Book Review – Batman/Superman vol. 3: Second Chance

  • Title: Batman/Superman vol. 3: Second Chance
  • Author: Greg Pak
  • Artists: Jae Lee
  • Line: New 52
  • Characters: Batman (Bruce Wayne), Superman (Clark Kent), Dr. Ray Palmer (The Atom), Kaiyo the Chaos Demon, Catwoman (Selina Kyle), Alfred Pennyworth
  • Publication Date: 2015
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 9/30/2016

DC Comics New 52 book Batman/Superman has proved to be such a disappointment that I’ve decided not to continue to purchase this series, or to look-up the rest of it that’s already available. This book had two stories both with intriguing plots – and I can’t fault the series on plotting. It’s the characterization that just isn’t quite there.

I did like the first story, Batman and Superman return from wherever, and Batman collapses. Superman scans Batman with his X-ray vision and discovers a microscopic society and city in his brain. He immediately calls in Dr. Ray Palmer (in this story just becoming The Atom), who gives Superman a “shrink belt”, acknowledging himself that it needs a better name, and they, “The Incredible Journey”-style go inside Bats to safely remove the city and it’s people – and to save Batman as the city is pressing on his brain causing a coma. Inside Batman, they meet a alien woman who’s fleeing another alien dictator. They rescue her and toss the villain out, then remove the city. The story had a light touch, and with Ray there, even some appropriate humor. Superman was reticent and unemotional about Bruce’s condition – one of the problems with New 52’s take on Superman in general. Clark and Bruce are, or should be, great friends – not colleagues who can barely take working together.

The second story has Batman and Superman sent back to Earth-2 by the Chaos Demon Kaiyo, there they are merely ghosts – until they make a single choice to act, then they get the opportunity to try to change something. Naturally, these changes don’t have the effect they want. But, upon returning to regular DC Universe Earth, both Batman and Superman completely lose their respective memories. As total amnesiacs, they also have completely different personalities. Bruce is light and carefree. Alfred tells him, because he asks, what made him become Batman – but to Bruce, it isn’t something he experienced – it’s like hearing a story or watching a movie. For Alfred, he sees Bruce happy and is glad for it. Bruce then takes up the mantle of Batman again – as a duty, almost a job, a career – something he wants to do, but not an obsession – something he’s driven to do.

Superman is less successful in adapting to his new amnesiac status. He takes up with Catwoman (out of serendipity – she’s being attacked and he rescues her when he first arrives). Superman has no memory of Lois. And he has no family. (Sidenote: What happened to the Kents? This series keeps referring to Clark as a complete orphan and the Kents being killed in a car crash, presumably when Clark was still quite young. This makes no sense.) Superman also doesn’t hold back in the use of his powers. Eventually both Bruce and Superman get their memories back – Alfred is sad to see the Batman/Bruce he has known for so long head into the Cave.

I did like the full-page panels, one for Batman and one for Superman, of several images visually representing the two getting their memories back – it’s both a wonderful static image and yet something that represents each person experiencing a rush of memories. Well done. The rest of the art in the book is also good, though the characters have a less photo-realistic or even painted look than other series in the DC line.

Again, I’ve decided to not continue buying this series. I’m loving DC Rebirth , and there are collection series reprints from the 1990s (Chuck Dixon’s Nightwing and Birds of Prey) as well as a couple of New 52 series (Birds of Prey, Justice League Dark) that I enjoy much more. I loved the Superman/Batman series from the 1990s, it was well-written, at times brilliant, and I have all or nearly all of it (I might be missing one volume); Batman/Superman is disappointing.

Book Review – Batman/Superman vol. 2: Game Over

  • Title: Batman/Superman vol. 2: Game Over
  • Author: Greg Pak
  • Artists: Jae Lee, Brett Booth
  • Line: New 52
  • Characters: Batman (Bruce Wayne), Superman (Clark Kent), Wonder Woman, Hiro (Toyman aka Toymaster), Mongul, Warworld, Jochi, Supergirl, Steel (John Henry Irons), Red Hood (Jason Todd), Batgirl (Barbara Gordon), Power Girl (Earth-2, Karen/Kara), Huntress (Earth-2, Helena Wayne)
  • Publication Date: 2014
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 7/10/2016

Batman Superman Vol. 2 – Game Over is the second volume in the New 52 graphic novel collections of Batman/Superman stories. Though this series is not as good as the Superman/Batman graphic novel series from a few years ago, because: New 52, it’s still a pretty good series and one I plan on continuing to buy. This volume consists of two stories.

In the first story, Hiro, the new Toyman (or Toymaster) has come up with the “ultimate videogame”, having hired a woman to help with the computer programming. He brings in three game testers – but as they play the game, Hiro realizes it’s real and that Batman and Superman have been really dragged into the “game”. The entire story is presented in landscape format – meaning one has to turn the graphic novel to read it. I found this approach annoying. I could see that the horizontal layout was meant to mimic a widescreen video game – but with the graphic novel being bound, now on the top, even turning the pages was annoying. Nice idea but stick with vertical, OK?

The second story, which is linked to the first one has Mongul and Warworld showing up. Batman and Superman are able to defeat Mongul (perhaps a bit too easily) but then are dragged into a conflict with his son, Jochi. Batman and Superman must then each bring two allies in essentially a no-holds-barred cage fight to determine the new ruler of Warworld. Superman brings Supergirl and Steel (John Henry Irons) as his seconds, though Wonder Woman had offered – he told her to stay on Earth and defend it. Batman brings Jason Todd, aka Red Hood of the Outlaws, and Batgirl (Barbara Gordon who is no longer the paralyzed Oracle). During the fight, of course Superman and Batman are forced to fight each other. Batgirl messes with Warworld’s computers, Jochi is defeated, and when the entire planet is about to crash into the Arctic (which would be an extinction-level event – though no one notices this in the story) Superman transfers the entire planet into the Phantom Zone.

The third story has Kara (or Karen) – Power Girl and Huntress – daughter of Bruce Wayne and Selina Kyle from a parallel Earth show up on the New 52 Earth. Kara’s powers are out of control and Batman and Superman must help her. The encounter with alternate versions of the characters they know stirs Batman’s and Superman’s surppessed memories of travelling to an alternate Earth – and learning of the threat of Darkseid. This story had a bit more characterization, and was less of a slug-fest than the other two.

Similar to the classic Superman/Batman series – this series includes thought bubbles for both Superman and Batman, so the readers can see how these characters think. However, Batman is extremely distrustful of Superman. Bruce and Clark are not friends, and certainly not best friends, which is a pity. One of the best aspects of the classic series was seeing the friendship of Clark and Bruce. They had their own ways of doing things – but they were still friends. In this series, as in all of New 52 – no one trusts anybody, which is just a stone’s throw from everyone hating everyone else – and that’s a problem. If I wanted to read about distrustful, hateful, “superheroes” who don’t get along I’d read Marvel. This is DC. DC Heroes work together, they cooperate with each other, they trust each other, and they are friends. This doesn’t mean “they are singing kumbaya” or that the stories are unrealistic or not relevant. By showing how a diverse group can work together – the DC Heroes can inspire readers. This is a major problem with New 52 – and it’s why I’m so happy that Rebirth is bringing back the old, traditional approach to DC – making comics fun, and showing the reader a group of people working together for a common goal of bettering and protecting the planet.

Anyway, I do plan on buying the next volume of the Batman/Superman series. And this story had some unique story points to it. I like seeing Hiro as more of a hero – or at least someone that works with the heroes to supply their gadgets. I really enjoyed seeing Helena, Huntress, and Power Girl – a couple of favorites that were killed off when New 52 started. The trope of Batman and Superman commenting on each other gives the reader new insight into these well-known characters. Also, the art is fantastic – and I liked the mirroring between Batman and Superman a lot. But the New 52 “attitude” is really, really annoying.

Book Review – Batman/Superman vol. 1: Cross World

  • Title: Batman/Superman vol. 1: Cross World
  • Author: Greg Pak
  • Artists: Jae Lee, Brett booth, Ben Oliver, Yildray Cinar, Norm Rapmund, Paul Siqueira, Netho Diaz
  • Line: New 52
  • Characters: Batman (Bruce Wayne), Superman (Clark Kent), Wonder Woman, Kaiyo (Darkseid’s Agent of Chaos), Lois Lane, Catwoman (Selina Kyle)
  • Publication Date: 2014
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 6/10/2016

I ended-up reading Batman/Superman, Volume 1 – Cross World twice because although I liked it the first time – I found it very confusing. The second time through, again, I enjoyed it but parts of it were still very confusing. The art in some places was truly inspiring – the double spread showing the parallels between Superman’s origins (including the deaths of Ma & Pa Kent in a car crash???) and Batman’s (the oft-told story of the death of Bruce’s parents – here reduced to 5 stunning panels) was incredible. When Wonder Woman arrives on her Pegasus holding a sword – that was awesome. But I could not, for the life of me, figure out who was who when it came to the two versions of Batman and especially the two versions of Superman. One version of Batman was married to Selina Kyle. The other was not. One was much older, the other younger. For Supes – one was older, much more powerful, and a bit arrogant. The other younger – leaping not even flying, and possibly wearing jeans and a T-shirt with the S-shield. The panels and art tended to be small and close-up, thus we couldn’t see who was who based on the different uniforms. On the other hand – the art was stunning, just stunning.

The story has an agent of Chaos (I thought at first it was Klarion the Witch-boy nemesis of Doctor Fate – it wasn’t. It was Kaiyo an agent of chaos from Apokolips bent on destroying Darkseid.) However, this isn’t really clear until towards the end of the book, and the final chapter tells Kaiyo’s story as well as giving the history of Darkseid. On my second read-through, knowing who Kaiyo was helped. She also had the power to possess people – taking over Catwoman, Lois, even Wonder Woman for brief periods.

Kaiyo – because she can, brings the heroes of two Earths together. Thus we have two Supermen and two Batmen, and a Wonder Woman. And on one Earth, the army has developed a weapon to take out Superman because they think he’s “too strong”. Kaiyo tells the Supermen, the Batmen, Wonder Woman, Lois, and Catwoman about this – after they’ve figured it out. She tells them they must choose – destroy the crystal, or keep it to destroy Darkseid. Needless to say because she’s an agent of choas she’s not super-clear about explaining this – but everyone had figured it out by the time she starts to explain it. When the crystal is destroyed – Kaiyo wipes the minds of everyone involved – thus they won’t be warned of Darkseid’s coming.

So that’s the storyline, but the fun comes in seeing two Supermen and two Batmen not only interacting with Superman and Batman but with the alternate universe versions of themselves. It’s fun – confusing – but fun. This is also a beautifully illustrated book. And the bonus section consisting of a “page to screen” with pages of dialogue and information explaining how it was then translated to the page by the artist were fascinating, and even explained the book a bit better (only certain pages or spreads were commented on – not the entire book). It was a fascinating look at how the process of pulling a graphic novel together works.

Superman Doomsday

  • Title:  Superman – Doomsday
  • Director:  Bruce Timm, Lauren Montgomery, Brandon Vietti
  • Voice Director:  Andrea Romano
  • Date:  2007
  • Studio:  Warner Brothers Animation
  • Genre: Action, Animation, Drama, Fantasy
  • Cast:  Adam Baldwin, Anne Heche, James Marsters, John Dimaggio, Tom Kenny, Swoosie Kurtz, Cree Summer
  • Format: Widescreen, color animation
  • DVD Format:  Blu-Ray 

“Just look at him, so sleek, so powerful, so beautiful, like some great golden god made flesh. Of course, any sensible god would demand absolute obidence in return for his favor. But no, our Man of Steel protects us and keeps us with no strings attached. And the people, hum, they practically worship him anyway. Enjoy your reign while you may, Superman, for as surely as night follows day, there comes a time when even gods must die.” – Lex Luthor, prologue

“The subject in question was biologically engineered to be the ultimate soldier: precise, clinical, unstoppable. But its creators came to realize it could not distinguish between friend and foe, thus this Doomsday machine lives to extinguish any and all life forms. Because it must.” Superman’s robot in the Fortress of Solitude

Luthor has a group of scientists and miners digging to the Earth’s core in search of a new energy source that Lexcorp can sell. However, they get more than they bargain for by freeing Doomsday, a biological killing machine. Luthor will later have his assistant Mercy eliminate all trace of Lexcorp’s involvement in freeing Doomsday, and to cover his tracks further, Lex cold-heartedly murders Mercy.

Doomsday escapes and wrecks havoc. Lois and Superman had been having a romantic get away to Superman’s Fortress of Solitude, when Superman’s robot informs him of Doomsday’s attacks on Metropolis. They return. Superman fights Doomsday, and they both cause havoc. Lois and Jimmy Olsen cover the story. The fight between Superman and Doomsday wrecks buildings, causes havoc, and ranges all over Metropolis – city streets, subway tunnels, city streets again. But in the end, Superman does the only thing he can – he grabs Doomsday from the back, flies straight up to the stratosphere, then crashes to Earth. He and Doomsday land in a huge impact crater. Doomsday is stopped, but Superman is also killed. Superman crawls out from beneath Doomsday’s body, and dies in Lois’s arms. Jimmy Olsen takes a picture of the dead Superman, and of Lois with tears streaming down her face.

Martha Kent, who had been watching the fight between Superman and Doomsday on TV, collapses off her chair, tears streaming down her cheeks. In the wake of Superman’s death, Clark Kent is missing, though Perry White is convinced he’s “fine” just incommunicato in Afghanistan (where Kent had gone as a war correspondent). Lois decides she has to talk to Clark’s mother, and drives to Smallville to see her. At first, Martha is suspicious, but when Lois talks about being “in love with him” and “being loved by him” the two go inside to talk.

Lois returns to Metropolis and covers a story of Toyman threatening a schoolbus full of kids. She sneaks inside to rescue the kids, and all of them get out but one little girl. Lois and the girl are also threatened by a “Chuckie”-type living doll/toy with a big knife. Lois defeats the toy/doll, but Toyman pushes the bus off the building. Lois and the little girl are rescued by “Superman”. At first, Lois is overjoyed to have Superman back – but then she notices things – like he doesn’t know where her apartment is, and his attitude towards her is cold and clinical not romantic. Lois tries to figure out if it’s a result of Superman’s trauma, or if this Superman is perhaps not really Superman.

Lois becomes even more suspicious when Clark Kent still doesn’t return or make contact, and Martha calls her and says that even though “Superman” has returned – Clark hasn’t contacted her, he hasn’t even called.

The new Superman goes to confront Luthor, but he’s trapped in a room filled with red sunlight, and Luthor beats him up with Kryptonite brass knuckles. We then learn two things – this new Superman isn’t Superman, he’s a clone made by Luthor and under his control. And Luthor actually missed his enemy Superman so much after his death, he made the clone but a clone who would work for him. Luthor also has Superman’s dead body in status.

Lois tries to get Jimmy to help her investigate, but Jimmy, feeling his mortality after the huge Superman – Doomsday fight in Metropolis, has quit the Daily Planet, and taken a well-paid job as a Paparazzi photographer for a tabloid. Jimmy refuses to help the first time Lois asks.

Meanwhile, Superman’s robot steals Superman’s real body from Lex Luthor. The robot takes the body to the Fortress of Solitude where it turns out Superman isn’t dead – his pulse had slowed down to a rate of once every 17 days to allow him to heal. It had taken the robot 17 days to detect it, and another 17 days to pin-point the location. The robot tells the still injured Superman he retrieved him from LexCorp.

“Superman” takes on Toyman, and, after learning the villain had killed a young child at a day care center, takes him from police custody, flies up high with Toyman, then drops Toyman to his death on top of a police car. Jimmy takes a picture of the bloody and very dead Toyman. It becomes very apparent this this is not the Superman we know – he’s cold, threatening, and scary. Plus he’s still very, very powerful. When the police commissioner asks Superman to come in for questioning – Superman simply refuses because he has “better things to do”, and there’s nothing anyone can do to stop him.

At the Fortress of Solitude, the robot continues to treat Kal-El, the real Superman.

Back in Metropolis, “Superman” goes into a beauty shop and looks into a mirror. With his X-ray vision he finds a lead ball in his head containing Kryptonite. He uses his laser heat vision to remove it.

Lex Luthor hits on Lois when she confronts him. Lois lets Lex kiss her – and knocks him out with a hypo. She, and Jimmy search Lex’s office.  Lois and Jimmy use Lex’s unconscious body on a retinal scanner. They find Lex’s bank of cloned Supermen.  Lex arrives to kill Lois and Jimmy, then Superman arrives. Superman destroys the clone bank. Superman locks Lex in the red room and takes the entire thing into the stratosphere then throws it to the ground.

Meanwhile at the Fortress of Solitude, Superman weight-lifts and exercises to tone his body. He hears the news reports of Lex Luthor’s death. The army is mobilized in Metropolis to take out “Superman” for “killing” Lex Luthor.

The real Superman, in a solar suit, armed with a Kryptonite gun, flies to Metropolis to confront the clone “Rogue Superman”. Superman tries to use the Kryptonite gun, but it goes flying. Superman and Rogue Superman fight. There is a lot of destruction during the fight. Lois grabs the Kryptonite gun, but when she fires at Rogue Superman – she misses. Rogue Superman beats up Superman. However, Superman is able to get the Kryptonite into Rogue Superman’s chest and it explodes – destroying him. Superman is also weakened by the blast but survives. He kisses Lois Lane as proof that he’s the “real” Superman. At the end he reveals himself to Lois as Clark Kent.

Luthor also is reveal to be not as dead as he appears.

This animated film adapts the Death of Superman storyline from the regular weekly Superman comic books. The blu-ray is accompanied by three excellent documentaries – especially the one on the public and press reaction to the Death of Superman (Superman # 75), as well as trailers and sneak peeks for other films in the DC Animated Universe series of films. However, this film also has some changes and unique features that differ from the original printed story. First, Bruce Timm, who co-wrote, produced, and co-directed the film with others introduced Luthor both as a narrator for the story and as the cause of Doomsday’s escape. I thought that made the film stronger – if someone’s going to kill Superman – it should be his well-known enemy. Second, though, simply for time limitations, many of the vignettes of the one to two-year long story arc of the death of Superman and his return weren’t used.

Also, this story, like many Superman stories, is a slug fest. Yes, it’s a slug fest where Superman loses, and he has to sacrifice himself to stop the threat, but it’s still a slug fest. The second half of the film -the world without a Superman, and Lois, Perry, Jimmy, and Martha all coping with there grief in their own ways, was better than the opening and closing fight scenes. However, I wanted to see more of that human story – especially Lois and Martha. Specifically, when Lois goes to see Martha at the Kent family farm, and Martha invites her in – I really wanted to see what happened next.

The animation in Superman- Doomsday was incredible. It was gorgeous and at times I forgot I was watching an animated film. It was that good. I haven’t seen a DC Comics / Warner Brothers Animation film that looked this good since Batman: Under the Red Hood (which, yes, I realize chronologically came after this – but I saw it first.) The realistic animation style and the seriousness of the subject matter also reminded me strongly of Batman: Under the Red Hood.

I will say though that this animated film from several years ago handled Doomsday and the Death of Superman better in many ways that a certain live-action film that is probably still in theaters.

Recommendation:  See It – especially  if your a fan of Superman or good animation
Rating: 4 Stars
Next film: I have several new films to choose from, but probably Spy

All-Star Superman

  • Title:  All-Star Superman
  • Director:  Sam Liu
  • Voice Director:  Andrea Romano
  • Date:  2011
  • Studio:  Warner Brothers Animation
  • Genre:  Action, Fantasy, Drama, Animation
  • Cast:  James Denton, Christina Hendricks, Anthony La Pagulia, Edward Asner, Alexis Denisoff, John Dimaggio, Robin Atkins Downes
  • Format:  Widescreen, Color
  • DVD Format: R1, Blu-Ray

“Lex Luthor, you’re under arrest for attempted murder and crimes against humanity!” – SWAT Captain

All-Star Superman opens with a group of scientists in a spaceship that’s about to crash into the Sun, in no small part due to evil goings-on by Lex Luthor. Superman flies near the Sun and rescues the scientists but soon finds out that he suffered and overdose of solar radiation and he’s dying. Essentially, the theme of the story is Superman with cancer. You would think that would be depressing, but this animated film has a wonderful tone to it. The story is very episodic, but in a very real sense we’re seeing Superman actually fulfilling the items on his bucket list.

Superman, tells Lois Lane he’s Clark Kent – something she barely believes, and brings her to his fortress of solitude. There he gives her a serum that gives her his powers for a day, and the two have a romantic day playing superheroes together. They even stop a fight between Samson and Atlas and intelligent dinosaurs from the center of the Earth. When Superman brings the creatures back where they belong, he’s goaded into a fight with Samson and Atlas. However, he ends-up besting them with his intelligence solving the Riddle of the Ultra Sphinx. The riddle is what happens when “the irresistible force meets an immovable object”, Superman answers, “They surrender”, and rescues Lois. He then bests Samson and Atlas in arm wrestling.

Meanwhile, the Daily Planet has exposed Luthor’s water crisis scheme, and Luthor’s been charged by the International Court of Justice. Not only is Luthor found guilty he’s sentenced to die in the electric chair even though it’s been banned for years.

Clark goes to interview Luthor in prison, and Luthor states he likes Clark Kent but he hates Superman – and he’s happy that even though he will die, Superman will die first. The Parasite escapes during Luthor and Kent’s discussion and starts a riot in the prison, killing guards and prisoners alike. Luthor escapes.

Superman, in his fortress with her, tells Lois he’s dying. Lois insists he will figure out an answer.

Superman takes the bottle city of Kandor to a planet that they can safely colonize. Two months later he returns to Earth.

Two Kryptonians show up and prove to be spoiled, superior, colonials bent on cultural imperialism. Superman discovers, however, they have been poisoned by Kryptonite. In the end, they are sent to the Phantom Zone.

Superman even goes to his father’s grave, leaving a Kryptonian flower there. He says hi to his mother, Martha Kent, but doesn’t stay long.

Lex Luthor is “executed” but he doesn’t die – he’s stolen some of Superman’s serum to give himself super powers for 24 hours.

Superman records his final journal entry in the Fortress of Solitude.

Luthor’s next stratagem arrives – Solaris a living, intelligent sun eater who will poison the sun and turn it blue. Luthor thinks he’s gotten Solaris to turn the Earth’s Sun red, which will leave Superman helpless – but Solaris betrays even Luthor and poisons the Sun to turn it blue.  There’s a classic fight scene.  Superman has his pet sun-eater attack Solaris, but Solaris rips it to shreds. Superman then faces the super-powered Luthor, including firing a gravity gun at him. The gun eventually speeds up Luthor’s personal time, so just as Luthor is beginning to see the real meaning of things, and that everything is connected, he collapses because he’s burned through the serum.

But Superman is also dying. As his face cracks with light, he kisses Lois then flies off to the Sun to “fix it” and reverse the poisoning done by Solaris. The film ends with Lois sitting in a park. Jimmy Olsen drops by and asks her if she’s “going to the memorial”. Lois says no because she knows that Superman isn’t dead, he’s fixing the Sun and he will be back.

All-Star Superman has a wonderful 50s/early 60s quality to it. It has innocence and sweetness without being saccharin. The story is episodic, but underlining the individual bits is the very real threat that Superman is dying, essentially from cancer, and there’s nothing that can be done about it. You’d think that would be depressing, but Superman takes the news in stride and does take the time to do the things he wants or needs to do. It’s even Clark Kent who writes the “Superman Dead” newspaper story then collapses at his desk. The animation style also has a wonderful retro look to it that works wonderfully with the story.

There are some lovely special features as well, including interviews with Grant Morrison who wrote the original graphic novel. Overall, it’s an enjoyable and feel-good Superman story that doesn’t get bogged down in just fight sequences but shows the audience a human side to the Man of Steel.

Recommendation: See it, especially if you’re a fan of Superman or Classic DC Comics
Rating: 4 Stars
Next Film: Hot Fuzz

Lois and Clark Season 4 Review

  • Series Title: Lois & Clark The New Adventures of Superman
  • Season: 4
  • Episodes: 22
  • Discs: 6
  • Cast: Dean Cain, Teri Hatcher, Lane Smith, Eddie Jones, K Callan, Justin Whalin
  • Original Network: ABC
  • Production Network:  Warner Brothers

The fourth and final season of Lois and Clark opens with a two-parter that wraps-up the season cliffhanger, with the result that Clark leaves New Krypton (he never quite gets there, but does see the palace in the sky), and returns to Earth and Lois. In the third episode of the season, Lois Lane and Clark Kent finally get married. Most of the rest of the season is single self-contained episodes, with the occasional two-parter that’s self-contained from the episodes around it.

Lois and Clark’s relationship as newlyweds takes center stage and is very well written. The series does not change focus to be completely domestic, though, but returns to it’s roots with Lois and Clark both working as investigative reporters for the Daily Planet. In between investigating and reporting on stories, they discover and talk about issues common to new couples – such as should they buy a house?, meeting in-laws and celebrating holidays, and finally, as the season winds to it’s conclusion – thoughts on children.  The discussions between Lois and Clark about children become more and more frequent as the season and series get closer to its end. Finally, Superman sees Dr. Klein at STAR Labs to see if Superman can have children with an “Earth woman”. Although early tests seem promising, in the end Clark tells Lois – he can’t have children. He and Lois aren’t biologically compatible. Lois breaks down in tears – in an extremely impressive, well-written, and beautifully handled scene. Lois’s inability to have children with Clark is not written off with a one-liner or a bad joke, and the writers and series creators must be given their due.  Clark mentions adoption on more than one occasion – pointing out he’s adopted and it worked out OK for him. However, the scene between Lois and Clark and an adoption pre-sceener is awful. Lois is given a very low score – because apparently smart, intelligent, professional women can’t be mothers. (Yeah, really – they did that. So sad.) However, in the final moments of the last episode of the season – a baby is left with Lois and Clark.

Overall, I enjoyed watching all four seasons of Lois and Clark. The series is fun and light – even in it’s more serious moments – there’s a sense that everything will work out – eventually. Teri Hatcher is simply brilliant as Lois and has both great comic timing and wonderful romantic chemistry with Dean Cain. Dean Cain is sweet and very good-looking and plays Clark perfectly – not as a nerd but simply as a very nice guy, who’s maybe even a bit naive. Cain does a great job as Clark and a very good job as Superman. The rest of the cast is very good – and I really liked seeing Clark’s parents, Jonathon and Martha Kent, on a regular basis, and played by excellent actors.

The effects – well, they did what they could on a 1990s TV budget – but it’s still pretty impressive and never distractingly bad. The effects don’t over-power the human story, while at the same time they aren’t so bad or out-of-date as to throw the viewer out of the story. I recommend this series, especially if you want to watch a lighter Superman story.

Lois and Clark Season 3 Review

  • Series Title: Lois & Clark The New Adventures of Superman
  • Season: 3
  • Episodes: 22
  • Discs: 6
  • Cast: Dean Cain, Teri Hatcher, Lane Smith, Eddie Jones, K Callan, Justin Whalin
  • Original Network: ABC
  • Production Network:  Warner Brothers

Season 3 of Lois and Clark has no major cast changes, Justin Whalin is still Jimmy Olsen. Lois Lane, however, gets a really bad haircut – which in the first few episodes is not only very short but spiky as well.  It does not look good on Teri Hatcher, who with her classical looks and high cheekbones, looks better in a longer cut – not something so top heavy. As the season went on, they got rid of the spikiness and curls and let her hair go back to it’s natural straightness – but it was still short. Towards the very end of the season the slight curl on the ends comes back.

The first episode picks up exactly where season 1 ended – with Clark proposing to Lois. Lois takes off Clark’s glasses and asks – who’s asking, “Superman or Clark Kent?”.

Despite Clark’s obvious love for her – Lois isn’t immediately ready to commit to marriage and doesn’t accept the proposal right away. When she’s ready – Clark nearly blows the whole thing by wanting to call it off and not marry her to “protect” her, thinking evil-doers will use her to get to him. Eventually though the two work it out and start to make wedding plans. We meet Lois’s mother, played wonderfully by Beverly Garland and her father makes a reappearance.

Season 3 is also the season of the over-the-top supervillain. Some of the actors playing guest villains do a brilliant job of chewing scenery – such as Genie Francis (General Hospital) and Jonathan Frakes (ST:TNG, now a director) as two super-rich “collectors” who collect Superman. But the super villain story lines also make season 3 more “out there” in terms of story lines – and there’s much less of the two reporters working together on stories to improve Metropolis or expose corruption of the first two seasons. And I liked the crusading reporters stories.

Then about halfway through the season, we get the wedding – and the show takes a sharp left turn into a super-powered Twilight Zone. The wedding episode has Lois and Clark looking into the theft of exotic frogs, which turns into exposing a conspiracy to replace the president and the head of his secret service details with clones. Lois and Clark successfully stop the plot, but not before, unknown to them, a presidential pardon releases Lex Luthor from prison. Clark and Lois are married by Perry White (a minister of the “church of blue suede shoes) but it isn’t Lois that Clark marries – it’s her clone. Lois, meanwhile, has been kidnapped by Lex Luthor. And the episode ends on a cliffhanger showing the audience but not Clark that Lois is a clone.

Cliffhangers will be a theme – as the rest of the series is one big story, and every episode ends on a cliffhanger. So Lois is kidnapped by Lex Luthor, and Clark is married to a clone of Lois. Clark quickly realizes his bride isn’t his bride. Lois escapes Luthor – but in running towards Superman, who’s arguing with the clone (who insists on calling him Clark even when he’s in his uniform) doesn’t see Lois. Lois is hit by a car, bangs her head, and ends-up thinking she’s “Wanda Detroit” heroine of her two-year-old unfinished romance novel.

Wanda, trying to escape Lex, is picked up by a truck driver and taken to the docks, where she gets a singing job as Wanda Detroit. With a few diversions – she’s picked up again by Lex whom she thinks is “Kent” one of the heroes of her romance novel. Kent convinces her that Clark is “Clark” the nasty dude in her romance novel. Lex gets Wanda to help him in a robbery of Star Labs and tries to convince her to transfer her mind into a clone body (as he will to his own as well). Superman rescues Lois from the nightmare and Lex dies. Lois’s clone who’s formed a friendship with Clark also dies.

Things seem to be going fine, as Lois was starting to realize she wasn’t Wanda, but she’s hit by a rock as they escape. Lois then loses her memory completely.

Clark and Perry White admit Lois to a medical facility to have an expert help her regain her memory. Unfortunately for all concerned – the “medical facility” is only slightly better than Arkham Asylum, and one Doctor is brainwashing patients to kill people, then killing the assassin himself but making it look like a stroke (the first two “patients” are elderly). He tries to do the same thing to Lois but Superman and Clark rescue her and the doctor is arrested. However, Lois’s therapist – who claims to have no knowledge of what the other doctor was doing – is quite literally the world’s worst therapist. He instantaneously falls in love with Lois (what is it with Lois anyway?) So he starts pushing back at Clark, telling him to not tell her he’s her fiancé. He limits Clark’s visits to Lois and eventually tries to stop him from seeing her entirely. The “therapist” also stops anyone else from seeing Lois. Now that’s the exact opposite of what he should be doing – he should encourage as many friends and family who know her to visit her in the hopes that it stirs her memory. When Lois tries to start investigate the various strange stories at the facility – he also keeps discouraging her, when, really, doing something familiar should help her. Lois and Clark’s relationship goes back to the season 1 sparking, where Lois doesn’t realize she’s falling for Clark and she also doesn’t know he’s Superman (as she did earlier in Season 3). Lois’s therapist also hyponises her to fall in love with him. Finally, Clark and Perry find out what’s going on, the therapist is stopped, and Lois recovers her memory. She and Clark get engaged again.

There’s a filler episode with Lois’s school reunion and a “Incredible Shrinking man/woman” plot.

Lois and Clark start making wedding plans again, although Lois wants to elope – which might not be a bad plan considering their track record. Anyway, suddenly two Kyptonians show-up. The woman, Zara, played by Justine Bateman (Family Ties), claims she is Kal-El’s wife (they were married at birth as a way to unite royal families) and he must return with her to stop Nor, an evil dictator, from conquering New Krypton as well as civil war. New Krypton has a red sun and harsh physical conditions – so Lois won’t be able to go with Clark. Clark is torn – everything he knows is on Earth, but if he stays he’s condemning a whole planet and his own people to death and destruction. Clark decides to return to New Krypton. For the second season in a row – the show ends on a cliffhanger.