Wonder Woman Season 3 Review

  • Title:  Wonder Woman
  • Season: 3
  • Episodes: 24
  • Discs: 4 (Double-sided)
  • Original Network:  ABC
  • Distribution Network:  Warner Brothers
  • Cast:  Lynda Carter, Lyle Waggoner
  • Format: Standard, Color, DVD, NTSC

The third season of Wonder Woman starts with several very weak episodes. It’s almost as if the creative team didn’t expect the show to get picked up and they had to use whatever they had available to produce as scripts – including ones rejected from the previous season. The series starts to pick-up with “Skateboard Whiz”, which, despite the awful title is actually a pretty good episode. Diana goes on vacation in California to visit a former IDAC agent and her teenaged daughter. The daughter is into skateboarding, thus the title. Anyway, Diana is really there on vacation, not an investigation, but a shady casino owner is trying to buy up the town and using nefarious means to do so. When an old friend of Diana’s, a police officer who is now working security for the casino owner, spots Diana, he meets with her to find out why she’s there. Diana tells this former police officer that she thinks is her friend she’s “on vacation”. No one believes her. For once Diana really is on vacation, but the bad guys assume she must be undercover – so they go after her. They even kidnap the teenager at the skateboarding championship she’s entered. Diana as Wonder Woman spins into a skateboard outfit (basically her swimsuit but with elbow pads and a helmet) to rescue the girl. It’s better than it sounds.

As with “Skateboard Whiz” there are several average to good action-oriented episodes in the third season. There’s an episode with an SF convention as the backdrop, which, although it uses some of the negative tropes about SF fans isn’t wholly offensive. Diana accidentally meets up with an old friend while on assignment and he has a moon rocks exhibit at the convention that is interesting (though his idea of bright flashing lights and a tilting floor to simulate being in space makes most people nauseous). “The Starships are Coming” seems to be inspired by Orsen Welles 1938 “War of the Worlds” broadcast as a small town in Pennslyvania experiences a rash of UFO sightings followed by a series of faked broadcasts of an “alien attack”. However, the entire thing is arranged by a Conservative politician who uses the attack to convince an Air Force General who worked on Project Blue Book to launch a nuclear warhead at China. Fortunately, Wonder Woman stops the Air Force general and reveals the entire thing to be fake.

There are two two-parter episodes in the set, including the final story. Both are pretty good, simply because with more time they can breathe a bit more and the stories are more fleshed out. Oddly enough, the first one, “The Boy Who Knew Her Secret” concerns an actual alien invasion. In a very Doctor Who-like story, 99 pyramid-shaped rocks land near a small California town. When someone finds one of the rocks and picks it up they are taken over by an alien force. But it turns out the aliens are interstellar police looking for an escaped convict – a shapeshifter responsible for thousands of deaths. Once this becomes clear, Wonder Woman has to help find this shapeshifter, which isn’t easy, and then deal with the teenaged boy Diana’s befriended accidentally finding out who she really is.

The final story is a two-parter set at an amusement park. A nefarious property developer wants to buy the park, but the owner won’t sell. It turns out the owner has a secret, his twin brother who was horribly scarred by napalm burns in Vietnam is hiding, with his permission, in the tunnels beneath the park. Diana, and an orphaned teenager help the burned man come out into society and foil the attempts of the property developer to cause accidents at the park that would shut it down. Yes, it’s better than it sounds – the story just plays out in a very sweet, well-done, respectful way.

Overall, Season 3 of Wonder Woman is OK but not great. It starts off very weak, but it does get better through the season, with a few stumbles here and there. I’d say pick it up if you want the complete Lynda Carter series, as it is not terrible.

Read my Review of Wonder Woman Season 1.

Read my Review of Wonder Woman Season 2.

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Favorite Female DC Heroes

The Mary Sue website recently published a list of The Ten Most Powerful Female Villains of the DC universe, then challenged readers to list their favorite female DC heroes. So here we go.

1 – Birds of Prey

The Birds of Prey are not a single hero, but a group. Specifically, they are a team of female superheroes. First created by Chuck Dixon in the 1990s. The original group included Oracle (Barbara Gordon who also gets a place on this list herself), Black Canary (yes, she also gets her own listing), Huntress, and others. The team was rebooted in the New 52 and again in Rebirth. The membership of the team tends to rotate, but Barbara Gordon, Dinah Lance, and Helena are usually members. The series has been written and drawn by women as well.

2 – Zatanna

Originally a “joke” character who appeared in Justice League International and cast spells by speaking backward, Zatanna has emerged as one of the most powerful magic users in the entire DC Universe. At one point in New 52 – John Constantine describes her as the most powerful magician on Earth because she can bend reality itself. This after John discovers she cast a spell on him to make him a better person. Zatanna has been a member of the Justice League and Justice League Dark. She’s also one of the main characters in the animated series Young Justice and a supporting character in Justice League Unlimited. Zatanna is also one of the main characters in the recent mini-series Mystic U.

3 – Barbara Gordon (Oracle, Batgirl)

My favorite version of Barbara is Oracle. After she was shot by the Joker in Alan Moore’s famous The Killing Joke, Barbara doesn’t curl up and die. She doesn’t become bitter and decide to be a villain. Barbara goes through intense physical therapy, learns to use a wheelchair, returns to grad school and gets her MLS – Master’s of Library Science, and gets a job at the Gotham City Library. All of that would make her an admirable character, and representative of a very under-represented group: those with physical disabilities. It is not easy to get a master’s degree. It is not easy to get a good job when one has physical disabilities – discrimination is alive and well. But for Barbara, this isn’t enough, she uses her computer skills and becomes Oracle – running the Birds of Prey single-handedly (for much of Birds of Prey the other Birds don’t even know who the “voice in their ear” is), she also became knowledge gatherer for Batman and his allies, especially Nightwing. Barbara is strong and admirable for all that. New 52 retconned her back to Batgirl, and personally, I felt that was a step back for the character. There are plenty of tough female superheroes, how many superheroes in a wheelchair can you name? Rebirth has Barbara as Batgirl, but back in charge of the Birds of Prey, and keeps her computer skills, so that’s something.

4 – Black Canary

Black Canary is more than the girlfriend/wife/ex-wife of Green Arrow. She has been a member of the Justice Society of America (back in the 1940s), then Justice League International, Justice League, and the Birds of Prey. Her main power is her Sonic Cry, which is strong enough to kill someone. She also is a gifted martial artist, and at times has lived in the dojo where she teaches self-defense to at-risk women. Dinah is strong in more ways than one, and she remains one of my favorite characters.

5 – Jessica Cruz, Green Lantern

Jessica Cruz is one of the newest female DC heroes on this list, as she was introduced in the Rebirth book, Green Lanterns, with her partner, Simon Baz (a Muslim man). Jessica is Latina and suffered such severe acrophobia that she didn’t leave her apartment for two years. This is the woman who gets a power ring for overcoming great fear. Although Jessica is at first unsure of herself, she grows and becomes the hero her ring knows she can be. She and her partner, Simon, have a great relationship that is entirely platonic, a refreshing change for a story essentially about two cops. Jessica also is, by default, a member of the Green Lantern Corps and the Justice League, meaning she also goes on missions in space, and world-saving missions, as well as her “normal” work as Earth’s Green Lantern.

6 – Batwoman

Kate Kane is Bruce Wayne’s cousin, a lesbian, and a kick-ass superhero. Raised in a military family, when she was young and the family abroad, she, her sister and their mother, were kidnapped. Her mother and sister were killed, and Kate was raised by her father. As a young adult, she enrolls in West Point – and is kicked out when it’s discovered she’s a lesbian. She goes wild for a year but then returns to Gotham as Batwoman. For much of Rebirth, Kate has been the leader of the Batfamily in Detective Comics, but after a few serious arguments with Bruce (lets just say Kate is more pragmatic than Bruce, and she doesn’t feel as strongly about his “no kill” rule as he does), she’s currently on her own. Kate is a strong fighter, has the intelligence common in Batfamily members, has military contacts through her father, and has her mother’s money. She’s basically Batman but a woman, which makes her awesome.

7 – Huntress

There are two versions of Huntress, and I really like them both. The Earth 2 version is the daughter of Batman and Catwoman. (Bruce and Selina both grow older, retire from their respective “night ” jobs, and then marry.) The newer version is the daughter of a mob boss, who gets disgusted by her family’s violence, especially after her boyfriend is killed. She seeks revenge by killing mobsters. Bruce decides to bring her into the fold and gets her to agree to non-lethal ways of curbing the mob in Gotham. Both versions of Huntress have the first name, Helena, with the Earth 2 version being Helena Wayne and the modern version Helena Bertinelli. Helena is usually in a purple costume (sometimes black), and has strong fighting abilities, intelligence, and loyalty. As mentioned above, she’s frequently a member of the Birds of Prey.

8 – Fire and 9 – Ice

Fire was a Brazilian woman who had green fire powers. Ice was a Nordic Ice goddess. Both were characters in Justice League International. Both really need to be brought back!

10 – Wonder Woman

What new can one say about Wonder Woman? Diana is an Amazon princess, originally she brought American airman Steve Trevor back to America during World War II (which was contemporary with the times of her comic which was first published in 1940), where she stayed to fight Nazis, evil, and supervillains. She has the strength of Superman and the intelligence of Batman. Diana is part of DC’s Trinity of superheroes (the other’s being Superman and Batman) and is a member of the Justice League.

Wonder Woman – Season 2 Review

  • Title:  Wonder Woman
  • Season: 2
  • Episodes: 22
  • Discs: 4 (Double-sided)
  • Original Network:  ABC
  • Distribution Network:  Warner Brothers
  • Cast:  Lynda Carter, Lyle Waggoner
  • Format: Standard, Color, DVD, NTSC

The second season of Wonder Woman feels almost like three different seasons. The first ten episodes or so feature an animated opening sequence, though the pilot brings the series into “the present day”. The “present” is 1977. Season 1 was filmed in 1976-1977 and set in 1942, 34 years earlier. Since it is currently 2018, which is 41 years after 1977 – the “present-day” episodes of Wonder Woman feel almost as historic as the episodes from World War II. This means that there are some incongruities of watching an older program: everyone uses payphones, though towards the very end of the season a few car phones show up; cars are rear-wheel drive, long, and handle very badly (there’s a scene with a police car where it fishtails unbelievably – and it isn’t even snowing); and as was common in the 1970s even though the show is technically set in or at least based in Washington, DC, most of the stories take place in Los Angeles and surrounding areas. During the first ten or so episodes Steve and Diana report to Joe Atkinson and receive orders from an unseen voice. It’s all very Charlie’s Angels. After a few transition episodes, where we barely see Steve, Joe retires (or is promoted out of the show) and Steve takes his job. For the middle run of the season, Steve sends Diana Prince, his top agent on various assignments. Finally, at the end of the season, Steve and Diana seem to be taking their assignments from IRAC, a talking computer. At the very least, IRAC will be consulted at least once per episode. IRAC is a talking box of lights, not very impressive looking, and totally unrealistic as a computer. Oh, and my smartphone probably has more computing power. Welcome to the 1970s!

Most of the episodes in the second season of Wonder Woman are very formulaic. Diana and Steve are given an assignment by Joe’s unseen boss, or Steve gives Diana her assignment once he’s promoted, Diana travels to wherever her assignment is – usually California, Diana investigates and finds clues, and at least twice per episode, she spins into Wonder Woman. Diana is kind, courteous, sweet, and gets along well with children and animals. The series has forgotten about her mimic power, but she seems to have the ability to mentally speak to animals, especially horses. Steve is much less sexist in his treatment of Diana – but she runs into sexist attitudes while doing her job as a government intelligence agent. Diana’s reaction is to grin and bear it – which was very common in the 1970s and 1980s.

My favorite episode of the entire season was “The Queen and the Thief”, which is absolutely delightful. Diana is awakened in her apartment early in the morning and spins into Wonder Woman basically to get to work on time for an emergency meeting. When she arrives, she, Joe, and Steve are told notorious jewel thief Evan Robley (David Hedison) has arrived and he’s after the crown jewels of a small country no one has heard of. The country’s new Queen (Juliet Mills) was an American citizen who married the country’s prince and when he died, she became Queen. (Never mind that monarchy doesn’t actually work like that. She’d be a princess by marriage, later a consort to the King (possibly with the title of “queen” but only out of courtesy) and only her children would be in the line of succession, not herself.) Anyway, if the jewels are stolen she will lose her position as Queen and the counts or something will take over. Steve and Diana are despatched immediately undercover to help the Queen and prevent the theft. Steve is almost immediately captured, and Wonder Woman explains to the Queen he’s “safer where he is” and leaves him there. Diana and the Queen then have to ensure the jewels are not stolen, only to discover they’ve been stolen – but the ones that were stolen were paste (fake). Then things get really interesting as the theft, Diana, and the Queen work together to recover the real jewels and expose the Queen’s ambassador (Played to perfection by John Colicos) as the person behind a plot to steal the jewels, expose the Queen, and place his own traditionally-minded puppet on the throne. It sounds like a typical plot for the show, but it’s played with an incredibly light touch, and the Queen and the Theif are excellent guest stars (they need their own show). John Colicos is brilliant as always as the bad guy. And Diana’s involvement is pretty much talking to the Queen to convince her she and Diana Prince, have her interests at heart – and a brilliant jewel-heist scene which takes place in a set that looks like it was borrowed from The Avengers, that’s the British TV series starring Patrick MacNee and Diana Rigg. The episode has a light touch, great costumes and sets, and a brilliant cast. It felt like it should have been a movie with Cary Grant and Grace Kelly (and in some respects was probably inspired by To Catch a Thief). And it was glorious!

Here and there, other episodes of season 2 of Wonder Woman are at least enjoyable, escapist entertainment, largely due to Lynda Carter’s excellent performance as Diana Prince and Wonder Woman. Lyle Waggoner’s Steve Trevor definitely takes a back seat, which is a shame – he has pretty good chemistry with Diana, especially when they are friends and colleagues, and since Diana needs someone to talk to – she’s usually paired with the guest star of the week, which sometimes works and sometimes doesn’t. Unlike season 1, in which the show featured well-known guest stars, season 2 features familiar-looking actors of the 70s and 80s (especially if you watched The Rockford Files), but few “big stars”. And for some reason, a lot of children. No, seriously, several episodes revolve around young kids – which works if the kid can act.

Overall, I enjoyed season 2, but I also found it gets repetitive quickly. I’m going to hold off on watching season 3, but I will watch it at some point. Still recommended, if only for Lynda Carter.

Please also read my Wonder Woman Season 1 Review.

Wonder Woman – Season 1 Review

  • Title:  Wonder Woman
  • Season: 1
  • Episodes: 13, plus pilot
  • Discs: 5
  • Original Network:  ABC
  • Distribution Network:  Warner Brothers
  • Cast:  Lynda Carter, Lyle Waggoner, Richard Eastham, Beatrice Colen
  • Format: Standard, Color, DVD, NTSC

There are some technical issues first to discuss regarding the DVD set for the first season of Lynda Carter’s TV series version of Wonder Woman. The first season, set during World War II, only has 13 episodes, yet it is spread out on five discs, with only two or three episodes per disc. As this series runs short, only 42 minutes, and is in 3×4 ratio and standard definition – they could have easily put four or five episodes per disc and reduced the number of discs to four. Since the only special feature is a short documentary – everything would fit and the package could be slimmer. Also, the episode menus refer to episodes “on the other side of the disc”, when these are standard single-sided discs and not double-sided ones. And all five discs were stacked on a single spindle. I hate that, it begs for the discs to get scratched or broken. I repackaged mine. The menus and cheap packaging made me wonder if this particular copy was legit, even though I purchased mine at Barnes and Noble during their sale on everything DC last year. Also, the copy quality leaves something to be desired – it really does look like a direct transfer from videotape. In short, if a cleaner, more compact “complete series” was offered, I’d definitely consider replacing this set, even though I seldom replace DVDs I’ve already purchased.

On to the series itself. This is the Wonder Woman that I remember watching as a little kid. Even back then, I knew that, at times, it was silly. The pilot has a great guest cast – of comic actors, including Kenneth Mars (The Producers), Henry Gibson (The Blues Brothers and Laugh-In), and Cloris Leachman (Young Frankenstein). It’s somewhat difficult to take actors known for playing “comedy Nazis” seriously. Lynda Carter does her best though – and I must say, the series steadily improves. Every episode of the first season features at least one actor I recognize, and frequently more than one. And it isn’t simply 70s talent either, as actors from the 50s and 60s make guest appearances as well.

Set during World War II, Diana rescues Steve Trevor after his plane crashes on Paradise Island. Diana’s mother, the Queen, played in the pilot by Cloris Leachman (and in the series by Carolyn Jones) holds a contest to choose the Amazon who will escort Steve back to the US. Diana wins the contest and heads back to America. She defeats some Nazis and ends up as Diana Prince, Yeoman First Class in the WAVEs, and secretary to Steve in Military Intelligence at the War Department, which makes her perfectly placed to find out about threats to the US and the world and to protect the country and even the planet as Wonder Woman. Diana’s only friend at the War Department is Etta Candy. Etta is a bit man-crazy, but she has a good heart.

In the first couple of episodes, Diana changes into Wonder Woman by doing a slow spin, ending up with her naval uniform on her arm – which she carefully puts away in a closet or storage locker. Later they sped up the spin and added the explosion – and her clothes disappeared. Diana also, besides her super strength, her magical lasso which forces people to tell the truth, and her bullet-proof bracelets, has the ability to be an incredible mimic – able to exactly duplicate a voice over the phone or a radio. She has her invisible plane as well.

In the first season, episodes range from foiling Nazi plots (many of which involving the Nazis trying to capture Wonder Woman) to the unusual (such as the two-part “Judgment from Outer Space” in which a guy (played by Tim O’Connor of Buck Rogers in the 25th Century) from another galaxy has to determine if Earth should be destroyed or not) to an episode involving cattle rustling in Texas and Wonder Woman at Beauty contests and in Hollywood. The series improves starting with episode four, “The Feminum Mystique”, which introduces Debra Winger as Wonder Girl (Diana’s younger sister, Drusilla) and Carolyn Jones (from The Addams Family television series) as Queen Hippolyta. Although the plot of the two-part episode is similar to earlier ones, with the Nazis out to kidnap Wonder Woman to learn the secret of her bullet-proof bracelets, the story is better developed, and both Drusilla and Hippolyta are wonderful.

The first season of Wonder Woman mixes the silly with great adventure. Lynda Carter’s Wonder Woman grows from an innocent, totally perplexed by life in Washington, to a competent, professional woman. When her young sister arrives, she also is innocent and confused – but she learns without becomes harsh or cynical. The stories in the back half of the season tend to be better, with some interesting changes in location (despite the fact that absolutely every place they are looks like Southern California, including Washington, New York, Nazi Germany, Argentina, and Texas). Lynda Carter brings it as Diana – she is kind, thoughtful, understanding and caring – without being overly sweet or a “mary sue” character, which is difficult to pull off. Over time her end of episode speeches improve from sounding like Maxwell Smart’s “if only he could have used his genius for niceness” to something that approaches being more realistic, given this is a show from the 1970s that seems to be aimed at children.

Overall, though there are technical issues with the actual DVD set, and at times this show plays like a comedy or parody of the Superhero genre, considering when it was made – it is still worth watching and enjoyable to watch. Because season 1 is set during the war and everyone is in uniform, it looks less dated than other programs from the 1970s – though it is also very obviously set and backlot-bound. Lynda Carter is awesome in this. Lyle Waggoner is wonderfully dippy as Steve. Steve Trevor is incredibly dumb in this (he reminds me of the Ghostbusters (2017) secretary), though by the last couple of episodes of the season he’s not quite so stupid. Still, he spends a lot of time getting knocked out, kidnapped, tied up, and dropped into traps – so Wonder Woman can rescue him. I like Diana’s friend, Etta, even though she gets to do very little.

Wonder Woman was made in the 1970s – the same time as Charlie’s Angels and the Bionic Woman, and it some ways it reminds me of those shows more than any superhero TV show or film from now. Even the sound effect for Wonder Woman using her super strength is similar to the Bionic Woman. Still, this show is worth watching if you remember when it was made. Recommended with minor reservations.

 

Book Review – Bombshells vol. 2: Allies

  • Title: Bombshells vol. 2: Allies
  • Author: Marguerite Bennett
  • Artists: Mirka Andolfo, Laura Braga, Sandy Jarrell, ML Sanapo, Juan Albarran, Marguerite Sauvage, J. Nanjan (colors), Wendy Broome (colors), Jeremy Lawson (colors), Wes Abbott (letters)
  • Characters: Batwoman, Wonder Woman, Mera (Aqua Woman), Zatanna, John Constantine, Amanda Waller, Stargirl, Supergirl (Kara Starikov)
  • Publication Date: 2016
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 06/23/2018

**Spoiler Alert** Bombshells, a series based on World War II-era Bombshell-style statues (don’t judge), is an incredibly good series. Volume 2 opens with the Smoak family being evicted from their tenement apartment by a racist landlord who doesn’t want Jews and their “illegal immigrant” family in his building. The Batgirls, a group of young women, arrive to help young Felicity and her family escape, taking them to a safe house to start over. I believe this is the first time we’ve seen the CW’s Arrow’s Felicity Smoak in the DC Universe – even if it is in a historical timeline.

The Batgirls are leaving when one spots a corrupt cop, who’s rounding up young children and handing them over to an orphanage for payments. One of the Batgirls recognizes the name of the orphanage as being the one she and her brother were sent to – a prison for kids. She got out and intended to apply for guardianship of her brother as soon as she was old enough. They run into two more young women, both of whom have connections with the orphanage and organize a break-in.

Upon entering the orphanage, they find horrible conditions – children forced to work in a basement sweatshop – creating instruments of war, a headmistress who is a racist xenophobe who supports the Axis and is sending her weapons to them – and a horrific giant war robot to boot. But the Batgirls succeed in releasing all the children. The next day, one of the new Batgirls, Bette Kane, takes her majority at her family’s company – she clears out people like her aunt who ran the evil orphanage, and promises her company will help Gotham – from building real affordable housing to re-settle refugees from the horrors in Europe to helping unfortunates in the city, and beyond.

Meanwhile, in Greece – Steve Trevor and Wonder Woman confront Baroness Paula von Gunther and her Tenebrae troops.

Stargirl learns from her mother who her father really was – a British Lord who did a tour of Russia in 1923. Kortni’s mother met him in St. Peterburg and the two fell in love. But their relationship wasn’t approved of – the young Lord returned to England, and Kortni’s mother was sent to Siberia where she met and fell in love with Kortni’s adoptive father. The flashback panels are beautifully drawn and colored. This comes up because Kortni’s mother has heard from her father and wants her to meet him. Kara feels a bit left out in all this – but wants to be happy for her sister. Kortni, who now knows her name is Courtney Elizabeth Whitmore, meets her father, Samuel Whitmore. But Samuel Whitmore has grown rich by selling arms. Furthermore, he must have had an inkling of his daughter’s existence – because he has a pink princess room for her, filled with toys. Kortni is having none of it, though, because she was an experienced fighter, even before joining the Bombshells. When Whitmore threatens to keep Kortni locked-up to “keep her safe” she rebels and leaves to find her sister.

Meanwhile, Mera is called to investigate a disturbance under the sea – it’s a Kraken-like creature, with god-like powers, and it’s in league with the Tenebrae. Mera fights and nearly loses but is rescued by Supergirl. They proceed to London, along with the other Bombshells to stop the Tenebrae attack on the city (the Tenebrae allies include the Kraken, Edward Nygma, the Baroness, and the like). Even Zatanna helps, although still stuck in the Joker’s Cabaret in Berlin – with encouragement from rabbit-form John Constantine, using her magic to win the battle for the Allies. The Bombshells succeed – but not without cost. Mera is missing, presumed dead, and also lost her powers by attacking the Titan Kraken, Kortni sacrifices herself to save her sister, and although Zatanna’s spell works – she and John are caught by the Joker’s daughter. At first, it appears she strangles rabbit-John. But John is rescued – and both he and Zatanna lose their powers.

Bombshells is a wonderful book – great story, great takes on the characters, a wonderful ode to female empowerment. But the book also has beautiful art throughout, especially on the full-page splash pages, and incredible, incredible color. I’m enjoying this series very much.

Highly recommended.

Read my review of Bombshells vol. 1: Enlisted.

Book Review – Bombshells vol. 1: Enlisted

  • Title: Bombshells vol. 1: Enlisted
  • Author: Marguerite Bennett
  • Artists: Marguerite Sauvage (Art and Colors), Laura Braga, Stephen Mooney, Ted Naifeh, Garry Brown, Bilquis Evely, Mirka Andolfo, Ming Doyle, Sandy Jarrell, ML Sanapo, Marc Derring, Wendy Broome (colors), Doug Garbark (colors), Kelly Fitzpatrick (colors), Wes Abbott (letters)
  • Characters: Batwoman, Wonder Woman, Mera (Aqua Woman), Zatanna, John Constantine, Amanda Waller, Harley Quinn, Poison Ivy, Catwoman, Stargirl, Supergirl (Kara Starikov)
  • Publication Date: 2016
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 05/08/2018

“I would do the right thing. I cannot sit idle, awaiting the next blow… I would not be indifferent to the suffering of strangers.” – Wonder Woman

DC Comics’ Bombshells is awesome. This is the first volume of the series, and I certainly hope there is more because I absolutely loved it! The simplest way to describe Bombshells is that it’s like an alternate reality Birds of Prey set in World War II, but with Amanda Waller in charge (as in Suicide Squad; rather than Oracle/Barbara Gordon being in charge as in Birds of Prey). This particular volume is all about set-up, showing our women as heroes in their own right before being recruited by Amanda, or finding their way to Amanda’s “Bombshells” group. Kate Kane is the Batwoman, interpreted a bit too literally as she is on the Gotham Knights Women’s Baseball team, and in her off time she beats-up criminals in Gotham with her baseball bat. Interestingly enough, she also saved the Waynes, preventing Mr. Wayne from being killed by a street thug. Kane is, also, as in the current DC continuity, a lesbian. Kate also inspires a very young Barbara Gordon to become a heroine, since she witnesses her actions.

Wonder Woman’s origin is the traditional one, Steve Trevor, an American spy, crashes on Paradise Island, and despite the warnings of her mother, Diana decides she must join him and fight great evil in the war against Hitler’s intolerance, hatred, bigotry, and racism. It’s Diana who recruits Mera, the “Aqua Woman”. Steve informs Amanda, and she asks the two to join her Bombshells group.

Meanwhile, Amanda has already sent Kate into the lion’s den in Europe to find out more about La Contessa Selina Digatti – The Catwoman. It’s Alexander Luthor who picks up Kate and takes her to the Contessa’s party, all the time trying to convince Kate how war is good for business but that America shouldn’t challenge Hitler. Luthor basically is just as xenophobic and racist as ever.

In Russia, two very special women are joining the “Night Witches” – female Russian pilots who specialize in night raids. These two women, Star Girl (Kortni Duginovna) and Super Girl (Kara Starikov), have special powers – Star Girl with her staff of power and Supergirl basically like the Supergirl we know: super strength, immune to bullets, the ability to fly. The two, however, discover that the “enemy camp” they were sent to destroy is actually a Russian Prison Camp for political prisoners staged to look like a Nazi forward camp. They realize this and stop the attack, then discover their own parents in the camp. The women’s father had been a scientist and cosmonaut and now was speaking out against a particular general who was too zealous in his persecution of anyone who disagreed with what the Russian government was doing. Unfortunately, they are attacked during their escape attempt and the women’s father is recaptured. Supergirl, Stargirl, and their mother escape and find the English ship where Mera is meeting with Steve Trevor and Amanda Waller. Diana, Wonder Woman, is also nearby, but in custody, because she insisted on a group of captured Nazi soldiers stand trial rather than be executed by Steve’s men immediately. Amanda has her doubts about recruiting two Russians, and the Russians do not want to wear a uniform of American iconography, but one gets the feeling all that will be worked out and the two recruited as Bombshells.

Zatanna is trapped in Germany, working at a Cabaret, run by the Joker’s daughter. John Constantine is in the audience, though he is turned into a rabbit (who talks, smokes, and whose yellow fur resembles his trench coat). The Germans have raised a demon, who asks for the dead in return. The demon can make zombies. John both warns Zatanna of the dangerous supernatural “stuff” going on, and encourages her to escape Germany. Zatanna has no love for the Germans – but she’s trapped, in no small part because with a Jewish mother and Romani father – she’s dead without the Joker’s daughter’s protection.

Speaking of the Joker, Harley Quinn is working as a psychiatrist, when she learns “Mr J” may be alive. She meets up with Poison Ivy and the two set off to find him.

I loved this book! The art is truly beautiful. The writing is strong and meaningful. The story is very much an introduction to all the characters and their own environments and theaters in what will no doubt be a very far-reaching story. I just simply loved it and I want more. I hope future bound volumes are forthcoming.

Comics these days are very much a cross-medium media, with ideas from films and animated media crossing over into on-going books, and ideas from books becoming animated and live-action movie, and Bombshells is no different, as the origin of this series was actually a series of collectible statues of well-known DC female heroes done in the style of World War II pin-up girls. And while some of the art has that style – this is not an exploitative series at all! It’s brilliant – these are all strong women in extraordinary circumstances who will no doubt be fighting the war just as men would. I think it helps considerably that not only is the first volume written by Marguerite Bennett, one of comics’ most talented female writers, but the art and colors are also, for the most part, by women. This no doubt put a check on any possible exploitative aspects of the story, given the inspiration, and gave power to these extraordinary female characters.

Highly Recommended, and I simply cannot wait to get more!

Book Review – Trinity vol. 1: Better Together

  • Title: Trinity vol. 1: Better Together
  • Author: Francis Manapul
  • Artists: Clay Mann, Seth Mann, Brad Anderson, Steve Wands
  • Line: Rebirth
  • Characters: Superman (Clark Kent), Batman (Bruce Wayne), Wonder Woman (Diana), Lois Lane, Jon Kent
  • Publication Date: 2017
  • Publisher: DC Comics
  • Date Reviewed on GoodReads: 06/30/2017

**Spoiler Alert** I read Trinity twice, and I thoroughly enjoyed it. There are some parts that are a bit confusing, especially at first, but it’s a wonderful story – about Batman, Superman, and Wonder Woman. The story opens with a monologue by Lois Lane who is now married to Clark Kent and the two are raising their son, Jon. Bruce Wayne and Diana arrive at their farm house. Young Jon experiments with his powers, which he can’t quite control. Next, he’s in the barn, Jonathan Kent is unconscious on the floor, young Jon is freaking out, and Batman, Superman, and Wonder Woman arrive in their costumes. Jon flies off. The costumed heroes save Jonathan then go after young Jon. They find him, and later, Superman begins to wonder what just happened, though he’s happy to have seen his parents again.

Next, is Bruce’s story – he’s too late to see his parents before they die, or to prevent the horrible events of That Fateful Night. He sees a counselor, who gives him some medication to control his fears. This causes horrible, frightening hallucinations. Superman, adult Batman, and Wonder Woman have to save Bruce. By this point everyone is getting suspicious.

Next, Wonder Woman takes a boat, with Bruce and Clark, to Themyscira. By now, the three, including Wonder Woman, know nothing that is happening to them is real. The Amazons test the three, and they pass their tests. Hippolyta offers “Wonder Woman”, as she introduces herself, the chance to stay, but says the two men must leave. Diana decides she must go with her friends. Meanwhile, young Diana, is incensed at this and follows them, then begins to lead them through. They discover that Mongul, under the influence of the Black Mercy is behind everything. However, he had contacted Poison Ivy, Avatar of The Green, whom he manipulated to help him escape. The third person that is behind the dreamworld is the White Mercy – something created by Mongul’s need to escape and his boredom. The White Mercy, who appears as a child, appears to Poison Ivy as a child – she wants to use Superman to free her “daughter” the White Mercy. Mongul wants to escape the dream world of the Black Mercy. Wonder Woman, Batman, and Superman are caught in the thrall and dream world of the Mercy plants. Ivy even goes after young Jon. However, though, basically a construct, the White Mercy learned from the three scenarios he had Clark, Bruce, and Diana experience. In the end, he helps them escape the dream world. Mongul is returned there, Ivy forgets everything, including her “daughter”, and the White Mercy? It may have escaped to the real world.

This is a beautiful book – the art is gorgeous, with a marvelous painted look. The panels reflect the characters, as well, forming the famous symbols for Superman, Batman, and Wonder Woman at times. Though at times it was hard to tell what order to read the panels in. All three interwoven stories really explain and stress the strengths of Bruce, Clark, and Diana. It’s a great book and deserves a spot on any DC Comics fan’s shelf. Highly recommended.