist” at the alien bar that’s a reoccurring location for the season. But he gradually becomes more involved in helping the DEO and Kara.

This season also introduces Lynda Carter as President of the US, who passes the Alien Amnesty Act, allowing alien refugees to become US citizens. In contrast to her compassion and understanding, Cadmus – run by Lillian Luthor (Lex’s mother) is an anti-alien organization that wants the destruction of all aliens – especially Supergirl and Superman. Like most people who act out on unreasonable prejudices – Lillian sees all aliens as the same – something evil, to be hated, to be feared, and Lillian also uses her resources to stir-up hatred in the general population. Lillian is unable and unwilling to see people as individuals but sees all others as evil ones to be hated and feared. Cadmus makes threats over the airwaves, taking over the media in National City. They use alien weapons to commit crimes and attack people then blame aliens for the crimes. Cadmus even co-opts Jeremiah Danvers, Alex’s father and Kara’s adoptive father, convincing him that deporting all aliens is the Final Solution to the Alien Problem. Yeah. For the most part, however, even with the destruction, death, and set-backs (at one point the alien bar is attacked and every alien is killed), the DEO, Alex, Maggie, and Supergirl are able to stop Cadmus and Lillian.

In contrast to Lillian, Lina Luthor is actually a good person. She becomes a fast friend of Kara (who, again, was willing to hate her for being a Luthor, but saw Lina as a person and became her friend instead), and goes up against her own mother to protect the people of National City, including aliens. Lina is fascinating, she’s also a businesswoman, re-branding “LuthorCorp” as “L Corp” to distance the corporation from her notorious brother and evil mother. She develops an alien detector, which becomes a plot point, though not an over-used one.

The beginning of the season tends to have a lot of stand-alone episodes, though threads are being laid for season-long plots, especially in terms of the characters and their relationships. One problem with the stand-alone episodes is it generally goes like this: alien menace arrives, alien menace (or cyborg or constructed alien like Metallo, etc.) defeats Supergirl in a fist fight or by using special powers (Kryptonite, absorbing her powers, etc.) Kara goes to the DEO and John, Alex, Winn, and maybe James or Maggie come up with a way for Supergirl to defeat said alien menace. Supergirl challenges the menace and wins. This is a boring and repetitive plot. Fortunately, it’s only a few isolated episodes in the first half of the season, and all of those, as I’ve said, have other character stuff going on, but it’s something future seasons really need to avoid. Besides, seeing Supergirl get defeated over and over again weakens the character, and makes her subsequent wins unbelievable.

There are two crossover events for this season of Supergirl: Invasion and the Musical. Invasion is the 4-part crossover that features the entire CW DC universe (aka the Arrowverse). Invasion is actually a pretty much stand alone episode. For the Supergirl episode that introduces it – it’s pretty much just the last five minutes of the episode, when The Flash and Cisco arrive via a universe-hopping portal and ask Kara for help. She then leaves with them and spends three episodes as a lead character in Invasion. Unfortunately, those other episodes are not included on the DVD set. Because the DVD releases of all four shows were spread out over a month, it’s also not possible to stop watching Supergirl and skip over to Invasion (until after The Flash and Arrow were finally released that is). I highly recommend that, since I do enjoy the crossovers, the crossover story be released as a separate special DVD with all four episodes in order. Which isn’t to say those episodes shouldn’t be included on the season sets of their respective shows. But like the Doctor Who Christmas specials – Why not release the Crossover Event as a DVD a few weeks after it airs? I’d buy it – and I’d still buy the season sets at the end of the season. From watching Invasion during the highly-rated Crossover Week – it’s pretty stand alone anyway, and it’s a good introduce to the Arrowverse for new fans. An inexpensive DVD/Blu-Ray release would be an awesome idea.

The Musical is a story that is integrated well in the season arcs of both Supergirl and The Flash. In Supergirl, Kara has just found out that far from being the “palace guard” that she thought Mon-El was – he’s the prince. Although every one tells her to work through her anger at being lied to, in the end, Kara breaks up with Mon-El. Meanwhile, on The Flash, Barry and Iris are in a similar situation – Barry had proposed marriage to Iris, she accepted, then for plot purposes they broke it off (there will be more when I watch and review The Flash). Again, at the end of a Supergirl episode, suddenly an “alien” is being led into the operations center of the DEO, he breaks free of his bonds, and whammys Kara, who collapses. Now by this time, my copy of The Flash had arrived from Amazon, so I was able to go straight to “Duet” and watch it. In “Duet”, we find that the “alien” is the Music Meister, an imp with Mxyzptlk-like powers and an interest in “true love”. He traps Barry and Kara in a musical, which features some actors from Legends of Tomorrow and Arrow as well as The Flash – though everyone is playing different characters. They sing. I was disappointed with “Duet” though. The music was, overall, only so-so both the old songs (“Moon River”) and the originals (“Superfriends”). The storyline in the musical is OK, but pokes fun at musicals (“It really is easy to convince people in a musical!”) The story does end with a beautiful scene of Barry proposing again to Iris (for real) and in song. Kara also sees the error of her ways and declares her feelings for Mon-El.

The final arc of Supergirl is brilliant – well acted, relevant, smart, and a better season finale than even Myriad. Cat Grant returns and we realize just how much we’ve missed her. The President (Lynda Carter) becomes a important part of the story. We meet Mon-El’s parents, played by Kevin Sorbo and Teri Hatcher – and discover that Queen Rhea is the most controlling parent in the the universe (not to mention a little nuts). Rhea returns and tries to get Mon-El to return to lead the survivors of Daxam as prince and future king. But Rhea hates Kara because she’s from Krypton, and after all when Krypton was destroyed it bombarded Daxam and made the planet a wasteland. Mon-El eventually is forced to sacrifice himself and his love for Kara, but she rescues him. This puts Rhea on the warpath. She passes herself off as human, approaches Lina, and gets Lina to work with her on a portal to move goods and people from point A to point B instantaneously. There are two issues with this: one – major side effect, the radiation from the generator that runs the portal turns telepathic aliens into dynamos that attack with the uncontrolled power of a tornado, and two – Rhea has no intention of the portal being used for the humanitarian uses Lina envisions, instead she brings in a fleet of Daxamite ships, which attack National City and hold it hostage.

In the end, even though Supergirl challenges Rhea to single combat for the planet, Rhea cheats – not only by using Kryptonite, but by calling in her guards and airstrikes despite Supergirl winning. This causes Supergirl to release a weapon of mass destruction developed by Lillian and Lina Luthor – they seed the entire planet with lead, which is toxic to Daxamites. This kills Rhea outright, and means Mon-El has to leave the planet. He escapes in the Kryptonian Pod, only to be swallowed up by a wormhole.

I had to wonder about the whole “lead” thing. First, lead is highly poisonous to humans, birds, and animals – it causes brain damage to children and babies; yet Lillian, Lina, and Kara don’t seem to even notice this fact or care. Second, it’s stated several times that Supergirl and Superman (who makes several guest appearances this season) cannot see through lead. If microscopic pieces of lead are in the very atmosphere, it would rend both characters blind until the lead settled out of the air, at the very least. It would be like walking outside on a day with heavy mist – you get wet. Not as wet as in a downpour, but your face and hair is going to be covered in a fine spray of water. So the “fix” to get rid of the Daxamites doesn’t make a lot of logical sense.

Still, Season 2 of Supergirl is an enjoyable series. The characters are likable – and it’s nice to see the interpersonal struggles without either falling into the extremes of soap opera plots or perfect characters who never have problems. I liked the relevance of the series, from Superman’s “I’m with her” statement while standing next to Supergirl, to the female president who has compassion and sense, yet is still strong and capable, to the last episodes being entitled, “Resist” and “Nevertheless She Persisted” – this is a show with something to say, and that is good. Also, looking at the credits in the episode guide flyer included with the set – nearly every episode is written, co-written, and/or directed by women. And that is awesome! This season also has less of a “aimed at teenaged girls” feel and more of a “general audiences” feel which is good, many of the people who “need” the messages of this show won’t watch a program they think is for teen girls. Kudos on that.

Recommended.

 

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Book Review – Trinity vol. 1: Better Together

  • Title: Trinity vol. 1: Better Together
  • Author: Francis Manapul
  • Artists: Clay Mann, Seth Mann, Brad Anderson, Steve Wands
  • Line: Rebirth
  • Characters: Superman (Clark Kent), Batman (Bruce Wayne), Wonder Woman (Diana), Lois Lane, Jon Kent
  • Publication Date: 2017
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 06/30/2017

**Spoiler Alert** I read Trinity twice, and I thoroughly enjoyed it. There are some parts that are a bit confusing, especially at first, but it’s a wonderful story – about Batman, Superman, and Wonder Woman. The story opens with a monologue by Lois Lane who is now married to Clark Kent and the two are raising their son, Jon. Bruce Wayne and Diana arrive at their farm house. Young Jon experiments with his powers, which he can’t quite control. Next, he’s in the barn, Jonathan Kent is unconscious on the floor, young Jon is freaking out, and Batman, Superman, and Wonder Woman arrive in their costumes. Jon flies off. The costumed heroes save Jonathan then go after young Jon. They find him, and later, Superman begins to wonder what just happened, though he’s happy to have seen his parents again.

Next, is Bruce’s story – he’s too late to see his parents before they die, or to prevent the horrible events of That Fateful Night. He sees a counselor, who gives him some medication to control his fears. This causes horrible, frightening hallucinations. Superman, adult Batman, and Wonder Woman have to save Bruce. By this point everyone is getting suspicious.

Next, Wonder Woman takes a boat, with Bruce and Clark, to Themyscira. By now, the three, including Wonder Woman, know nothing that is happening to them is real. The Amazons test the three, and they pass their tests. Hippolyta offers “Wonder Woman”, as she introduces herself, the chance to stay, but says the two men must leave. Diana decides she must go with her friends. Meanwhile, young Diana, is incensed at this and follows them, then begins to lead them through. They discover that Mongul, under the influence of the Black Mercy is behind everything. However, he had contacted Poison Ivy, Avatar of The Green, whom he manipulated to help him escape. The third person that is behind the dreamworld is the White Mercy – something created by Mongul’s need to escape and his boredom. The White Mercy, who appears as a child, appears to Poison Ivy as a child – she wants to use Superman to free her “daughter” the White Mercy. Mongul wants to escape the dream world of the Black Mercy. Wonder Woman, Batman, and Superman are caught in the thrall and dream world of the Mercy plants. Ivy even goes after young Jon. However, though, basically a construct, the White Mercy learned from the three scenarios he had Clark, Bruce, and Diana experience. In the end, he helps them escape the dream world. Mongul is returned there, Ivy forgets everything, including her “daughter”, and the White Mercy? It may have escaped to the real world.

This is a beautiful book – the art is gorgeous, with a marvelous painted look. The panels reflect the characters, as well, forming the famous symbols for Superman, Batman, and Wonder Woman at times. Though at times it was hard to tell what order to read the panels in. All three interwoven stories really explain and stress the strengths of Bruce, Clark, and Diana. It’s a great book and deserves a spot on any DC Comics fan’s shelf. Highly recommended.

Book Review – Infinite Crisis

  • Title: Infinite Crisis
  • Author: Geoff Johns
  • Artist: Phil Jimenez, George Pérez, Jerry Ordway, Ivan Reis, Andy Lanning
  • Characters: Batman, Superman, Lois Lane, Superboy, Alexander Luthor, Dick Grayson, Power Girl (Kara), Blue Beetle (Ted Kord), Wonder Woman, Justice League, et. al.
  • Publication Date: 2006
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 8/31/2016

Infinite Crisis is a sequel to Crisis on Infinite Earths, however it doesn’t bring back the Monitor or the Anti-Monitor. Rather, remember the characters who were stranded in nowhere? Superman from Earth-2, Lois Lane, Alexander Luthor, and Superboy? They return to cause havoc. It seems Superman (2) and company could watch what is happening on Earth-1 and they do not like it one bit. Having seen the darkness in our heroes – Superman (2) gets a bright idea – he will bring back Earth-2 instead, because Earth-2 is the better Earth. Superman (2) is also motivated by the fact that Lois is dying (of old age). Alexander Luthor encourages Superman in this plan – though he also shows his true colors, as it plays out – Luthor doesn’t care about Lois (he knows she’s doomed to die) or Earth-2, he wants to bring back all the Earths until he finds the perfect Earth. Meanwhile Superboy is pure nuts. His violence disillusions everyone.

The first thing the alternate characters do is bring in Kara, Power Girl, a version of Supergirl that no longer has a home planet, because she’s from Earth-2 but survived on Earth-1 at the end of Crisis on Infinite Earths. Kara although initially under the sway of Superman (2) and Lois – eventually comes around.

Superman (2) visits the Earth-1 Batman and tries to convince him that bringing back Earth-2 is best for everyone. Yet, when he learns that Dick Grayson no longer exists on Earth (2), Batman refuses. He even tries to bring down Superman with his Kryptonite ring, but the ring has no effect on the Earth-2 Superman. Later, in one of the best vignettes in the story, when the Brotherhood of Evil uses Chemo to attack Blüdhaven – destroying the town with toxic waste, Batman rushes to find Nightwing. Nightwing wasn’t in the city, fortunately, but he stands on the outskirts ready to rush in to help. Batman prevents Dick from going in, brings him to the Cave where he fills him in on everything: Superman (2)’s plan, Brother Eye, OMAC, how Batman’s own surveillance plan went horribly awry – Grayson is impressed at Bruce’s openness. Bruce then gives Nightwing a mission, something to keep him occupied. As Dick Grayson heads out to Titans Tower – Bruce asks, “Those early years – were they good for you?” Nightwing answers, “the best”. It’s a wonderful moment, tightly written, not overly sentimental – yet it shows how much Bruce cares for Dick. Probably the best page in the book.

In general, though, Infinite Crisis is a big, showy book, that again features most of the DC characters. There are many full-page or double-page spreads filled with heroes and even villains. But the plot, not including the miscellaneous side plots, is simple – those left behind from Crisis on Infinite Earths want to return to the status quo. If Earth-1 is destroyed in the process, they don’t care – the old way is best. For our heroes on Earth-1, many have been in a crisis of conscience. After Maxwell Lord betrays the Justice League and kills Ted Kord (Blue Beetle), Wonder Woman executes Max. This shakes up the League and leads to distrust of the League by the general public. But the new Crisis brings Batman, Superman, and Wonder Woman back together. In the end, this book has a more final ending – if a bit of a predictable one. But our heroes are together and strong as they pull together to face a world-bending, well, crisis.

Overall, I liked this book better than Crisis on Infinite Earths, though I enjoyed both. And the art is very spectacular. For the DC fan, this book isn’t to be missed and deserves a place on the shelf.

Book Review – Crisis on Infinite Earths

  • Title: Crisis on Infinite Earths
  • Author: Marv Wolfman
  • Artist: George Pérez
  • Characters: Batman, Superman, Wonder Woman, Green Lantern, Justice League, et. al.
  • Publication Date: 2001 (this edition), first published 1985
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 8/12/2016

Crisis on Infinite Earths is big, really big, you might think it’s a long walk down to the chemist’s but… No wait, that’s The Hitch-hiker’s Guide to the Galaxy, but nevertheless this graphic novel is huge. It is really big – in every sense. It’s 364 pages – not including the introduction or the final analysis/review and the sketchbook at the end. Not only is it a lot of pages, but the art style and layout of Crisis on Infinite Earths include many small panels almost crammed onto the individual pages – rather than four or two or a single splash page there are often 9, 11, 14, small panels per page – the effect isn’t that the art is crowded or hard to follow – it’s that there’s so much going on simultaneously that multiple panels are needed to even give a glimpse of the story. This novel is a breathless read.

The story is also huge in every way that a good superhero comics story can be. It features just about every DC superhero – from all the various alternate Earths in the pre-Crisis universe. Earth 1, Earth 2, Earth 3, Earth X, Earth S – those and more are all here – as are their heroes. Every hero from the known (Superman (two of them), Wonder Woman (two of her too), Batman, Aquaman, etc.) to the obscure (Bwana Beast, The Question, Rip Hunter, various magic-users, etc.) is here – at least briefly. And the teams are here too – from the World War 2 Era Freedom Fighters to Doom Patrol, the Justice Society to the Justice League of America, The Green Lantern Corps to the Legion of Super-Heroes. Amazingly, this doesn’t get confusing or overwhelming – the book is skillfully-written to give you at least a name or affiliation for each character, as well as usually defining their powers.

The actual story had a very pragmatic purpose – the DC Universe had gotten very confusing. When you’ve been around since 1932 – that’s bound to happen. And the creative folks at DC were feeling a bit confined by trying to keep everything in continuity or declare a story an “Elseworlds” or “Imaginary Story” (DC’s parlance for alternate universe stories and stories outside the main continuity.) The creatives at DC felt their universe was also intimidating to new readers. Crisis on Infinite Earths was DC’s plan to simplify. Not to quite go back to a clean slate or change everything – but to create a new starting point. Yet for something that had a practical purpose, it’s just an amazing roller coaster ride of a story. It moves. It has sad bits. It has humor. It has moments that will make you gasp. And it the end, it does what was promised: some will live, some will die, the DC Universe will never be the same.

I started with reading DC Comics immediately after Crisis on Infinite Earths – so I didn’t read it in softcover. And it took a long time for this story to be published as a graphic novel. This was my second reading (the first was when I bought it whenever that was) and I was even more impressed. Crisis on Infinite Earths is a “wow” graphic novel. It’s amazing. And it’s something any comics and graphics novel fan needs to read. This novel didn’t just change things at DC – it changed the comics industry forever by showing that a long, complicated, cross-over story that actually changed things could be done and could be both successful and popular. Not to be missed.

Book Review – Time Masters: Vanishing Point

  • Title: Time Masters: Vanishing Point
  • Author: Dan Jurgens
  • Artists: Norm Rapmund
  • Line: Immediately post-Final Crisis
  • Characters: Rip Hunter, Superman, Green Lantern (Hal Jordan), Booster Gold
  • Publication Date: 2011
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 7/05/2016

I enjoyed Time Masters Vanishing Point but it was neither really how it’s described on the back nor is it much of a tie-in to Flashpoint (the tie-in is limited to one page). In Time Masters Vanishing Point, Rip Hunter recruits a group of heroes (Superman; Green Lantern – Hal Jordan; and Booster Gold) to find Bruce Wayne who has been thrown back in time by Darkseid’s Omega Beams (see DC’s Final Crisis). Batman wasn’t killed in Final Crisis but sent back in time. For that reason I expected Vanishing Point to explain what was going on in Time and the Batman – to be the other half of that story. It’s not, because Rip Hunter and company get distracted during their travels through time and are unable to accomplish their stated mission to rescue Bruce Wayne. Everyone remembers what they are supposed to be doing – but their time travel is about as unpredictable as the TARDIS and they end-up all over the place rather than finding Bruce. I expected a “chase through time” – what I got was actually an innovative time-travel story with characters occasionally saying, pretty much, “But I have another mission I have to get back to”, so to speak.

This novel also includes a lot of background for Rip Hunter, including being raised by time-travelling parents who constantly move him not just from place to place but from time to time. And we learn a lot more about Booster Gold. Booster, in turns out, has hidden depths – he’s not who you think he is. The novel also features a number of characters with ties to Rip Hunter, Booster Gold, or both, including Michelle Carter (Goldstar), Supernova, and Brainiac 5 (briefly). Time Master villains also show up including: Despero, Degaton, and two of the Linear Men (one of whom is a woman).

However, despite all the various characters who appear briefly, and sometimes disappear just as quickly (eg Reverse Flash) – the novel isn’t confusing. Everyone is introduced by name at first appearance, which helps a lot (if nothing else one can always consult Google or Wikipedia to learn more), and it’s clear who is a hero and who is a villain. Also, the plot, which could easily become confusing with so many characters coming and going is actually pretty clear and easy to understand, even with the time travel and the frequent flashbacks (and occasional flash forwards) that flesh out the characters and explain their motivations.

This novel is very much Rip Hunter’s story – who he was, even as a child; who he is – as an adult and Time Master; and who he will be. It’s also a story about Booster Gold. It doesn’t fill in the other side of Time and the Batman unfortunately – we never really see Batman, despite his rescue being the McGuffin of the story.

There is a brief one-page reference to Flashpoint but that’s all – this story is not part of World of Flashpoint. I did enjoy it immensely and I wonder if there are any other graphic novels featuring these characters. Recommended to DC Comics fans, fans of time travel stories and science fiction, and also to anyone who saw CW’s Legends of Tomorrow and wants to learn more about Rip Hunter and the Time Masters.

Book Review – The World of Flashpoint Featuring Superman

  • Title: World of Flashpoint featuring Superman
  • Author: Scott Synder, Mike Carlin, Rex Ogle, Dan Jurgens
  • Artists: Lowell Francis, Rags Morales, Paulo Siqueira,
    Norm Rapmund, Gene Ha, Eduardo Francisco
  • Line: Stand Alone Graphic Novel
  • Characters: Superman, Lt. Sinclair, Project S1, Traci 13, Booster Gold, Guy Gardner, Jason Todd, Canterbury Cricket
  • Publication Date: 2012
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 6/29/2016

The World of Flashpoint featuring Superman is another volume in the World of Flashpoint series that fleshes out the characters and situations from Flashpoint, explaining in greater detail this alternate view of the DC world we know, created when Barry Allen travels back in time to save his mother. This volume also features four stories.

The Superman story is definitely the strangest of the bunch – and the focus of this volume is the more mystical aspects of the DC universe. The Superman story features Lt. Sinclair, recruited by General Lane (Lois’s father) to become a super-soldier. But Sinclair is a bit unbalanced before he starts the process and the experiments, drugs, and torture only make him worse. At the same time, the being who would be Superman is a small child – who is tortured, experimented upon, and abused. We even see Krypto the Super-dog, as well as what happens to him. Sinclair, meanwhile, develops strong mental powers, influencing Project S 1 (Flashpoint’s “Superman”). Both Sinclair and Project S escape, but Sinclair goes on a rampage. Project S also meets General Lane’s young daughter, Lois. When they escape, both Sinclair and Project S head to Europe to join the fray.

The next story, “World of Flashpoint”, features a character I couldn’t pin down as being a version of a known DC character – a magic user known as Traci 13. But she was fascinating and I really enjoyed her story. 13 is, as I said, a magic user. Her mother was a precog – who dies during the Atlantean attack on Europe. This creates a rift between her and her father (who becomes the leader of H.I.V.E.). Her father blames her for her mother’s death (to be precise for not preventing it) and tells her to not use magic. Traci 13 uses magic anyway, especially her teleporting ability. She meets with a fortune teller in New Orleans who becomes a good friend.

The fortune teller sends her on a mission to find other people to assist in the fight for Earth. This gives a wider view of what’s going on in the Flashpoint world – Red Tornado and his android brothers and sisters protect Japan but want nothing to do with the rest of the world; Nat Irons in Brazil leads a group fighting the Nazis who have taken over the country; Guy Gardner has found Buddism, let go of his anger, and opened a bar in Australia; and Jason Todd is a priest in Gotham. Although none of these people can help in Traci’s fight – Traci returns to H.I.V.E. and finds her father has primed the weapon that will take out New Themyscira and Atlantis – despite projected casualties in the billions. Traci 13 tries over and over to talk her father out of the destruction. Her father, who’d preached against the use of magic – is revealed to be a strong magic user who is soaked in dark magic. But Traci manages to finally get through to him. He makes a tremendous sacrifice, but Traci also manages to save him. It’s a great story with a lot of levels to it – especially as these aren’t characters we “know” at all. That Traci is a magic user reminds me a bit of Zatanna but Traci’s magic is different and far stronger. Her teleporting ability is also something we’ve seen a few times in DC characters.

The next story is Booster Gold’s story. Booster is the same guy we know – and, as a time traveler he knows the Flashpoint world is wrong. Booster, tries to figure out what is going on, and he’s not helped by the military strike team “Sea Devils” who are convinced he’s an Atlantean and keep trying to kill him and the woman with powers that he picks up as an ally. This story may be integrated with the graphic novel Time Masters: Vanishing Point.

The last story is “The Canterbury Cricket” – what happens when a former con man is turned into a giant cricket? This story tells us. Canterbury Cricket joins a number of bug-themed heroes in the Resistance. This story is short, and focuses more on Cricket’s back story, but it’s fun and an enjoyable read.

Other than the Superman story which was both confusing and very sad, this volume was excellent. I liked all four stories, even the Superman one, I just found that story to be sad. Booster’s story is great – I always like Booster Gold stories. Traci 13 is an awesome superhero in her own right, and intriguing as a new character. Even Canterbury Cricket, though that story is quite short, is something very different as both a hero and as a story.

Book Review – Batman/Superman vol. 3: Second Chance

  • Title: Batman/Superman vol. 3: Second Chance
  • Author: Greg Pak
  • Artists: Jae Lee
  • Line: New 52
  • Characters: Batman (Bruce Wayne), Superman (Clark Kent), Dr. Ray Palmer (The Atom), Kaiyo the Chaos Demon, Catwoman (Selina Kyle), Alfred Pennyworth
  • Publication Date: 2015
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 9/30/2016

DC Comics New 52 book Batman/Superman has proved to be such a disappointment that I’ve decided not to continue to purchase this series, or to look-up the rest of it that’s already available. This book had two stories both with intriguing plots – and I can’t fault the series on plotting. It’s the characterization that just isn’t quite there.

I did like the first story, Batman and Superman return from wherever, and Batman collapses. Superman scans Batman with his X-ray vision and discovers a microscopic society and city in his brain. He immediately calls in Dr. Ray Palmer (in this story just becoming The Atom), who gives Superman a “shrink belt”, acknowledging himself that it needs a better name, and they, “The Incredible Journey”-style go inside Bats to safely remove the city and it’s people – and to save Batman as the city is pressing on his brain causing a coma. Inside Batman, they meet a alien woman who’s fleeing another alien dictator. They rescue her and toss the villain out, then remove the city. The story had a light touch, and with Ray there, even some appropriate humor. Superman was reticent and unemotional about Bruce’s condition – one of the problems with New 52’s take on Superman in general. Clark and Bruce are, or should be, great friends – not colleagues who can barely take working together.

The second story has Batman and Superman sent back to Earth-2 by the Chaos Demon Kaiyo, there they are merely ghosts – until they make a single choice to act, then they get the opportunity to try to change something. Naturally, these changes don’t have the effect they want. But, upon returning to regular DC Universe Earth, both Batman and Superman completely lose their respective memories. As total amnesiacs, they also have completely different personalities. Bruce is light and carefree. Alfred tells him, because he asks, what made him become Batman – but to Bruce, it isn’t something he experienced – it’s like hearing a story or watching a movie. For Alfred, he sees Bruce happy and is glad for it. Bruce then takes up the mantle of Batman again – as a duty, almost a job, a career – something he wants to do, but not an obsession – something he’s driven to do.

Superman is less successful in adapting to his new amnesiac status. He takes up with Catwoman (out of serendipity – she’s being attacked and he rescues her when he first arrives). Superman has no memory of Lois. And he has no family. (Sidenote: What happened to the Kents? This series keeps referring to Clark as a complete orphan and the Kents being killed in a car crash, presumably when Clark was still quite young. This makes no sense.) Superman also doesn’t hold back in the use of his powers. Eventually both Bruce and Superman get their memories back – Alfred is sad to see the Batman/Bruce he has known for so long head into the Cave.

I did like the full-page panels, one for Batman and one for Superman, of several images visually representing the two getting their memories back – it’s both a wonderful static image and yet something that represents each person experiencing a rush of memories. Well done. The rest of the art in the book is also good, though the characters have a less photo-realistic or even painted look than other series in the DC line.

Again, I’ve decided to not continue buying this series. I’m loving DC Rebirth , and there are collection series reprints from the 1990s (Chuck Dixon’s Nightwing and Birds of Prey) as well as a couple of New 52 series (Birds of Prey, Justice League Dark) that I enjoy much more. I loved the Superman/Batman series from the 1990s, it was well-written, at times brilliant, and I have all or nearly all of it (I might be missing one volume); Batman/Superman is disappointing.