- Title: Save the Cat! Goes to the Movies
- Author: Blake Snyder
- Subject: Screen Writing
- Date Reviewed on GoodReads: 06/07/2020
Save the Cat! Goes to the Movies is a sequel to Save the Cat! and it basically does “what it says on the tin” – after a short summary of the original Save the Cat! and the author’s theory of the structure of film, it goes on to provide examples of Synder’s ten genres of film and their sub-genres. Synder organizes Genre not in the traditional way (SF, Fantasy, cop show, mystery, horror, etc.) but in terms of the structure of the film and how it hits the beats of the Synder Beat Sheet. Thus though one type of his Genre might mostly align with traditional genre (eg Horror and Monster in the House) often the genres don’t align. This forces a deeper emphasis on the underlying structure of all films, which is good for students or career screenwriters looking to improve their skills. Also, if you read Save the Cat and some of the genres didn’t quite make sense to you or you wanted better examples, this is the perfect book to pick up. More examples are always helpful, especially when you are new to something.
The book, after the introduction, is split into ten chapters, one per genre, with one example per sub-genre, and a simple list of other examples. The chosen example is then analyzed in terms of Synder’s three-act structure and Beat Sheet. Again, this provides lots of examples of how Synder approaches screenwriting. Although it is obviously helpful if you’ve actually seen (and seen recently) the films discussed if you haven’t the beat sheets provide enough information to follow the analysis. Also, if you haven’t seen some of these films, you can still follow the discussion. I didn’t feel like it spoiled the movie, even though the entire plot is described in terms of structure. This is because of the emphasis on structure not a summary of the plot.
The only negative is there are no examples from older, classic films. The oldest films in the entire book are from the 1970s and I really could have used at least one example from films of the 1930s and 1940s. At least in the “Buddy” film category (where he puts romantic comedies), there are plenty of examples in Classic film from Bringing Up Baby and The Philadelphia Story to Shall We Dance and other Ginger Rogers/Fred Astaire films (which I maintain are Romantic Comedies with singing and dancing). The book is also copyright 2007 so it doesn’t include anything more recent than that, and thus really misses the opportunity to discuss great Epic films (he should have picked something from the 1960s like Ben-Hur or Antony and Cleopatra and if not that Lord of the Rings). And of course, the Save the Cat! series is about popular Hollywood film so foreign films aren’t included, though many would fit into the same structural patterns and the same beats.
Overall, I really liked Save the Cat! Goes to the Movies it is good to have more examples, and the problem of films being discussed that I haven’t seen, or haven’t seen for a long time can be solved by renting or borrowing said films. The lack of classic films could be solved by a second volume concentrating on older movies. I also like Synder’s method of analyzing film, it is a different approach. I do plan on buying additional volumes in this series. Highly recommended, especially for film students and fans.